Hearing the police knock on your door never gives anyone the warm fuzzies. It’s nerve-wracking. But imagine opening your door to a police officer who’s come to take away a member of your family. They’ll be locked in confinement until a) you can permanently relocate him or her, or b) time runs out and your loved one is killed.
That’s been the harsh reality for many pit bull owners in breed-discriminatory cities, as depicted in Beyond the Myth: A Film About Pit Bulls and Breed Discrimination by filmmaker Libby R. Sherrill.
If you haven’t heard of Jeff, Who Lives at Home that's probably because it wasn’t widely advertised and only saw a limited release in theaters. It was a stroke of luck that the AMC at Newport on the Levee was showing it that night, or, as Jeff would put it, “a sign."
Ed Helms plays Jeff’s older brother, Pat. Helms is a little out of his wheelhouse here, playing an all-around jerk who is trying too hard to be a successful guy, but he pulls it off nicely. Jeff and Pat don’t get along but through series of synchronistic events end up helping one another.
Jason Segel tends to play lovable characters that a good number of people can relate to. Jeff isn’t any different. Sporting unkempt hair, a scruffy five o’clock shadow and an old hoodie through the majority of the movie, Jeff is a guy you could find walking down the street right now, although maybe not as big — Pat calls him sasquatch at one point.
This was the first Indie-type film that I have seen in a theater and I was impressed. This was also the first Duplass brothers movie I’ve seen. Their last film, Cyrus, featured a son way too attached to his mother and had the same charm that Jeff, Who Lives at Home does.
If you’re puzzled as to why or how we continue to let our national debt skyrocket out of control, the new documentary I.O.U.S.A is worth checking out as a 90-minute primer on a topic that gets woefully little attention given its impact on the future of our nation.
The fall movie season gets a much-needed kick in the ass this week, as no fewer than a half-dozen worthwhile (or at least intriguing) films in a variety of genres hit movie houses.
The winning streak continues this week. In fact, it's shaping up to be the best slate of opening films in recent memory.
The Academy Awards didn’t suck. Yes, the 81st annual industry wank-fest had its share of indelible moments, none more affecting than the graceful speeches by the two Milk-related winners: screenwriter Dustin Lance Black and actor Sean Penn.