The post-holiday/awards season dumping ground is upon us — just two films hit theaters this week, neither of which are likely to pique the interest of more discerning moviegoers.
Miranda July's refreshingly slanted worldview is finally back on display via The Future, which will get its world premiere at the Sundance Film Festival in January. The long-awaited follow-up to her 2005 feature-length debut, Me and You and Everyone We Know, tells the story of a thirtysomething couple who adopt a terminally ill cat, a decision that has an unexpected impact on their lives — and likely the film's viewers.
A teaser trailer of Quentin Tarantino’s Inglourious Basterds, which is still in production, has made its way to cyberspace. It’s being billed as his ensemble war flick/spaghetti western, and if the tone of this teaser is any indication, look for Basterds to lean toward the genre-pillaging frivolity of Death Proof and the Kill Bill films. (Personally, I was hoping for a return to Tarantino’s more emotionally satisfying heyday, especially the underrated Jackie Brown.)
Are we in the midst of the worst summer movie season on record? The bar's admittedly not very high, but it certainly looks like we're heading in that direction.
The screen fills with a close-up of a military-issued boot marching along. Its owner, a grizzled and scarred commander, bellows, “You ain't in Kansas anymore.” So begins the preview footage of Avatar, the long-awaited and much ballyhooed sci-fi epic from James Cameron.
It's the filmmaker's first full-length feature project since Titanic made him the self-proclaimed “King of the World.”
When willLeonardo DiCaprio lighten up? It doesn't look like it's going to happen anytime soon.
Asked recently if he would consider doing something besides the heavy dramatic lifting of recent years (see Gangs of New York, The Aviator, Blood Diamond, The Departed, Body of Lies, Revolutionary Road, Shutter Island, Inceptionand now J. Edgar), the 37-year-old actor responded with this to-the-point rebuttal: “Why would I want to do something I would consider a profound waste of time?"
Nowhere has that sentiment been more obvious than at the multiplex, where a smattering of offerings have been pretty solid (Bridesmaids, Fast Five, Kung Fu Panda 2, Super 8, X-Men: First Class) and a smorgasbord have been solidly (if not heinously) flawed (Bad Teacher, Cars 2, Green Lantern, The Hangover Part II, Larry Crowne, Pirates of the Caribbean: On Stranger Tides, Thor and Transformers: Dark of the Moon, to the pinpoint the most obvious culprits).