American Ska legends The Toasters perform a free show tonight at MOTR Pub in Over-the-Rhine. Showtime is 10 p.m. and — sorry, kids — you must be 21 or older to get in.
The band was one of the leading inspirations behind the "third-wave" Ska explosion of the ’90s, but the band actually began 30 years ago, influenced by the 2-Tone Ska movement in the U.K. The Toasters blend of NYC Rock and 2-Tone made them cult heroes in the Ska underground, as did the band's D.I.Y. approach; founding member (the sole one in the current lineup) Robert "Bucket" Hingley formed the influential Moon Ska Records in 1983 to release his own albums, as well as those by acts like Mustard Plug, The Slackers and Hepcat. The label's various compilations also gave a boost to up-and-coming, non-Moon acts like Less Than Jake and No Doubt.
Here's The Toasters' first music video, for the tune "Radiation Skank" off of the band's debut release, 1985's Recriminations EP (which was produced by British singer/songwriter Joe Jackson; he is to The Toasters what Elvis Costello was to The Specials).
And here is "Modern World America" off The Toasters' 2002 release, Enemy of the System.
David Hebert was the man shot and killed last night in Northside by police. But most who knew him wouldn’t recognize the name. Hebert, a beloved, longtime local musician and local music supporter, is far better known by his nickname, Bones. An expressive drummer, in the ’90s he was the rhythmic foundation for local bands like AMF and Shoot the Gift, as well as other Rock and Punk bands.
In advance of The National’s highly anticipated free performance this Thursday at Fountain Square, I had the opportunity to talk with the lead singer of the band, Matt Berninger. The concert is part of a rally in support of Democratic presidential nominee Barack Obama, donning the title “Vote Early, Rock Late.” It will feature political speakers and buses to take people to early voting locations, as well as two bands — Dayton natives The Breeders followed by Cincinnati’s own (though they live in Brooklyn now) The National. And, of course, there will be “plenty of Rock & Roll and beer,” as Berninger succinctly puts it. (UPDATE: The National's management says they are unsure of what times the bands will play, as of now. The only sure thing — both will play between 5 and 9 p.m.).
Berninger explains that the concert came together rather innocently; they simply wanted to show support for their candidate of choice. Initially the thought was to play a benefit concert, but as it all evolved, a rally seemed more appropriate, both in terms of what the band really wanted to accomplish and the nature of Obama’s campaign.
“It was our idea, but there have been so many people pitching in and helping along the way,” Berninger says. “No one is getting paid here, so it was really exciting to see so many people take the time to make this happen.”
The National’s fundraiser for the Obama campaign developed in a similarly organic manner. Shirts depicting Obama’s face accompanied by the song title of what has become a familiar show-closer for the band, “Mr. November.”
“About nine months ago, that song came (up during a show) and I dedicated it to (Obama),” Berninger remembers. “And it wasn’t until about halfway through the song that I realized just how perfectly it fit, in terms of both mood and timing. That night, Scott (Devendorf, bassist from The National) and I decided to make a T-shirt and a week later we had a box to sell. I think it all happened in the midst of four hours, and since then we’ve been able to raise about $10,000, with all proceeds going directly to the campaign.”
The band — whose song "Fake Empire" was used in a film about Obama showed at the Democratic National Convention — returns to their hometown of Cincinnati in the midst of one of the most significant presidential elections in history. Southwest Ohio – with its conservative reputation and rising liberal and progressive presence -- stands as arguably the most hotly contested location in the election.
“The thing I’ve always loved about the political landscape of Cincinnati is that you have it all,” he says. “You have extremely conservative Cincinnatians and you also have very progressive lefties and often you have that all in the same family. I don’t quite have the same conversations now, being in New York, that I used to in high school or around my dinner table in Cincinnati. And that’s the healthy thing about being there, is that those conversations are happening, truthful, and among people that, at the end of day, you truly respect and love.”
There is no hint of pessimism in Berninger’s voice. Rather, he sounds truly enthused about the opportunity America has to elect a candidate like Barack Obama, a man whom he believes embodies the most admirable qualities.
“There is an intellect, compassion and empathy to (Obama) that doesn’t seem fake,” Berninger says. “I want the best of us to be in the White House. I want the cream of the crop of American thinkers to be making decisions for me, and (decisions) that are going to affect me, my family and our future. I want the smartest guy in the room and the groundswell of support Obama has gathered shows that people see that in him.”
The National have recently wrapped up their tour in support of the critically-acclaimed album Boxer. They have written approximately 10 songs and returned to the studio to begin recording their follow-up. No word yet on a release date.
