Rise Against is the epitome of Punk Rock in this era. They are as far from the status quo from society as bands get, yet record for a major label. Part of the group's mission is to promote progressive issues, both socially and politically. Rise Against recently released its sixth album, Endgame, which features the hit single “Make It Stop” (the video for which was nominated for a MTV Video Music Award last year).
CityBeat spoke with bassist and original member Joe Prinicipe in anticipation for their upcoming show in Cincinnati. They discussed the bands writing process and how they incorporated their socially active direction in their music. Rise Against will be opening Riverbend's PNC Pavilion for the summer this Saturday. A Day to Remember and Title Fight also perform.
CityBeat: Thanks for taking the time to talk to us. I know you are one of the original band members. You guys have been out on it for about 13 years from when you started. Where do you see yourself in 13 more years?
Joe Prinicipe: It’s hard to say with this business but I would say definitely still involved with writing music and performing. Rise Against has no intentions of breaking up. We would like to follow the same career paths as bands like Bad Religion and Social D that are going on 25 or 30 years and are still making relevant music. I hope that’s where I end up.
CB: I saw you last year with the Foo Fighters when you opened up in Columbus. I was wondering if there were any fun and crazy Foo Fighter stories on tour.
JP: It was pretty awesome when there were a group of protesters, I think we were in St. Louis, maybe it was Kansas City, and they were protesting the Foo Fighter show because they did that funny promo video where they were showering together. So this group came out, this very homophobic religious group. They were protesting and the Foo Fighters came out (before the show) dressed provocatively and they were out on a flat bed truck and performed and tried to play as loud as they could to overshadow, overpower the protestors. It totally worked and it was awesome.
CB: They seem fun to be around in general and don’t take it too seriously.
JP: Totally and they are all about enjoying what they have because being on the road and being away from your family is hard enough so you might as well make the most of it.
CB: Your music has been called protest music in the past by the Chicago Tribune and I just wanted to ask about your process to write lyrics around a cause. How do you choose a cause to support and then develop a song around it?
JP: (Singer/guitarist) Tim (McIlrath) writes all the lyrics and the process is very simple. He is just writing what he feels for that day. He writes from a personal perspective on life in general. That’s why our records are not just political, there are socially aware topics, there are environmental issues, there are songs about relationships and how hard it is to be away from our families when we are traveling. We always write music first and he will hear the tone that the music sets and he has a journal, and he will flip through the journal and see if something fits and if not he will write what he thinks will fit the music and that is how it has always been the last 12 years.
CB: Were you guys influenced at an early age or did something happen to you that kind of made you take your music toward this activism tone or did you have a kind of defining moment?
JP: No, it’s just seeing punk rock music. It’s just the nature of punk rock that seems formed as a reaction to the glam era of the 70’s. It’s just a reaction to that so it’s always been about that. It’s all we know. It was something that we didn’t even discuss. It was just kind of a given the direction of Rise Against was going to be that and we are kind of carrying that torch. Bands like Minor Threat and the Bad Brains were definitely singing for change whether it was singing against homophobia or social issues, but that’s kind of what the unspoken goal that the band has always had.
CB: What is the biggest way your music has been able to make a difference or make a change?
JP: I would say the effect that “Make it Stop” has had on young kids. Kids in high school trying to get through it all. We have gotten so many e-mails that the song is helping them through the hardest time of their life and that is incredibly rewarding. I would say “Make it Stop” stands out as that.
CB: Your new album came out last year in the spring. Do you have any new music in the works?
JP: No, we still have a whole year of touring on Endgame. I think I always have song ideas in the back of my head and so does Tim. It’s kind of an ongoing thing anyway. We won’t actually have anything, officially new until the end of 2013.
CB: Do you have any crazy Cincinnati stories from the past or any fond memories?
JP: Not really. Cincinnati is Bogart's, right?
CB: It’s Bogart's and this time you are at Riverbend which is outside.
JP: That’s right. The only thing I recall is from Zach our guitar player. His old band played Bogart's and someone was shot like 20 feet away from him. That’s really it.
CB: I think you are in a little safer place by the river this time. I have this new game and it’s a table game with quirky questions and people just give their first thoughts around it, so I have been experimenting with this a little and I have three questions from this game for you. The first question is what skill do you possess that most people don’t know about?
