In 2009, after Cincinnati Magazine
ran a story about a virtually unknown but magnificent early Modernist
home in Woodlawn that was endangered, I drove over to see it. Or,
rather, I tried.
One national arts trend which Cincinnati
lags behind is the rediscovery of silent movies — especially the public
screening of them to live musical accompaniment.
The huge stone quarries that hide in the
landscapes of Ohio, Indiana and Kentucky are strange things, monsters of
ruggedly carved-out negative space that — when abandoned and filled
with water — attract illicit swimmers and divers.
New Edgecliff Theatre completes its 15th season with David Auburn’s Pulitzer Prize-winning play, Proof
(onstage through Sunday at the Aronoff Center’s Fifth Third Bank
Theater), a production providing ample evidence of NET’s strength...
Few things good ever come easily, or
without stepping outside one’s comfort zone. But persistence paid off in
Cincinnati Ballet’s pursuit of Peter Frampton, the Grammy-winning
guitar hero with a career spanning decades.
The human hurricane known as Mandy
Patinkin sets down this weekend for three concerts with the Cincinnati
Pops, his first appearance with the Pops since 1991.
In advance of last year’s FotoFocus
festival, probably the largest photography-related event in Cincinnati’s
history, I asked James Crump — the festival’s co-chair and then chief
curator/curator-at-large at Cincinnati Art Museum — if there wasn’t an
unspoken spirit hovering over the proceedings: Robert Mapplethorpe.
Tim Willig is awesome and he has the
business cards to prove it. The shoe and leather repairman doesn’t have
“cobbler” written anywhere on his aforementioned business cards. Rather,
the official title listed for the owner/operator of Awesome Time Shoe
and Leather Repair simply reads: “Awesome Guy.”
Know Theatre has opted for quality rather than quantity in its productions this season. It’s following the highly regarded When the Rain Stops Falling with its second show, Cock by Mike Bartlett, maintaining a similar high level of material and performance
Ohmigod, you guys: The Covedale Center’s production of Legally Blonde is like, totally fabulous. A bubbly, warm, laugh-out-loud evening of theater at its cutest, Blonde is well produced and wonderfully entertaining.
Matt Distel, an almost constant presence
in the Cincinnati art scene for the last couple of decades, suddenly
seems to be everywhere at once. But no, he’ll not be working three jobs
Last weekend I traveled to Louisville,
Ky., for the 37th annual Humana Festival of New American Plays at Actors
Theatre. I’ve attended regularly since 1998 and thoroughly enjoyed
these doses of new, ambitiously conceived and professionally presented
works.
When someone falls in love with dance,
it’s often a lifetime experience. It’s been that way for Jefferson
James, founder, artistic director and CEO of Contemporary Dance Theater, today Cincinnati’s premiere presenter of a diversity of
contemporary dance.