— Dave Tobias
(All photos by Keith Klenowski)
The hard work local experimental Rock/Soul/Pop/Prog/Glam oddballs Foxy Shazam have put in on the road the past couple of years is starting to pay off big time. Recent Foxy news includes everything from the impending release of the band’s major-label debut for Sire Records to gigging with Courtney Love in the U.K. to collaborations with Rock legend Meat Loaf.
Dennis Yost, the lead singer for the group Classic IV (known best for its indelible hit “Spooky”), passed away in Hamilton early Sunday morning. Though not a Cincinnati native, he had lived here for several years and was embraced by the local music community.
After previously teasing its inaugural lineup by announcing performers like Jane’s Addiction, Weezer, Death Cab for Cutie, Airborne Toxic Event, Manchester Orchestra and Gym Class Heroes, the Bunbury Music Festival today announced most of the remaining acts for the July 13-15 festival along the riverfront at Yeatman's Cove/Sawyer Point. There will reportedly be over 100 acts on six stages over the three days, so more acts will be announced.
Here's who's playing:
Friday, July 13
: Jane’s Addiction,
Airborne Toxic Event, Minus the Bear, O.A.R., Foxy Shazam, Ra Ra Riot
, LP, Matt Pryor, Reverend Peyton’s Big Damn Band, Ponderosa,
All Get Out
, The Minor Leagues, Lauren Mann, She Does Is Magic, Bo & the Locomotive, Tristen and Pet Clinic.
Saturday, July 14: Weezer, Gym Class Heroes, Manchester Orchestra, Grouplove, RJD2, Dan Deacon, Jukebox the Ghost, The Bright Light Social Hour, Kevin Devine, The Silent Comedy, Graffiti 6, 1,2,3, Secret Music , Messerly & Ewing, 500 Miles To Memphis, The Lions Rampant, Jeremy Pinnell & the 55’s, Wheels on Fire and Hotfox.
Sunday, July 15 : Death Cab for Cutie, City and Colour, Motion City Soundtrack, Guided By Voices , Margot & The Nuclear So & So’s, Good Old War, Lights, Will Hoge, Maps & Atlases, YAWN, Now, Now , Wussy, The Seedy Seeds and The Tillers.
Tickets are $46 for one day or $93 for a three-day pass. Click here for more details.
A couple of weeks ago, local indie publishing house Aurore Press released a book featuring memories and essays by people involved with the seminal local Punk club The Jockey Club. Stories for Shorty was feted with an in-store party at Shake It Records and a "Jockey Club Reunion" at the Southgate House, with reunited sets by The Thangs, The Reduced and SS-20 (who are still playing shows but were reportedly joined by original guitarist Pete Sturdevant). Check out some pics from the event here and be sure to pick up a book (while they last) to get a great impression of what Punk Rock was like in the Cincinnati area in the 1980s.
I missed my chance to put a submission in for the book, but I still wanted to write a few words about a club (and musical style) that meant a lot to my musical upbringing.
With the MidPoint Music Festival a glorious memory, we turn our attention to the next big local music event: the Cincinnati Entertainment Awards. The nominees will be announced — and you will be able to vote — tomorrow at citybeat.com. Vote early before you start worrying about that other little voting thing coming up in November. There will be no paper ballots this year; all voting will be done online. Next year, optical scans. (Kidding … or am I?)
The nominees are another strong batch of the best local musicians in Greater Cincinnati this year. First time nominees in the categories voted on by the public include The Bad Words, The Tillers, Poco Loco, Super-Massive, The Cincinnati Suds, Dusty Bryant, John Walsh, The Dopamines, Dan Faehnle, Khadijah, Eagle to Squirrel and Lost In Holland.
Two first time nominees also scored a boatload of nominations: up-and-coming AltRock band Seabird nabbed Artist of the Year and Album of the Year nods, while Cold Spring, Ky. singer/songwriter Daniel Martin Moore (whose debut for Sub Pop Records, Stray Age, was just released) is up for four trophies.
This year’s show takes place Sunday, Nov. 23 at Over-the-Rhine’s Emery Theater. The event — which has honored local musicians and theatrical artists for 12 years now — benefits the Michael W. Bany Memorial Scholarship Fund, which helps send students interested in a higher education in music to college. The fund is named and maintained in honor of Michael Bany, a veteran local musician who was murdered several years ago after playing a gig in Over-the-Rhine.
This year, the awards will join the anniversary celebration for King Records, the pioneering record label that many feel gives Cincinnati at least partial ownership to the claim of being the “birthplace of Rock & Roll,” by teaming with city and other officials who have fought for a historical marker to be placed at the site of the label’s original Evanston facility. Stay tuned for more news on some exceptional live performances being lined up to honor the King legacy.
You'll have to wait until tomorrow for the full slate of nominees, but here our the noms in the Critical Achievement categories, which are voted on by the nominating committee.