JP: Let’s see, nothing hidden, although I am a complete coffee snob and I have an espresso machine at my house and I take that very seriously. It has to be perfect. I have to time all my espresso shots as they come out of the machine. So I guess that.
CB: So you make the perfect espresso, that’s your hidden talent.
CB: What is under your bed?
JP: Actually nothing because my wife is a neat freak so nothing can be on the floor.
CB: If you are on the bus it is somebody else sleeping under the bed in the bunk.
JP: As far as the bus goes, our tour manager is usually in the bunk below me so I have him snoring …
CB: What song would you pick to sing karaoke?
JP: I’m really bad at karaoke, oddly enough.
CB: You don’t have to be good. I don’t think that’s the purpose of karaoke.
JP: That’s true. I don’t know maybe something from ’80s Pop like the Go-Gos or Duran Duran.
CB: What can the fans expect from the show in Cincinnati?
JP: Just high energy, just come and sing with us and have a good time. It is all about interacting with our fans and just everyone singing along. We are all there for the same reason. It is a good way to let off some steam from the week prior. Just come out and have a good time.
Lucero developed their unique sound — a mix of Country, Roots, Rock and Soul — in Memphis, Tenn., and provide a big production every night on the live stage. You will hear everything from a three guitar assault to a horn section to steel guitar pinings on the band's ninth (and so far most successful) album titled Women & Work.
CityBeat spoke with guitar player Brian Venable from the road to preview the band's show Wednesday in Cincinnati at Bogart’s.
CityBeat: I wanted to catch up with you guys to try to talk about the show that you have at Bogart’s on April 11.
Brian Venable: Well thank you. I am excited about that.
CB: I actually caught you guys at Orlando Calling this year. That was the first time I had seen the band live. It was an amazing show.
BV: Oh, thank you.
CB: I am kind of sad that the festival is not going to happen this year. They announced last week it wasn’t coming back.
BV: Is it going to be a different “Calling” in a different city?
CB: No, I think it just lost a lot of money. Unfortunately, that happens. It’s a lot of overhead.
I just wanted to start and ask you a couple questions about the album and yourself. I know you had the new album come out recently, Women & Work. Can you tell me the story behind the album name?
BV: I think it just sums up everything sometimes. It was more of a flip or a funny line, like “Hey what’s going on?” “Oh you know, women and work.” You are always doing something about work. You’re at work or you are working, and whether it’s your wife, your ex-wife, girlfriend, soon to be girlfriend, girl you met that night, there is always something involving a woman. I think it is kind of where we are right now. We are always on tour. We are always leaving our wives and girlfriends behind, trying to just make it all happen.
CB: Do they ever come out on the road with you?
BV: Every once in a while we will do a weekend. I have three kids so she can’t get away too much, but she’ll come out for a weekend every once in a while.
CB: Well you guys have a pretty large band to move around.
BV: Yeah, we have the bus right now.
CB: What is the best and worst thing about being on the road for you?
BV: Missing the kids. Everything that you know is at home. Some days it is nice to sit on the porch and hang out. But in the same breath, you play rock shows every night which is awesome and you tour with your friends and you get to see the country. There is good and bad in everything.
CB: I am originally from Tennessee and I spent a lot of time in Nashville and Memphis over the years and the music scene in both of those cities is incredible; there are huge amounts of talent that will probably never be discovered.
BV: That is always the thing with Memphis, there are always great bands that will be together for six months or a year and then they break up. Yeah, that is definitely a true statement on your part.
CB: What is your favorite track on the new album?
BV: I like the “Downtown” song but I also like “Sometimes.”
CB: Can you tell me the story behind one of those?
BV: “Downtown” is like the happy beginning. The night is full of promise I guess. You are getting dressed or you are having a few drinks, you are about to go downtown and hang out and do your thing. Nothing good or bad has happened but anything could happen, and I think that air of optimism is exciting to where we might end up hammered drunk at the police station or I meet my next wife of 30 years, you just don’t know. I think it is just that kind of feeling, where it is happy and a “let’s see what happens” feeling.
CB: You guys just played South by Southwest. Any crazy stories from Austin this year?
BV: Not really so much crazy. We did two shows a day for three days plus interviews and in-stores. It was pretty busy. It was exciting to get to play with Dinosaur Jr. Any chance that you get to play with people you listened to when you were younger and looked up to musically is always a fun thing.
