A friend recently asked me what my worst pet peeves are about going to concerts. It took me all of two seconds to spit out, "Everything is outrageously expensive: the tickets, the parking, the T-shirts and, of course, the ridiculously overpriced beers."
I’ve been a huge fan of AC/DC since I first heard them when I was 11 years old. So it’s difficult for me to even acknowledge that I'm pissed at them for their high-priced tickets.
After successful MidPoint Music Festival and the Cincinnati Entertainment Awards, there is no question that Cincinnati is a music town. Our vibrant local scene thrives on a huge range of innovative and talented bands and artists, as well as on a diverse and supportive collection of venues. Cincinnati now needs a place for musicians online ... (drum roll, please).
We are pleased to present MusicTown, a new forum for Cincinnati musicians and music lovers.
The "Best of Taste" awards — a precursor to the Taste of Cincinnati food fest later this month — were doled out today. Eighty dishes from 30 restaurants were served to judges — "celebrities, foodies and the epicurious" — and they awarded the Crab and Shrimp Dumpling with Noodle from Arloi Dee Thai Bistro the coveted "Best Damn Dish" prize.
Here's the full list of winners:
Best of Taste: Strasse Haus, Fried Peanut Butter & Jelly
Award of Excellence: LaRosa’s, Spinach Rondo
Award of Merit: Market Street Grille, Stuffed Chicken Amore
Best of Taste: du jours/Courtyard Café, Hunter’s Home Turkey Chili
Award of Excellence: ZZ’s Pizza Company, Caprese Salad
Award of Merit: City Barbeque, Gumbo
Best of Taste: Arloi Dee Thai Bistro, Crab & Shrimp Dumpling with Noodle
Award of Excellence: ZZ’s Pizza Company, Seafood Pizza
Award of Merit: Mahagony’s, Shrimp and Grits
Best of Taste: Andy’s Mediterranean Grille, Gyro Wrap
Award of Excellence: Claddagh Irish Pub, Jameson Burger
Award of Merit: Lazlo’s Iron Skillet, Walking Chicken Saltimbocca
Best of Taste: du jours/Courtyard Café, Black Bean Burrito
Award of Excellence: J. Gumbo’s, Bumblebee Stew
Award of Merit: LaRosa’s, Skinny Wheat Pizza
Best of Taste: ZZ’s Pizza Company, Banana Cream Pie
Award of Excellence: du jour’s/Courtyard Café, Raspberry Cloud Pie
Award of Merit: Claddagh Irish Pub, Bread Pudding
Best Damn Dish
Arloi Dee Thai Bistro, Crab & Shrimp Dumpling with Noodle
Taste of Cincinnati is coming up Memorial Day weekend, May 26-28. Visit TasteofCincinnati.com for more details.
A version of this article was originally published in Morning News and Stuff, but to wrap up this year's overly long election coverage, we figured it would be a good idea to republish the results as a standalone article. You're welcome!
The election is finally over. All election results for Ohio can be viewed at the secretary of state's website.
All results for Hamilton County can be viewed at the Hamilton County Board of Elections website.
President Barack Obama defeated Mitt Romney in what can only be called an electoral college landslide. He won every single “battleground state” on CNN’s electoral map with the current exception of Florida, although the current lead and remaining demographics to be counted will likely tilt Florida to Obama. Despite the insistence of conservatives and mainstream media pundits, models like FiveThirtyEight that predicted a big Obama win were entirely accurate.
In the U.S. Senate race, Democratic incumbent Sherrod Brown also handily beat Republican challenger Josh Mandel. CityBeat covered the policy and campaign differences between the two candidates in coverage of the first, second and third debate and a cover story.
For the First U.S. Congressional District, Republican incumbent Steve Chabot beat Democratic challenger Jeff Sinnard.
The big takeaway from election night at a federal level: Billions of dollars spent on campaigns later, the U.S. House of Representatives remains in Republican hands, the U.S. Senate remains in Democratic hands and the White House remains in Democratic hands. In other words, billions of dollars were spent to change almost nothing.