New Artist of the Year
Cut in the Hill Gang
The Flux Capacitors
The Koala Fires
Daniel Martin Moore
Album of the Year
Peter Adams: I Woke With Planets in My Face
Banderas: Beast Sounds and Parlour Tricks
Buffalo Killers: Let It Ride
Faux Frenchmen: Oblivion
The Hiders: Penny Harvest Field
Pomegranates: Everything Is Alive
Jeff Scott Roberson: Summer’s Here
Seabird: ’Til We See the Shore
The Sundresses: Barkinghaus
Artist of the Year
Daniel Martin Moore
C. Spencer Yeh
Daniel Martin Moore promo photo by Jonathan Willis.
Last week, Cincinnati's stars-in-the-making Walk the Moon issued the first release under its deal with RCA Records. Though only three songs, the effort is illuminating and a hint of what's to come on the band's forthcoming, so-far-untitled RCA full-length debut (due to be released this May). The Indie Dance Pop foursome has seemingly been touring and doing business related tasks non-stop for at least the last year. Now that it has a release on RCA, that will only increase. The recording is called Anna Sun EP, named for the band's irresistible tune that (along with a stellar music video) helped initially generate much of the buzz they've received fairly consistently over the past year or so.The song "Anna Sun" is on the EP, but those who have i want! i want! (the group's stellar self-released LP containing the original track) might still want to listen. It's a new version of the catchy song, slicked up a bit for radio and seemingly (inexplicably) sped up.
• The annual food/music fest Taste of Cincinnati — Cincy’s unofficial “start of the summer” — doesn’t begin until tomorrow, but tonight you can get an outdoor music fix that couldn’t be more “summery.” Reggae Culture Splash 2013 goes down 7-10:30 p.m. tonight at Washington Park (1230 Elm St., Over-the-Rhine).
The event features a stellar lineup of contemporary Jamaican Reggae stars, headed up by singer/songwriter Luciano, who is credited for helping keep socially/religiously inspired Roots Reggae music thriving in the face of an increasingly electro-dependent Dancehall craze.
Speaking of Dancehall, fellow Culture Splash performer Sister Nancy is credited as being the first female DJ in the genre and is also a fantastic vocalist. Also scheduled to appear are producer/artist Milton Blake, local collective Black Youth Faith and more, including DJing from I Vibez, Queen City Imperial Sound System and Frankie D.
Unlike most Washington Park concerts,
Culture Splash is not a free event. Tickets for Reggae Culture Splash
are $25 at the gates. The tickets will be available starting at 5 p.m.
An after-party will be held at Grammer’s
(1440 Walnut St., Over-the-Rhine) at 10 p.m.; admission is $10 before
midnight and $20 after.
• For some more local Reggae flavor tonight, you can check out Cincinnati Reggae greats The Cliftones celebrate the release of their latest single, the fourth to be issued this year, with a show at Southgate House Revival in Newport. The 9 p.m. event also features performances by Magic Jackson and The Almighty Get Down.
In January, just before winning the 2013 Cincinnati Entertainment Award for “Reggae/World Music,” the group released “Hard Ground,” which was mixed by noted producer Jim Fox (who has worked with Black Uhuru, Barrington Levy, Culture and other Reggae superstars and legends).
The ’Tones latest, “Gone (Warn Mi),” is another Prophesy/Scientist collaboration, as is the "limited release" track the group dropped on Soundcloud recently, "Run Come Down." Check both out below:
Be sure to show up early to tonight's release show; free download cards for the new single will be given to the first 100 people through the door. The group will unveil another single in late June and are planning on issuing a 12-inch vinyl EP in August. The Cliftones are gradually moving toward a full-length release; it’s tentatively scheduled to drop in October. For more on the group, visit thecliftones.com.
The music for this weekend's Taste of Cincinnati event — running Saturday-Monday — is heavier on local cover bands than it's been in a while, with only a small handful of acts that perform primarily original music. In years past, The Enquirer's weekly paper offshoot had presented some high-quality original artists (i.e. those who write all of their songs) in front of the P&G boob towers, but with the run of those weekly papers ending (for now) with the corporate shuttering of Metromix, perhaps the fest is in need of some booking guidance. (Too bad there isn't another weekly in town that has been covering original local music for the past nearly 20 years … cough, cough … that might be able to help.)
Still, there are some great local artists at Taste this year, performing everything from R&B, Jazz, Bluegrass, Salsa and Blues to the predominant styles of Rock, Country and Pop throughout the event.
Here's a handy schedule for this weekend's tasty sounds. Taste of Cincinnati takes place noon-midnight on Saturday and Sunday and 12-9 p.m. on Monday. Find food, music and other fun stuff along the Taste path (six blocks of Fifth Street downtown, between Race and Broadway streets).