CB: That was one of my other questions, do you have any current musical influences that are giving you inspiration today?
BV: We just did a five day run with Larry and His Flask. Those guys are amazing and really energetic and fun to watch. Todd Beene who plays pedal steel, he is in a band called Glossary. Their songs are awesome and their live show is great. They make good records. We have been really lucky to be able to play with all the people we like usually. We did 15 weeks with Social Distortion. You are able to grow up with a band and then get to see those people who started 30 or 40 years ago still make relevant music and be fresh. It is exciting to know that you can get to a certain age and you don’t fall back and rest on your laurels and still keep pushing.
CB: I love those guys.
BV: Personally, I listen to crazy Southern Metal and Modern Country right now.
CB: What is Southern Metal?
BV: Bands like Black Tusk and Weedeater. There are a lot of bands out of Atlanta, Ga., and Wilmington, NC, and that whole Southern coast has spawned a whole crazy group of bands. There is Coliseum in Louisville and Skeleton Witch in Ohio. They are pretty awesome if you like Metal.
CB: Can you tell me what your writing process is as a band? Do you guys write together, lyrics separately, music later? What is your process?
BV: With the last few records, we have a practice space and a studio space we use upstairs. We will come to the practice with a part or half of a verse or a bridge and a chorus and just a section a lot of the times. Sometimes it is a full song and we work it up but most of the time it will just be a few pieces. We’ll work with Roy and get a tempo going and a pattern going and a groundwork and then we just add our parts while he is working on the words for it. It’s been pretty awesome. This last record, which was fun for us, horns came in after the fact and we put horns on top of the record, so this one we actually wrote with the horns and the pedals, everybody was there helping with writing and arranging.
CB: What can we look forward to in Cincinnati next week?
BV: Eight dudes getting wild on stage unless the night before was pretty hard then it might kind of be the standard. We will do about two hours. We will do a lot of the new songs. We will do the back catalog. We are all going to have a good time just playing music.
Honeyhoney is an up-and-coming group out of Los Angeles that offers a soulful, folksy sound that has led to comparisons to The Avett Brothers and Mumford and Sons. A combination of Suzanne Santo's strong voice and banjo/fiddle playing and the voice and guitar of Ben Jaffe, honeyhoney's sound (despite the comparisons) is a unique hybrid that has been intriguing audiences since last October's release of Billy Jack and the subsequent relentless touring.
The pair spoke with CityBeat by phone to promote Saturday's performance in Cincinnati at Bogart's (in the club's "Front Room"). (Click here for more info.)
CityBeat: I picked up your latest album in the fall when Billy Jack was released and I love it. I saw you were also previewed in Country Weekly in the fall and I just wanted to ask if you consider yourself a Country band.
Ben Jaffe: We don’t but that is kind of a genre that has been thrown at us now, of course, not in a bad way. I should have said "tossed gently to us" and we caught it. It has been a kind of interesting opportunity because we have had a lot of trouble aligning ourselves with a specific group. Everyone says “It sounds like this” or “not enough this” or “not enough that.” I think we are really happy to be embraced by Country people and we love to play in front of them, but I don’t think we call ourselves a Country band.
CB: It’s actually a hard genre to break into. I cover all kinds of music and it’s one of the harder types of music to get the fans to rally around you.
BJ: Completely. And it’s such a citadel, there is a real industry around it so I think that explains why it is tough to make a wave and whatever little ripple we are making is cool and we like to pursue it. Actually, it is interesting, Jamey Johnson was at one of our shows the other day and he expressed some support for us and we might play some shows with him so it kind of seems like it is pulling us in, like in Godfather: Part II.
CB: Would you modify your sound or your songs to adapt to Country music?
BJ: No. How it works though is the more you listen, the more you can integrate subconsciously. This record that we released most recently, both of us got obsessed with Hank Williams. I don’t know if it is out of respect or out of interest, (but) there are songs on the record that are straight Hank Williams rip-offs. I don’t see it as adapting to fit in to a genre or section but the more you get exposed to it, you can’t help but integrate it because it is great music.
CB: Can you tell me a little about the song “Little Toy Gun”?
