This Friday at Covington’s Mad Hatter, two local bands team up for a dual release party celebrating their latest creations. And the disparity between the their musical styles is a great testament to how local bands don’t seem too concerned about genre classification, at least in terms of what bands they play shows with. For Friday’s show, Hip Hop, Pop, Metal and Punk collide for what should be a fun night of live music. It will definitely be diverse.
Let It Happen, All Out Best and Conditional Compromise also perform at the 8 p.m. all-ages show. Get show and club details here.
• Small Time Crooks (pictured) have not been together long but they’ve already released a boatload of material (EPs, mixtapes, etc.). They’ve performed at the Cincinnati Entertainment Awards ceremony, and their frenetic live show has helped them build a dedicated following. The band’s new full-length, Revenge of the Underdogs, should do a lot to add to that fanbase.
STC’s Hip Hop/Pop mix is playful, colorful and multidimensional, utilizing vintage-sounding synths and beats, cool samples, uplifting-to-occasionally-silly rhymes and strong vocal hooks.
But it’s the overall old-school Hip Hop flow that will keep you coming back for more. The well-put-together, poppin’ beats and backdrops and the MCs’ effervescent delivery recall classics by Digital Underground and The Pharcyde, as well as newer acts like The Knux and Cool Kids. The band’s multiracial makeup and upbeat, poppy approach will no doubt earn it comparisons to Gym Class Heroes but STC’s Hip Hop side is much stronger than GCH’s more pedestrian appeal.
• I Am the Messenger’s new Humans EP takes a Metal/Hardcore approach and injects it with a steady stream of Pop melodies. But unlike Small Time Crooks the blend often becomes a blur as the melodies get buried beneath the “rrrroar!” vocals.
Still, IATM does have a lot to offer. The Metal chugging is spot-on, the rhythm section is anvil-strong and the airy keyboards add a Faith No More-like atmosphere to the proceedings. The “sung” vocals also have appeal. But sometimes, as the singing bumps right up against the screaming, it sounds as if there are two different tracks by two different bands playing at the same time. Both singers are solid separately, but together they go together like sushi and peanut butter.
Metal/Hardcore-meets-Pop-Punk attempt is admirable, but I Am The
Messenger should spend a little more time in the lab perfecting the
hybrid. As it is, it’s awkward and clunky.
CONTACT MIKE BREEN: email@example.com