Saturday: Rattlesnakin' Daddies (noon, Kentucky Ale Beer Garden Stage); Naked Karate Girls (noon, Christian Moerlein Beer Garden Stage); Stonehouse Trail (3 p.m., Yuengling Beer Garden Stage); Final Order (4 p.m., Christian Moerlein Beer Garden Stage); Jamison Road (4 p.m., Kentucky Ale stage); Hott Stuff (6 p.m., Yuengling stage); 4th Day Echo (7 p.m., Christian Moerlein stage); Arlo McKinley and The Lonesome Sound (7 p.m., Food Truck Alley); Eugene Goss & Triage (7 p.m., Taste Experience); Pistol Holler (8 p.m., Kentucky Ale stage),
Sunday: Ricky Nye (noon, Yuengling stage); Kentucky Myle (noon, Kentucky Ale stage); Robin Lacy & DeZydeco (12:30 p.m., Christian Moerlein stage); Azucar Tumbao (3 p.m., Yuengling stage); 3 Day Rule (4 p.m., Christian Moerlein stage); The G. Burton Story (4 p.m., Food Truck Alley); Danny Frazier Band (4 p.m. Kentucky Ale stage); Perfect Sequel (6 p.m., Yuengling stage); Eugene Goss & Triage (7 p.m., Taste Experience); DV8 (8 p.m., Christian Moerlein stage); The Cincy Brass (8 p.m., Food Truck Alley); Dan Varner Band (8 p.m., Kentucky Ale stage).
Monday: The Turkeys (noon, Yuengling stage); The Sonny Moorman Band (12:30 p.m., Christian Moerlein stage); The Tracy Walker Band (1 p.m., Food Truck Alley); Kelly Thomas & the Fabulous Pickups (2 p.m., Kentucky Ale stage); Pete Dressman & S.U.N. with Kevin Finkelmeier (3 p.m., Yuengling stage); Leroy Ellington & the E-Funk Band (3:30 p.m., Christian Moerlein stage); Ralph & the Rhythm Hounds (5 p.m., Food Truck Alley); Kentucky Timbre with the Boone County Caterwaulers (6 p.m., Kentucky Ale stage); The DVB Trio (6 p.m., Yuengling stage); Stays In Vegas (6:30 p.m., Christian Moerlein stage).
Find everything you need to know about this year's Taste at tasteofcincinnati.com. Here's a map of the site with the various stages and food vendors marked:
Trouble Will Find Me, the new album from Cincinnati natives (now New York-based) Indie Rock crew The National, was released today in the U.S. on the 4AD label (it came out overseas yesterday). The band has already been busy with pre-promotion (profiles and reviews can be found from just about every major music press outlet), but now that the album's out, the real work starts.
The National kicked off what is certain to be several national television appearances in honor of the new release. Last night, the band played Late Night with David Letterman on CBS. Dave (who notoriously has pretty good taste in music) seemed to really dig the performance.
The National has already performed on Late Night with Jimmy Fallon.
Those with Sirius Satellite Radio can check out "The National: The Radio Show," on all this week from 5-6 p.m. (with replays at 11 p.m.); a live session will also be aired on Sirius all week, as well as The National's June 5, 9 p.m. appearance at the Brooklyn Nets' arena, the Barclays Center.
The National also kick off an international tour this weekend; besides Turkey, Croatia and Luxembourg, the group is playing several major music fests in the States, including Lollapalooza, Bonnaroo and Cincinnati's own Bunbury Music Festival (July 14; get tickets here). The band is also playing Columbus, Ohio, in a few weeks — June 15 at LC Pavilion.
Tomorrow (Saturday) is the seventh annual OTR (that's "Over-the-Rhine," if you don't get the hip lingo) 5K Run and Summer Celebration, featuring a fine art show, food, drink and other vendors, the 5K Run and a strong lineup of local, original music in OTR's Washington Park.
The festivities kick off with the 10 a.m. OTR 5K, which begins and ends at Washington Park this year. Here are the artists — including several Cincinnati Entertainment Awards nominees and winners — you can check out (on the park's Bandstand and Main Event Lawn Stage) this year. (Click each name for more info on the performer.)