BJ: That came out a while ago. That was something that I actually recorded on my own separately before the band, and when we got together, eventually, it became part of our set. It was the one that the label believed in, so we made this crazy video which was an amazing experience. Kiefer Sutherland directed it and we had a trailer. We were like movie stars for 20 minutes. It is one of those songs that has stuck around. People still reach out to us to use the song.
CB: You guys are on the Coachella roster, correct?
BJ: Yes ma’am
CB: That is pretty exciting in itself. What else exciting do you guys have coming up this summer?
BJ: We are opening for a guy named James Morrison who is doing a tour in May. Then we are playing this thing called the Sasquatch Festival that Tenacious D is playing. So we are accomplishing some of our, highest, loftiest goals to play with Tenacious D. This could be our shot. Sheryl Crow has asked us to open up a few dates. All of this has been happening really recently. It has been really crazy. Then we are playing at the Newport Folk Festival and then hopefully after that we will become addicted to hard drugs and our careers will be over.
CB: We will find you in an alley somewhere in L.A.
BJ: (laughing) Yeah
CB: I have a couple funny questions. I have been playing this table game where you pick out questions to answer. Some of them are funny so I am going to try them out on you guys.
CB: What was the last thing you bought at a drive-thru window?
BJ: Oh, God. (asking someone else) Hey what was the last thing we bought at a drive-thru window? They don’t allow vans through the drive-thru a lot of times so I guess it was at the bank ATM.
CB: So money?
BJ: Yeah, cash.
CB: What is your favorite dirty movie?
BJ: My favorite dirty movie, like pornographic film?
CB: It doesn’t have to be, it can go either way.
BJ: Yeah, we are mainly streamers. You can say that. I would say either Dark Side of the Poon or Wild Things Part 3. At this point can I hand you over to Suzanne?
Suzanne Santo: Hello Amy.
CB: I ran him off with some of my questions I guess.
SS: No, I think he was more looking forward to me answering any more pornographic questions that you may have.
CB: No, I got a new table game so I have been trying out some of the questions.
SS: What is your table game called?
CB: It’s a cube of cards that you get and you put it on the table and you have people pick a card out and they have to answer a question.
SS: OK. Have you played Dirty Jenga, that’s fun too?
CB: No I haven’t. I have to look that up.
SS: It’s not dirty-dirty, like totally inappropriate. It’s like “Bite the ear of the person to your left” or “Make an orgasmic noise.” Each block has a dare written on it.
CB: You not only have to take the block out but you have to do what is written on it. Nice.
SS: It is kind of a “do it yourself” kind of game so it is at your discretion what you want the blocks to say. So if I were you, I would choose my company wisely.
CB: I wanted to specifically talk to you about growing up in Ohio. I know you are from Cleveland and the Midwest. How did growing up in Cleveland or the Midwest influence your music?
SS: Well, to be honest with you, I wouldn’t say that the Midwest has influenced my style tremendously. Well, that’s not true because there was a lot of music growing up. I grew up in Strongsville which is 25 minutes South of Cleveland and there is definitely adjacent farmland that is not very far, within a mile or two.
When I was in L.A. about a month ago, I met Drew Carey at a diner. I went, “Hello Drew, my name is Suzanne from Parma, Ohio, and I just want you to know that I love you.” I said, “I think you are the greatest and I love what you do for Cleveland.” I tweeted at him later in the day and he retweeted my tweet and I was, “That’s it. I’m done. I have achieved my goals.”
I guess there were Country elements I grew up listening to but my family owned an Italian restaurant and they played a lot of Jazz music like Rosemary Clooney, Frank Sinatra and Dean Martin and that kind of thing. There was definitely a Jazz influence from the get-go, I love Jazz with a true, infinite passion. It never ends, is what I meant to say. I grew up with a lot of that and Country music, it was mainly Pop Country that I was hearing here and there but I really got into Hank Williams, Loretta Lynn and Patsy Cline and that kind of stuff later, after I had already left Ohio. When we started our band in L.A., we frequented Nashville and every time, we got a little bit deeper into classic Country like Johnny Cash.
CB: Do you have any fun Cincinnati memories from playing or being around town?
SS: We played Bogart's once and I remember being really excited.