At the state level, Issue 1, which called for a constitutional convention, lost. But Issue 2, which was an attempt at redistricting reform, lost as well. CityBeat covered the rise and details of Issue 2 in a story and commentary.
In the state’s legislature races, incumbents swept. Republican Bill Seitz beat Democrat Richard Luken for the eighth district of the Ohio Senate. Republican Peter Stautberg beat Democrat Nathan Wissman for the 27th district of the Ohio House. Democrat Connie Pillich beat Republican Mike Wilson for the 28th district of the Ohio House. Republican Louis Blessing beat Democrat Hubert Brown for the 29th district of the Ohio House. Republican Lou Terhar beat Democrat Steven Newsome for the 30th district of the Ohio House. Democrat Denise Driehaus beat Republican Michael Gabbard for the 31st district of the Ohio House. Democrat Dale Mallory beat Republican Ron Mosby for the 32nd district of the Ohio House. Democrat Alicia Reece beat Republican Tom Bryan for the 33rd district of the Ohio House.
For the Ohio Supreme Court, Republican Terrence O’Donnell kept his seat against Mike Skindell. But Democrat William O’Neill beat Republican incumbent Robert Cupp, and Republican Sharon Kennedy beat Democratic incumbent Yvette Brown.
At the local level, Issue 4, which gives City Council four-year terms, was approved. Issue 42, which renewed a tax levy for Cincinnati Public Schools, passed. Issue 50, a tax levy for senior health services, was approved. Issue 51, a tax levy for mental health services, was approved.
In Hamilton County offices, things got a bit more blue overall. Republican incumbent Joe Deters beat Democrat Janaya Trotter for the prosecutor attorney’s office. Democrat Pam Thomas beat Republican incumbent Tracy Winkler for the office of the clerk of the court of common pleas. Democrat Jim Neil beat Republican Sean Donovan for the sheriff's office. Democratic incumbent Wayne Coates beat Republican Wayne Lippert for the county recorder's office. Republican incumbent Robert Goering barely beat Democrat Jeff Cramerding for the county treasurer's office. Democratic incumbent Lakshmi Sammarco beat Republican Pete Kambelos for the county coroner's office.
In the lower courts, Republican incumbent Pat Fischer beat Democrat Martha Good and Republican Pat DeWine beat Democrat Bruce Whitman
for the First District Court of Appeals. Democratic incumbent Nadine
Allen and Republican Leslie Ghiz beat Democrat Stephen Black and
Republican Heather Russel for the court of common pleas.
In other states, gay marriage and marijuana were legalized. Minnesota voted against a same-sex marriage ban. Tammy Baldwin of Wisconsin also became the first openly gay candidate to win election for the U.S. Senate. Overall, the night was a big win for progressives all around the country.
Seth Rogen’s rapid rise atop the comedic heap has been a welcome reprieve from the well-scrubbed, chiseled faces that dominate Hollywood’s leading-man landscape.
But how will Rogen handle success? Can he keep from going down the road of the similarly unconventional, increasingly one-note Jack Black?
The victims were taken from all around Ohio, including Cincinnati. The report found that 63 percent of the victims had run away from home at least once, 59 percent reported having friends involved in selling, 47 percent were raped more than a year before being trafficked and 44 percent reported to be victims of child abuse.
In Cincinnati, the most common risk factors reported were dropping out of school and having an older boyfriend. Rape was third with 40 percent of Cincinnati victims reporting being raped.
In all of Ohio, the most common buyers for victims were law enforcement. Businessmen and drug dealers were second and third, respectively. In Cincinnati, the most common buyers were drug dealers, followed by factory workers, then truckers.
The report highlights the severity of human trafficking in Ohio. A 2010 report by the same commission found that 1,000 American-born youth had been trafficked in Ohio over the course of the year, and as many as 3,000 American-born youth in Ohio were at risk for trafficking.
