Recently, local singer/songwriter Maurice Mattei and his band, The Tempers, celebrated the release of a live album recorded last December at a Christmas show at Covington's Madison Theater. While The Tempers Christmas Show does include a few holiday classics (Lieber & Stoller's "Santa Claus is Back in Town" and Chuck Berry's "Run Rudolph Run"), the bulk of songs are Mattei originals and not exactly of the "Christmas" variety. (Listen to the whole release here.) Still, it's a great release, as the band takes advantage of the live-recording format — the songs exude a palpable, occasionally Punk-like energy. Check out one of those non-holiday tracks, "Made a Mess of It," in music video form below. (Maybe the "Vixen" in the line "Listen to the vixen in the ol' hoosegow/Funny that's the only kinda milk cow" is "Vixen" from Santa's slave-reindeer team?)
The song — which originally appeared on the release The Tempers Perform The Best of Maurice Mattei Volume 3 — was made into a video by Dave Miller from Southern Californian design/illustration company Deluxerider, who has done several clips for Mattei songs, including the Chuck Berry X-mas tune (posted below, as well).
Last night, Cincinnati's Walk the Moon hosted an album release show at New York City's Mercury Lounge in honor of their full-length debut for RCA Records. To promote the record on a bit of a wider scale, the quartet also performed on The Late Show with David Letterman. The band played its signature tune, "Anna Sun," which has been named "song of the summer" two years running and, therefore, deserves a ranking on the list of all-time songs of summer.
WtM's appearance on The Late Show also elicited some nostalgia from the host. Letterman introduced the band as "from the Queen City, Cincinnati, Ohio … home of Oscar Robertson and your Cincinnati Royals." Lettterman grew up in Indiana and has talked about his affinity for Cincinnati (and, particularly, its sports teams, including our one-time NBA franchise) frequently.
After the tune, Letterman seemed to enjoy the group so much, he joked with them, "Now wait a minute — during your song, we made some calls and we've arranged for you guys to move from Cincinnati and live here at the YMCA."
Walk the Moon killed it. Look ma — no face paint?! Here's the video:
MPMF news and musings: The official MPMF.12 "Kick Off Celebration" is set for Wednesday, Sept. 26, in the Hanke Building just off Main St. (215 Michael Bany Way, between 12th and Reading). The free, open-to-all (21-and-up) party starts at 6 p.m. and will feature music from DJ Ice Cold Tony (who will be laying down some mash-ups featuring MPMF artists) and great Cincy rockers 500 Miles to Memphis will blow the rest of the roof off with a set starting at 9 p.m. There will be giveaways, free Vitaminwater, free Eli's BBQ (while it lasts) and a chance to win a pair of VIP tickets to the CityBeat-sponsored New Year's Eve blow-out at Bogart's featuring music by The Afghan Whigs.
And now, with the countdown down to just 8 days, here are our daily MidPoint Music Festival 2012 picks …
Tennis (Denver, CO)
It’s been a breakthrough year for Colorado Indie trio Tennis, starting with the winter release of its stellar (and highly anticipated) sophomore full-length, Young and Old, on Fat Possum Records. After touring its comparatively lo-fi, critically-lauded debut Cape Dory (crafted by core duo Alaina Moore and Patrick Riley), the duo took its vintage Pop songs into the studio with The Black Keys’ Patrick Carney, who helped give the songs a more direct punch (resulting in the addition of a drummer to the fold). Where acts like Best Coast and Jesus and Mary Chain rewire the classic Pop of the ’60s, Tennis write songs that often recall the ballads of ’50s Pop, something more evident and effective on Young and Old, which charted well and performed exceptionally at college radio. The band’s songs have been used on TV shows like Grey’s Anatomy and are becoming favorites in the fashion world, and they’ve also made a fan out of the Republican (one of "the good ones") daughter of an almost-President, Meghan McCain, who tweeted her joy that Tennis had become the soundtrack to her summer this earlier this year.
You'll Dig It If You Dig: Lesley Gore, Dusty Springfield, the house band for Mad Men (if they had one). (Mike Breen)
Tennis performs at the Know Theatre on the Bioré Strip's Main Stage Saturday, Sept. 29, at 11:45 p.m. Here's Tennis' clip for their swoony tune "Pigeon."
The Bonesetters (Muncie, IN)
Bonesetters don’t necessarily sound like a lot of bands but they fit well in the Midwestern construct of talented groups crafting a complex sound out of relatively simple ingredients. Sparse guitar melodies, both plugged and unplugged, are appointed with spartan rhythmatism, unexpected instrumental counterpoints (mariachi trumpet, keening violin, gentle vibes, wheezing harmonium) and a quiet sense of Indie Rock urgency on Savages, Bonesetters’ full-length debut from late last year. It’s easy to understand why Muncie loves Bonesetters, it’s harder to understand why they don’t play here all the bloody time.