• The Cincy Brass (Event Lawn Stage 10:15am-11:30am)
• Baoku & the Image Afro-Beat Band (Event Lawn Stage 12:00pm-12:45pm)
• DAAP Girls (Event Lawn Stage 1:15pm-2:00pm)
• Decker, the solo guise of Histoire singer Jane Smith. (Event Lawn Stage 2:30pm-3:15pm)
• The Tillers (Bandstand 11:30am-12:15pm)
• Mia Carruthers (Bandstand 12:45pm-1:30pm)
There will also be the following "special appearances":
Young Professionals Choral Collective (Bandstand 10:45am-11:15am)
Cincinnati Opera (Bandstand 2:00pm-2:20pm)
Queen City Brass Band (Bandstand 2:45pm-3:30pm)
• British Indie stars Foals perform tonight at Bogart's in Corryville. Showtime is 8 p.m. With a dancey, atmospheric New Wave vibe (sort of a modern, more Math Rock-informed version of Talking Heads), Foals took off quickly in the U.K.; the band's 2008 debut, Antidotes, reached No. 3 on the U.K. album charts and Foals were nominated for a Mercury Prize and several NME Awards based on 2010's acclaimed Total Life Forever. The band is currently supporting the especially strong Holy Fire, released earlier this year in the States on Warner Brothers Records (the first two came out on Sub Pop in the U.S.). Read CityBeat's preview of the show here. Here's a clip for the Holy Fire track, "Inhaler."
Joining the band is L.A. Indie poppers Blondfire and Florida Indie rockers Surfer Blood, who provided one of the highlights of the 2010 MidPoint Music Festival in Cincinnati. The band is gearing up for the release of its major label debut for Warner Bros., Pythons, the follow-up to the fantastic 2010 release, Astro Coast, an engaging melange of classic modern Indie Rock influence. Pythons is due June 11. Here's the new album track "Demon Dance":
Surfer Blood is also doing a free in-store performance at Northside's Shake It Records this afternoon. The group is slated to play at 3 pm.
• Composer/saxophonist Colin Stetson performs this evening at downtown's Contemporary Arts Center. The show starts at 8 p.m. with special guest Sarah Neufeld, violinist for Arcade Fire and Bell Orchestre. Her debut solo album, Hero Brother, is due this August; here's the title track:
Stetson is supporting his latest release, New History Warfare Vol. 3: To See More Light; adding to Stetson's compelling soundscapery on the album is Justin Vernon of Bon Iver (Stetson is a member of that band, as well), who provides vocals on four songs. Stetson's appearance at the CAC tonight is his first in Cincinnati since the 2010 MusicNOW fest.
Read CityBeat's interview with Stetson here and check out this video, which features the new album's "In Mirrors" and "And In Truth":
We told you a few weeks back about the lineup for the MidPoint Indie Summer concert series on Fountain Square, featuring numerous (primarily local) Indie and Rock acts every Friday this summer from 7-11 p.m. Click here for the full rundown.
But there are many other popular themed nights returning this summer to both Fountain Square and Washington Park, which re-opened after a major makeover in time to introduce live music nights last summer for the first time. (Both spots are managed by the Cincinnati Center City Development Corporation (3CDC).
Fountain Square's PNC Summer Music Series will have live music five days a week, while Washington Park will host three themed music nights this summer. All events are free and a great way to enjoy our city's central districts. The concerts begin at the end of May/start of June and run through the end of August/start of September. Be sure to check the official websites of both venues for any updates, additions or cancellations.
• Every Tuesday from 7-9 p.m., the Square presents "American Roots" night. This year, the lineup is the strongest its been, showcasing the best of Greater Cincinnati's rich Roots/Americana scene (as well as a few regional faves).
• Reggae Wednesdays return to the Square this summer, with wider-net bookings that include numerous regional and touring Reggae acts. Music runs every night from 6-10 p.m. and acts are teamed up with a DJ or DJ squad for each event.
Summer Splash Happy Hour with I Vibez
Summer Splash Happy Hour with I Vibez
Summer Splash Happy Hour with I Vibez
• Salsa dancers and music lovers will be happy to know that Salsa on the Square is returning this summer on Thursdays, running 7-10 p.m. As always, dance instructors will be on hand to give you pointers (if you need 'em). Music is provided primarily by some of Greater Cincinnati's finest Salsa/Latin music groups.
May 30: Son Del Caribe
June 6: Kandela
June 13: Zumba
June 20: Tropicoso
June 27: Grupo Tumbao
July 4: Clave’ Son
July 11: Kandela
July 18: Tropiscoso
uly 25: Grupo Tumbao
August 1: Zumba
August 8: Azucar Tumbao
August 15: Clave’ Son
August 22: Brian Andres & the Afro-Cuban Jazz Cartel
August 29: Son Del Caribe
• Before MidPoint Indie Summer on Fridays, local club/bar conglomerate 4EG (which operates several nightclubs in the area) will present 4EG Happy Hour from 5-7 p.m. Local DJs will spin every Friday (except for Aug. 2, when local cover band Snidely Whiplash performs).
DJ Ice Cold Tony
DJ Jake the Ripper
DJ Jesse the Ripper
DJ Tina T
DJ Will Kill
• One of the most popular nights on the Square during the summer is Saturdays' "Beats" night, booked by local promoter Self Diploma. The concerts run 7-10 p.m. and again feature an impressive mix of local and touring Hip Hop, Electronic and DJ acts. Among the national act highlights this year are Mod Sun, Hoodie Allen, Watch the Duck and DJ Jazzy Jeff.