Since the 2010 report, Gov. John Kasich has signed H.B. 262 into law, which outlaws human trafficking and enforces tougher rules.
However, the commission does not believe current law is enough, and it’s pushing for more rules against human trafficking. The new rules would identify trafficking as child abuse, place a focus on arresting and convicting buyers and invest in responding to adult sex trafficking. The commission also wants a better response to youth runaways, and it wants to establish better protocols for dealing with at-risk youth, especially in correspondence with school officials.
When contacted by CityBeat, the Ohio Attorney General’s office said they have no suggestions to specifically deal with law enforcement officials, which topped the list of buyers, who are involved in human trafficking.
The report was issued by the Attorney General’s Human
Trafficking Commission. It was authored by commission member Celia
Williamson, who is also a professor at the University of Toledo. The full report can be found here.
Slipknot is the heaviest of Heavy Metal. They are strong artists because they are the epitome of a group. Their masks and costumes on stage present a uniformity that makes them who they are. They refer to themselves as “The Nine” even though they are now eight after the passing of their bassist, Paul Gray. The wildly popular band are wrapping up touring on their fifth album All Hope is Gone which has gone platinum, a great success in today’s age of music, with Mayhem Fest along with other great Metal acts like Motorhead and Anthrax.
CityBeat: You guys are crazy on stage. Have any band members ever been hurt?
Shawn Crahan: Every day.
CB: Really? Like Ibuprofen or doctor?
SC: Right now I have been sucking anywhere from 10 to 40 cc’s of blood out of my knee every five days.
CB: Have you calmed down because of it?
SC: No, I had surgery from a jackass move in a tour in Australia about five months ago. I jumped off my lift, smashed my knee pretty good, my meniscus and everything. So I had to have surgery. I had surgery just up to the exact date when the first Mayhem show was starting. I had no time to really rehabilitate. I didn’t even do physical therapy. It’s not an excuse; I just didn’t get it done. So the first day I paid the price. It’s all good because I have kept all the blood. I have it all. I have all the syringes and everything. So I make art. I’ll have a nice art piece of my pain. But everybody goes through something every day. Sid’s dealing with some sort of hernia and some sort of shoulder stuff that he has to get an MRI for right now.
CB: I see your photo on your pass with your leg brace.
SC: Actually that is the day I had surgery. I hate to admit it but I’m on a lot of morphine in that photo. I walked out to the car and took a picture. As you see I have a cigar and a GG Allin shirt on. I took him with me to the surgery. I turned around and was out. I had to get a picture. I don’t know, somebody found it and made it my pass.
CB: You guys have different uniforms every tour. What is the process to go about designing them or picking them?
SC: I am kind of the visionary, so to speak. That doesn’t mean visionary of the overall whole thing. I take a lot of responsibility in evolving everything. Right now, since our bass player passed away, we are reminiscing a life spent. We toured last summer, and we re-made our very first coveralls and brought out our first masks in remembrance to remember where we came from and celebrate his life. The current ones are a mixture of our first album and our second album. His number was number two and he had a really big part in that record as he did all records. We thought we’d give the American kids something special. Usually right now if Paul wouldn’t have passed, we would almost be getting done with our fifth record album cycle, getting ready to go home from it. This kind of stuff is all kind of inspired by him a little bit because we don’t have a new album and we just are kind of sharing in this thought process with our fans together. We don’t see him on stage; they don’t see him on stage. We go through it together.
We are getting ready to end that thought process of sharing that loss together. It doesn’t mean there is an ending to something and a new beginning. There will never be a new beginning. There will always only be nine. But we have toured Europe, we have toured South America, Australia, and now America with this thought process of sharing this loss together. We will end that, that sporadic touring of understanding that he is no longer with us. Then we will take some time off, write a record, record a record, pre-prep tour, go out on tour, drop a record and then support that record. But there will always be nine. I don’t know if there will ever be another person on stage. There probably could be a bass player behind us. I don’t know and I don’t have to think about it because it’s a long way off.