Freekbot features Freekbass (a.k.a. bassist/singer Chris Sherman of Funk crew Freekbass) and Tobotius (a.k.a. Tobe Donohue, producer and founder of world-renowned turntable crew Animal Crackers) in an Electronica/Dance/Groove duo configuration.Freekbot makes its Cincy debut at The Mad Frog in Corryville this Saturday. Showtime is 9 p.m. and admission is $10. MC/DJ Firecat 451 opens the show and famed keyboardist Razor Sharp Johnson (P-Funk, Bootsy’s Rubberband) will sit in with the duo.
We recently chatted with Sherman via email about what fans can expect from Freekbot and what the duo has in store for the future.
Alt/Funk/R&B/Rock crew Fitz and the Tantrums is one of hottest buzz bands in the land right now. The group’s debut record from last year, Pickin’ Up the Pieces, reached No. 1 on the Billboard Heatseeker chart and its song “Money Grabber” became an activist anthem for the Occupy Wall Street movement across America.
CityBeat spoke with frontman Michael Fitzpatrick recently, in advance of the band's show this weekend at the Super Bowl Village in Indy. Fitz and the Tantrums performs tonight at 7 p.m. The show is free. (Click here for details.)
Anthrax are innovators of the sound of today’s Hard Rock and Metal landscape. The band recently released its 10th studio album, Worship Music, a return to the band’s early sound thanks to the re-emergence of lead vocalist Joey Belladonna. CityBeat caught up with Belladonna and guitarist Rob Caggiano before their show earlier this week in Louisville at Expo 5 to talk about the direction of the band and what got them to where they are today. Anthrax performs in Cincinnati this Saturday at Bogart's.
Bret Michaels is a one of a kind crossover superstar who has transformed himself from hard rocker to big partier to reality television star. Best known for his nearly 30 years with rockers Poison (giving us such Rock & Roll staples as “Every Rose Has It’s Thorn”, “Talk Dirty to Me” and other arena mega hits), in 2010, Michaels’ life took a dramatic turn when he was faced with multiple emergency surgeries. The first was to remove his appendix and then a sudden life threatening brain aneurysm led to brain surgery. He bounced back by winning Donald Trump’s Celebrity Apprentice, continuing solo music tours across the country, completing a summer tour with Poison and Motley Crue and plotting more television projects.
CityBeat spoke with Michaels this week in advance of his pre-Super Bowl party concert tomorrow in Indianapolis. He performs Friday at 9:30 p.m. in Indianapolis, helping open the Super Bowl Village and get fans in the right spirit for the big game next Sunday. (Friday’s concert is free; click here for more info.)
Tim Wilson is a comedian and singer/songwriter who represents Southern culture and lifestyle with his songs and stand-up. He is often featured on national telecasts of the syndicated radio shows The Bob and Tom Show and the John Boy and Billy Morning Show and Wilson has also been appeared on many of the late-night talk shows. With a dozen comedy albums featuring his original songs, Wilson has found crossover success on both the comedy and Country music charts.
CityBeat caught up with Wilson by phone to preview his appearance in Cincinnati and discuss southern roots in comedy and the assimilation of music into his comedy. Catch him performing live Saturday night at the Taft Theatre with Patti Vasquez (ticket info here).
Icon Rock & Roll band Guns N’ Roses has been selling out arenas since their debut album Appetite for Destruction went to No. 1 in 1987. Though Axl Rose and Co. have not released an album since Chinese Democracy in 2008, they've continued to rock out across the with large-production shows, entertaining audiences not only searching for a taste of nostalgia but also value great music and a sound you cannot find anywhere else. CityBeat caught up with rhythm guitar player Richard Fortus this week and discussed his personal music path and what fans can expect from the show. Guns N’ Roses comes to Cincinnati Friday (with guests D-Generation) for a concert at US Bank Arena and it sounds like fans can expect a really long night of music. (Read our interview with current GNR/former Replacements bassist Tommy Stinson here.)
Trans-Siberian Orchestra combines a night at the symphony with an in-your-face Rock concert experience and is best known for its holiday-centric shows, with grand musical scores and massive light and production pieces that stimulate your visual senses as much as your auditory ones. The project began in 1993 and has evolved into one of the biggest holiday tickets across the country. It's also something of a Cincinnati tradition, as the group usual performs in the area come the holidays. CityBeat spoke with Al Pitrelli last week in advance of TSO's appearance in Cincinnati today at U.S. Bank Arena, with shows at 4 p.m. and 8 p.m.