Dig: Clem Snide, My Morning Jacket and Gomez making high lonesome carnival Surf Rock for emo hodads. (Brian Baker)
The Bonesetters perform Thursday in Washington Park at 5 p.m. Here's the band's debut album, which you can sample below, then download the whole shebang for free.
LOCAL LOCK PICK
The Dukes Are Dead (Cincinnati, OH)
Rock & Roll
If you’re a local Rock fan who has yet to catch a live show from exciting Cincinnati foursome The Dukes Are Dead, you’ve missed out on some great shows … and you only have this one more before The Dukes Are Dead are dead. In just a couple of years — first as “The Dukes,” before adding “Are Dead” to avoid confusion with the 17,000 other bands with the same name — the foursome amassed a loyal following and even got into theater, becoming the house band for the local staging of “Rock musical” Bloody Bloody Andrew Jackson. Though the band’s last show (sure to be a debauched blow-out) is this one at MPMF, there is hope for fans — in their farewell note on Facebook, it was announced that the members will each continue to pursue making music in the future.
Dig: No-nonsense Rock & Roll, bands with names that turn out to be prophetic. (MB)
The Dukes Are Dead's final show is Saturday, Sept. 28, at 8:30 p.m. at The Drinkery. The kind gentlemen of The Dukes are also giving fans some final recorded music as a parting gift — sample below then click on the player to download your free copy of the five-track EP, Before We Died.
Click here for full MPMF details via the official MidPoint site.
Later this month, successful Cincinnati singer/songwriter Kim Taylor will be headed to Park City, Utah, but not as part of any kind of concert tour. Taylor will be attending the annual Sundance Film Festival, one of the world's most prestigious film events, along with the other actors and participants from the new movie, I Used to Be Darker. The film was co-written and directed by Matt Porterfield, whose previous work, Putty Hill, drew scores of rave reviews.
Despite it being her first foray into acting, Taylor has a leading role in the film, playing a musician named Kim whose marriage and relationship are falling apart just as her troubled niece shows up on her doorstep looking for a place to crash. Taylor's husband in the film is played by Ned Oldham, brother of cult music star Will Oldham and also a musician (along with solo work, he's the singer for the bands The Anomoanon and Old Calf).
Taylor knew the film's screenwriter, Amy Belk, from when she attended college in the ’90s in her home state of Florida.
"I met Kim Taylor in the ‘90s when we were both teenagers at Bible college in Florida, shortly before I got kicked out and she flunked out," Belk writes in the press materials for IUTBD. "She is the only person I still know from that strange, balmy with a chance of fire-and-brimstone time. I’ve followed her music career through the years, and shared her songs with Matt (Porterfield) when we started writing. He fell for them like I knew he would, particularly 'Days Like This' and 'American Child.' Even before Matt met Kim and had her read for the role, her music and grace informed the story we were crafting. In many ways, Kim was Kim from the start."
Taylor performs "Days Like This" (which was covered by Over the Rhine on their The Long Surrender album) and "American Child" (from her album Little Miracle) in the film. She and Oldham will be featured on the movie's soundtrack alongside tracks from several acts based in Baltimore, Porterfield's current hometown, including The Entrance Band, Dope Body and Dustin Wong.
I Used To Be Darker premieres at Sundance on Jan. 19 and screens multiple times throughout the fest. Click here for more on the film. Here's the trailer:
through her website here. Give it a listen below:
Taylor has completed her new album, Love's A Dog, which will include the Darker Mix version of "American Child." The album is tentatively scheduled for release in February or March.
The superb, now veteran local Indie Pop group The Minor Leagues are gearing up for the release of their new album, North College Hill. The album was recorded last summer with Sean Sullivan at The Butcher Shoppe, the Nashville studio owned by legendary singer/songwriter John Prine and Grammy-winning engineer Dave Ferguson (Johnny Cash, U2, Ryan Bingham), and was recently mastered by Michael Bond from the band's label, Datawaslost. The Minor Leagues recently made the album's first single — "Ghost Maps" b/w "Please Don't Throw My Love Away" — available as a free download from their new website (www.minorleaguesmusic.com).
We've written a bit in the past about the new film-meets-music "One Shot Music Video" series, beautifully shot, black-and-white short films of various local musical acts shot at the historic Emery Theatre (which is back in action as a functional venue this weekend). Shot by world renowned photographer Michael Wilson with audio help from the musical duo Pop Empire, the clips are filmed in one continuous take (thus the name).
The project has started to take shape and is on a roll now. Pop Empire's Cameron Cochran reports that the series is now named for the venue — "The Emery Sessions" — and will be comprised of footage from 10 artists, all shot at the theater. It's a great way to not only spotlight local music, but also show off the theater in a great light.