After a successful inaugural summer of events last year, Washington Park brings back three music nights, Wednesday, Thursday and Friday, plus several other entertainment offerings, including "Dancing Under the Stars," an every-Tuesday dance night, with lessons that focus on different types of dancing each week. (Click below for the concert lineups.)
Florence, Ky., Hip Hop artist Trademark Aaron has released a stellar new music video for his track, "Faith," which will be included on his next EP, For the People.
The track — featuring a great vocal hook sung by Koren Jackson —keeps in line with Trademark Aaron's overall positive approach heard on previous releases like the full-length, Prelude to Greatness (which you can download for free here). But it's hardly cheery. The song is about keeping hope when everything around you looks bleak and the music video visuals masterfully mirror that concept. Directed by Dan Gotti, the clip is one of the best you'll see by a "local act" — it's highly professional looking, often resembling something from a movie.
You can check out more of Aaron's videos at his YouTube page and keep an eye on TrademarkAaron.com and his official Facebook page for show dates and info on the release of the For the People EP. For even more, you can also read CityBeat's interview with Trademark Aaron from last year.
Tonight, dynamic Northern Kentucky group Kenny Peck & the Smoky Jack Band will celebrate the release of their new album, Country Jack, at the Thompson House in Newport.
Following up last year’s Naked Jack, which explored various forms of Pop/Rock, Country Jack focuses on the Country and Folk sides of Peck's schizo musical personality. Steeped in a vintage Roots style (and peppered with engaging lyrics that range from bittersweet to comedic), the new album includes some top-shelf local players, including Harold Kennedy, Bob Nyswonger, Lisa Biales, Marcos Sastre and Jeff Roberts, as well as a few musicians from Nashville, Tenn.
Peck grew up in Dixie Heights, Ky., and was drawn to the regional sounds of Bluegrass and Folk. Peck started writing and publishing songs in high school and college, before heading off to serve in Vietnam. Peck moved to San Diego after he was discharged and kicked off his music career with the original Smoky Jack Band in the early ’70s. From there, Peck played in various duos, including a comedy/musical act with his wife called The Special K. Peck settled in Greater Cincinnati in 1989 and continued writing and recording music. Naked Jack was his first album release in a dozen years.
Tonight's release party starts at 7 p.m. The $15 cover charge also includes a copy of the new album on CD.
Read more about Peck and find details on his releases at smokyjackband.com.
The Cincinnati Heritage Programs put together by the Cincinnati Museum Center have been going on for over 30 years now, taking locals and visitors to some of the Queen City's most important and/or interesting landmarks. The programs have included historical presentations and bus and walking tours to the various sites.
This year so far, the Cincinnati Heritage Programs have shown and told the stories of radio pioneer Powel Crosley, "Grand Old Theaters" and Cincy local TV legends. This Saturday, the Heritage programmers present "Subway Talk and Walk," a nighttime exploration of Cincinnati's incomplete subway tunnel project.
On May 18, from 9 a.m.-1:30 p.m., the Cincinnati Heritage Programs presents the first ever bus tour of various important (not just to the area, but to the world) musical landmarks.
Dubbed "When the Queen City was King of Recording," the tour focuses primarily on a pair of historic recording studios that churned out records that would change the face of music. The bus will visit the original site of King Records, which released seminal albums from the worlds of Country and R&B, a gateway to the birth of Rock & Roll. The bus will visit the old King location at 1540 Brewster Ave. in Evanston, where city officials, the Cincinnati USA Music Heritage Foundation (CUMHF), the Rock and Roll Hall of Fame and others helped have an historical marker installed in 2008 to commemorate King's contributions.
Here's James Brown's first single, recorded with his Famous Flames and released in 1956 through the King subsidiary, Federal Records:
The tour will also visit the former site of the E.T. Herzog Recording Company, at 811 Race St., downtown. In 2009, the CUMHF and others also lobbied successfully for a marker to placed at the site, which now houses the organization's headquarters. The Foundation has turned the floor the studio once stood into a museum dedicated to the space's history, hosting receptions and recording sessions and showcasing a few artifacts (like the piano Hank Williams played when he was in town to record songs that made him a legend, including "I'm So Lonesome I Could Cry") and lots of old photos of the studio in action. The Music Heritage Foundation is currently hosting the photo exhibit, "Annie's Baby Had a Baby," which was part of the big, citywide Fotofocus photography showcase.
The tour ends with lunch and some live music at the Blue Wisp Jazz Club, a block from the Herzog stop.
