According to Carson Kreitzer’s new script, Behind the Eye, premiering at the Cincinnati Playhouse, Lee Miller “reflects light so well it seems that she herself is the source.” Miller, you see, is a forgotten but real historical figure, a photographer’s model in Vogue in the 1920s, a photographer herself in the 1930s and a fearless photojournalist across Europe during World War II. By any standards she was promiscuous and willful, a free spirit for whom happiness was just beyond her grasp.
She is the fascinating focal point for Kreitzer’s compelling new play (read more about it in Curtain Call, here), perhaps the best piece of theater at the Playhouse this season.
This production is Kreitzer’s third (and most approachable) collaboration with director Mark Wing-Davey. She credits him for bringing forth great depth from her script. But the show’s impact is also due to a remarkable creative team — especially scenic co-designers Peter Ksander and Douglas Stein, lighting designer Blake Burba and video designer Peter Flaherty — who devised a physical production every bit as alive and surprising as the script. Props appear from wooden sideboards or through ribboned curtains, then disappear just as quickly. Videos overhead add to Miller’s sensuality and highlight details of images she photographed.
The show — and Miller’s life — ends in an unexpected
moment that leaves the audience gasping. Anyone who yearns for the power
of dynamic theater needs to look Behind the Eye.
BEHIND THE EYE, presented by the Cincinnati Playhouse in the Park, continues through May 1. Buy tickets, check out performance times and get venue details here.