Wilson and Pop Empire have completed a couple of videos for Daniel Martin Moore for the first of the series. The second in the series is Over the Rhine (longtime compadres of Wilson's, who has shot OTR album covers and promo shots — including the one above — since the band's very beginning). OTR is familiar with the surroundings; the band played the "preview party" hosted by The Requiem Project which re-introduced the 100-year-old theater to locals late last year.
Here's a clip of Over the Rhine's Linford Detweiler and Karin Bergquist performing "The Laugh of Recognition" from the twosome's latest album, The Long Surrender. (Click over to local blog Each Note Secure to check out another clip from the project.)
Cochran also runs the all-free, all-digital "record label" The Recording Label, which has issued stellar recordings by The Kickaways, Vacation, Sacred Spirits and Pop Empire. He says working on "The Emery Sessions" inspired him to give the label a more local-specific name. The Recording Label is now called Cincinnati Recording Service. Click here for the new site.
And here are a few words from Cochran on the Sessions and the label:
If we are consuming light then sound is accompanied by sight. Many musical performers understand this concept and will incorporate a visual component to their audio performance. The idea behind the "One Shot Music Video" is to approach music from the opposite direction. The audience approaches the music from a visual perspective first because whether they know it or not the first performance they see is the photographer's. It is the photographer's eye that navigates them through the musical performance. The hidden live performance is the one done with the camera.
The Emery Theatre was the perfect place to begin our exploration of this relationship between listening and watching live musical performances. Each musician we have recorded and that we are going to record have a love for this amazing space and understands what the Emery Theatre means to our great city of Cincinnati. It is perhaps our own experiences working in this theatre and the pride that has developed for our hometown of Cincinnati that inspired us to change the name of The Recording Label to Cincinnati Recording Service. This name change is also a tip of the hat to another person who loved his city as well as the power that American music has to bring people together, Memphis' very own Sam Philips.
Hip Hop star Young Jeezy performs tonight in Corryville, bringing his tour behind the recent Thug Motivation 103: Hustlerz Ambition album to Bogart's for an 8 p.m. show. The Def Jam Records recording artist released his major label debut, Let's Get It: Thug Motivation 101, in 2005, spawning the hit single "Soul Survivor," featuring singer Akon. The South Carolina-born, Atlanta-based MC (once a member of the group Boyz n da Hood) put out two more albums — The Inspiration and The Recession (in ’06 and ’08, respectively) — which featured guests from R. Kelly and Keyshia Cole to Nas and Kanye West (their collabo "Put On" was nominated for a Grammy), and he's appeared as a guest himself on singles by Usher ("Love in This Club") and Rihanna ("Hard"). The Thug Motivation masterclass skipped ahead to 103 (perhaps Thug Motivation 102 is audit-only?) and was released late last year after several announced release dates came and went. The album landed at No. 3 on the album charts its first week out (in the midst of holiday shopping fever, making it more impressive).
TM 103 once again features a pretty heady guest list, with cameos by Yo Gotti, Lil Wayne, Freddie Gibbs, Jay-Z, Andre 3000, Jill Scott, Snoop and Ne-Yo, who appears on the most recently released single "Leave You Alone." Check the video below (NSFW for language, excessive head tattoos and gratuitous product placement for Crown Royal and Ciroc vodka). Tickets for tonight's show are $25 (plus fees). Read more about Jeezy here.
• Indie rockers Brighton MA — neither from Brighton nor Massachusetts — hit MOTR Pub tonight for a free show with great locals The Mighty. The Chicago band was formed by two members of Scotland Yard Gospel Choir upon their departure from that acclaimed Indie Pop ensemble, emerging as a successful and acclaimed unit in its own right not long after. An intense mesh of Folk, Rock and Pop, the band's songs have been used on TV shows (like Gossip Girl and Community) and in a successful Jack Daniels ad campaign last year during the holidays. The band also scored a sweet tour van to take a trip on Route 66 for an extensive promotional web series called "Rock the Route," which was sponsored(-the-hell-out-of) by Red Bull. Earlier this year, the group released a new 7-song EP called Billboard Sun, a warm-up for their second full-length, due later this year. Tonight's show starts around 10 p.m.
Oh, and Brighton, Mass., is the neighborhood in which singer Matt Kerstein was born (in case you were wondering).
Here's the band's "Good Kind of Crazy" (aka "the song from the Jack Daniels commercial"):
One of the bands on my MPMF.11 itinerary is The Ridges, a Chamber/Folk/Indie/Pop ensemble from Athens, Ohio. They have interesting instrumentation (cello, trumpet, accordion, etc.) and their songs are remarkably infectious. Read what I wrote about them in the MidPoint guide here. The group just sent us an MPMF promo video in advance of their performance Thursday at the Cincinnati Club (9 p.m., followed by The Sundresses and Those Darlins) and have graciously allowed us to "world premiere" it right here. The clip features The Ridges — who played the MidPoint Indie Summer Series in August on Fountain Square — performing acoustically outside of its MPMF venue. You can check out some more music by The Ridges here. Enjoy!