The tour costs $60 (or $50 if you're a Museum Center member) and some spots are still open. But you'd better act fast. Deadline to register for the "When the Queen City was King of Recording" is tomorrow, May 7. Make a reservation by calling 513-287-7031. And click here for the Museum Center's rundown of great city tours and more.
This afternoon, the Facebook page of crucial, longtime MidPoint Music Festival supporters, Dewey's Pizza, announced the first handful of artists book to play this fall's MidPoint Music Festival. And, after early-bird discount tickets quickly sold out several weeks ago, the rest of the tickets are on sale now at mpmf.cincyticket.com.
The first batch of MPMF.13 performers is very representative of the bookings for MidPoint the past few years. You've got a Modern Rock legend, a few established acts, several current "buzz bands" and a few acts that, if past years' MPMFs are any indication, will be "buzz-worthy" by the time the festival rolls around, Sept. 26-28.
Here are the first 17 acts booked for MPMF.13, the 12th installment of the ever-growing music fest that utilizes various venues in Over-the-Rhine/Downtown. Below the list, you can check out a song by each artist on our first MPMF.13 playlist.
The Breeders (Dayton, Ohio)
One of the seminal bands of the "Alternative Revolution" in the ’90s, The Breeders are currently promoting the 20th anniversary, expanded reissue of their classic Last Splash album. Though the Dayton-based Deal sisters (Kelley of R. Ring and Kim of Pixies) have kept musically active since Last Splash, with outside projects and The Breeders, the world tour for the reissue is special because it reunites the Deals with the album's lineup — bassist Josephine Wiggs and veteran Dayton drummer Jim MacPherson, who also spent time with Guided By Voices. The Breeders are playing Last Splash in its entirety on the whole tour.
The Head and The Heart (Seattle, Wash.)
One of the top acts of the "Indie Folk" movement, The Head and the Heart formed in Seattle in 2009. An early, self-made recording the band sold at initial shows ended up becoming so popular, local record stores began stocking it and trying to keep up with the surprising demand. The recording began making the music industry rounds, leading to a bidding war for the band. They ended up signing to hometown label Sub Pop within about a year of forming. The group's self-titled album was released to critical acclaim in 2011. The band's warm, ear-grabbing sound has been used a lot on TV spots; you might recognize their "Lost in My Mind," which was the background music for the trailer for the big hit film, Silver Linings Playbook.
Warpaint (Los Angeles)
With an airy, mesmerizing take on Psych Pop, L.A. quartet Warpaint caught the attention of mad guitar genius John Frusciante, who offered to mix the band's Exquisite Corpse EP. That release and a successful CMJ festival appearance led to Warpaint's signing to the legendary Rough Trade imprint. The label released the album The Fool in October 2010 and the band went back to their relentless touring schedule, which included dates with the likes of The xx, Yeasayer and The Walkmen. The band is currently prepping a new LP.
Foxygen (New York, NY/Olympia, Wash.)
Foxygen is the engagingly adventurous duo of Sam France and Jonathan Rado, who formed the group as 15-year-olds in 2005 and self-released a dozen or so albums while learning to play as many instruments as possible. The band's skewered Art Pop (akin to that of MGMT) with retro-underpinnings has been drawing attention since the release of the Foxygen full-length debut for the respected Jagjaguwar Records, the Richard Swift-produced We Are the 21st Century Ambassadors of Peace & Magic, at the start of this year.
Cody ChesnuTT (Atlanta, Ga.)
Singer/songwriter Cody ChesnuTT first came to a lot of people's attention as the lead vocalist on "The Seed (2.0)," a fairly big single off of The Roots' Phrenology album in 2002. That drove a lot of Roots fans to ChesnuTT's full-length from the same year, The Headphone Masterpiece, though what they heard on that album — an underproduced, ambling collection of demo-sounding tunes that surfed a wide range of genres with ADD-like abandon. A decade later, ChesnuTT has returned with a new focus, showcasing a balanced approach based in vintage Soul (vocally, he's quite similar to Marvin Gaye) and Rock & Roll, on the full-length, Landing on a Hundred.
Daughter (London, UK)
Originating as the "one-woman-band" recording project of singer/guitarist Elena Tonra, Daughter — now a trio, which Tonra's husband on guitar and drummer Remi Aguilella — mixes an Indie Folk base with subtle electronics, creating an emotive sound that can be whisper-quiet one moment and epically lush another. After a self-titled EP, Mumford & Son's Communion label released The Wild Youth EP. Often compared to Cat Power due to Tonra's vocals, last year, the band signed to the 4AD label, a fitting choice given the legendarily ambient sound that defined the label's artists in its early years. The label released the trio's debut, If You Leave, in March of this year.
