My Curtain Call column about Know Theatre of Cincinnati from Wednesday’s edition of CityBeat was incomplete, since Artistic Director Eric Vosmeier was still wrestling for the rights to several shows. The picture is more sharply in focus today with the big announcement that Know will present the regional premiere of Bloody Bloody Andrew Jackson, which will wrap up the 2011-12 season between March 31 and May 12.
This weekend one of the finest actors in our area, Bruce Cromer, will conclude a run in A Man for All Seasons at Cincinnati Shakespeare Company. He's handling the heady, demanding role of Sir Thomas More in Robert Bolt's 1962 Tony Award winning play. Cromer makes him witty, caring, sharp and cantankerous, an admirable verbal combatant — ultimately more fearful of being unfaithful to his conscience than to his king. It's a tour-de-force performance, worthy of praise wherever it might be presented. (Read my full review here.)
The League of Cincinnati Theatres still has some kinks to work out in terms of sending out timely announcements of what they’re calling awards (last year they were nominations) for current productions. Despite the fact that the Cincinnati Playhouse’s God of Carnage opened on Sept. 7 and Cincinnati Shakespeare Company’s A Man for All Seasons got rolling on Sept. 9, information regarding what’s being recognized has only been distributed on Sept. 20. (Awards for Clifton Performance Theatre’s production of Superior Donuts, which opened on Sept. 9 and closed Sept. 18, were announced on Sept. 13.)
A lot more than actors go into making a play come to life onstage — lights, sound, scenery, props, dressers and so on. These are part of the rehearsal process, of course, but they get their final tweaks during technical rehearsals, an aspect of production that audiences seldom get to see. Sure, it might take away a bit of the magic, but in truth, it takes a special kind of magic to make these things happen — and you have a chance to do see how its done on Sunday afternoon at the Cincinnati Playhouse in the Park during a free “open tech rehearsal” of the upcoming Shelterhouse production of Shakespeare’s As You Like It.
If your aspirations include playwriting, New Edgecliff Theatre is offering a weekend intensive playwriting workshop for anyone age 16-22 — from beginners who have never dabbled in playwriting, to professionals wanting to get back to the basics. Catie O’Keefe, a professional playwright who is NET’s playwright-in-residence, will lead the workshops.
The Manhattan Dolls will make a one-night tour stop at Know Theatre on Sunday evening at 7:30, performing their Swing-style revue of tunes from the 1930s and 1940s, "Sentimental Journey," in the Over-the-Rhine theatre’s Underground cabaret space. The trio of singers from New York City travel the world performing for military events, air shows, award ceremonies, parades, Jazz clubs and concert series.
You know it’s going to be a good Gala when you get chills down your spine within the first five minutes — the first act, no less. Marshall Davis, Jr.’s “Summertime in Cincinnati” kicked off a stellar show with his knock-em-dead tap dancing to the sounds of Lonia Lyle’s lovely vocals and Christopher Lyle’s electric bass. Gershwin’s “Summertime” has seldom sounded so good.
And the thrills kept coming. Aim cincinnati — aim stands for arts innovation movement, the organization formerly known as ballet tech Cincinnati — presented its 10th annual Gala of International Dance Stars at the Aronoff Center Aug. 13.