METZ (Toronto, Canada)
Relentless in its sonic attack, Canadian three-piece METZ recalls a lot of the punchier Post Punk bands of the ’80s/’90s, drawing comparisons to Big Black, The Jesus Lizard and any number of acts on the (early) Sub Pop and Dischord labels. After a few years of heavy touring, opening for like-minded bands Death from Above 1979, Mudhoney and NoMeansNo, the band signed with indie label legend Sub Pop, which released METZ's powerhouse self-titled debut last year.
Kishi Bashi (Norfolk, Va.)
Starting his career as a violinist for artists like Regina Spektor and of Montreal, Seattle-born multi-instrumentalist and singer/songwriter K Ishibashi went solo — under the less-confusing moniker Kishi Bashi — and began touring. Making engaging Indie Pop touched by Classical/Chamber influence, the Joyful Noise imprint released his first full-length album, 151A, last spring. There's a pretty good chance you've hear Kishi Bashi before, even if you didn't know it — his jaunty, Shins-ish single "Bright Whites" was used in a wide-running commercial for Windows 8.
Julianne Barwick (Brooklyn, NY)
Julianne Barwick makes angelic Ambient music based entirely on loops. The Southern-born experimental artist — signed to Asthmatic Kitty Records — creates her compositions by using a loop station and crafting elegant layers of sonic haze, using mostly piano, her voice, some percussion and guitar. Barwick — who recently announced her signing to Dead Oceans and a new album set for August — is an up-and-comer in the Avant Garde/New Music world, recently scoring an invite recently to Yoko Ono's Meltdown Festival in the U.K.
Spectrals (Yorkshire, U.K.)
Spectrals was originally the work of one dude, British singer/songwriter Louis Jones (with just a little help from his brother on drums). Spectrals' wandering sound touches on everything from Nuggets-esque Garage to swaying, elegant Pop (threaded with reverbed-out, Surf-ish guitar). Jones signed to the Slumberland label in the States, which released his first album, Bad Penny, in 2011. For Spectrals' latest, the Sob Story album, Jones, for the first time, had some help from other musicians (who aren't related to him).The album is due June 18.
Dent May (Oxford, Miss.)
Singer/songwriter Dent May makes unabashed Pop music, the kind that forces a smile on your face regardless of your troubles. The Mississippi resident singed with Animal Collective's Paw Tracks label in 2008 and released The Good Feeling Music of Dent May & His Magnificent Ukulele, which drew comparisons to the likes of The Beach Boys, The Turtles and Prefab Sprout. For last year's self-titled album, May put away the uke and decided it was time to dance. The album is a cooly eclectic collection of dynamic electronic Pop, retaining those classic Pop/Rock influences, but adding elements of Disco, Funk, R&B Electro.
Grandfather Child (Houston, Texas)
Grandfather Child was formed in Houston in 2009 by members of various other local bands. The group hit upon a compelling "formula," creating a kitchen-sink sound that is loaded with influence from R&B, Soul, early Rock & Roll and Gospel music, resulting in a pretty psychedelic vibe. The band is signed to New West Records, which released Grandfather Child's eponymous 9-track album last summer.
The Ghost Wolves (Austin, Texas)
With a blistering sound created by just two people — guitarist Carley and drummer Jonny Wolf (both sing) — The Ghost Wolves traveled many miles across the country to build a fan base one explosive show at a time. The group's debut was the raw and rugged In Ya Neck! EP, which showcased the Wolves' fuzzy take on stompin' Blues Rock expertly, like a two-piece version of The Cramps. The band is getting set to release its debut full-length, Man, Woman, Beast.
Jeecy and The Jungle (Detroit)
Known for their reportedly incredible like show, Detroit's Soul rockers Jeecy and the Jungle represent two sides of Detroit's music heritage, blending a modern-day Garage Rock energy with influence from classic Soul artists. Last summer, the band released its impressive five-track EP, Twist and Scream.
Caveman (New York, NY)
Caveman is an NYC quintet that makes atmospheric Indie Rock with the kind of soft-breeze effervescence found in everything from the best vintage "AM Gold" songs to Fleet Foxes. The band released its debut in 2010, CoCo Beware, built a following and signed to notable label, Fat Possum Records, which re-released the debut and also the recent self-titled full-length, which has been garnering great reviews.
Perfume Genius (Seattle, Wash.)
Perfume Genius is Mike Hadreas, a Seattle singer/songwriter and visual artist whose 2010 debut caught the attention of the Indie music press corps. Quickly signed to the esteemed Matador Records, Perfume Genius' latest is Put Your Back N 2 It, a gentle, intimate collection of spectral, folksy songs.
PHOX (Madison, Wisc.)
Slanted, sparse yet broad Indie/Folk/Pop band PHOX started turning heads this year with consistent touring and a knock-out appearance at South By Southwest. The band recently released its latest EP, Confetti, which also has a companion "video EP," featuring short films for every track that the group members made simultaneously with the musical recording.