CB: How did you get the numbers?
SC: The numbers kind of just fell into place. It’s kind of a weird thing. Back when we started we were going to wear a mask and I started wearing coveralls so we all started wearing coveralls, then there were so many of us, we put our bar code on the back. Then we wanted numbers — I wanted numbers. It was kind of ironic, because everyone fell into a number. I wasn’t going to tolerate any other number than six. Like if someone was going to fight me for it, I was going to fight to the death for it, but nobody wanted it. Joey wanted to be number one, Paul wanted to be number two, the original guitar player, and the other drummer three. Mick, he is like “I have to have seven. Fuck everyone. It’s my lucky number.” Corey was like, “I want eight, infinity.” When Sid joined the band, “I am not a number. I am zero. I am filth.” It was kind of magical, honestly. The masks were more of a representation of what you wanted to present as yourself. It was one’s finding one’s self, but the numbers were almost assigned to us subconsciously. It was really a kind of cool thing. I remember I usually try to go last, I am the oldest but an only child, so I like fight to the death for what I want. Because of that, I try to put myself last because it is healthy for me and I let people do what they have to do, and I usually get what I want by doing that. It is kind of like when we are recording a record, if we are all living together, I let everyone find their room and I take what’s left, and I that ends up being the place I belong, not because I have admitted to myself that I should be there but I end up there going, “I love this. This is where I should be.” It is kind of knowing your brothers and knowing everything, but it is healthy for me to practice that.
CB: Do you get hot in the masks on days like today?
SC: No one but the nine will understand that sort of submission. The only way I can explain it is when it is all done and you take it off and look at the mirror and you look at yourself you know that as you walked into the church of the Knot, onto the altar of the Knot, giving the sermon of the Knot to the congregation of the Knot, and when you are done and the doors are shut and you came back and you take off the attire, you look at yourself and you know that you gave 190 percent of your life lived today and there is nothing more than that. Even if I don’t have time to call my wife, even if I don’t have time to be creative on my computer, or I am lazy, or I am not getting anything done. One thing I know is I give 190 percent on stage and when I take it off and look at myself and know that I am alive and that I did it and I pulled through that, it is not even a good feeling, for me it is like salvation. I only do this because I am looking for peace. With peace comes war, and I am at war with myself. I have been since I was born. I love music, and I can’t imagine life without music. My wife is always there for me. My kids are there for me, but they are their own people. The one thing that has always been there for me is music. Before I met my wife there was music. If my wife were to pass or something there would be music to help me through that. That’s not going to happen but I am saying music has always been my life. I owe everything to it.
CB: In the beginning, you guys wanted to remain anonymous by using the masks. You have liked being anonymous through the years, but now people know who you are. Do you still feel like it is necessary?
SC: It was kind of a trick because so many people in the beginning wanted us to fail because we are so great. We have been blowing up since day one because a good idea is a good idea and a good song is a good song and a good band is a good band with a performance. So, part of the vision was everyone wanted to know who was behind the mask and that was probably the least most important thing ever. Why ask that? Why not ask how that came about or why this came about or what is behind this? Not what is behind the mask? It is music people are into and music the kids are buying. Rarely do they even get to spend a night with us. It is usually in the car or in their headphones. So why ask that question? So slowly, it wasn’t until the third record, I did a documentary called Voliminal: Inside the Nine where when I showed behind the scenes footage, I blurred out people’s faces, but when I did interviews, I would do nothing but faces. By our third record, people didn’t care what we looked like anymore. They liked us better with the mask on. I always knew that would happen. There was never a conscious decision of trying to be out of the limelight without knowing who I am. Let’s talk about the music, let’s talk about the lyrics, let’s talk about the why’s not who is behind the mask, because I don’t wear a mask. I don’t wear a mask at all.
CB: Do you guys write together?
SC: We write together. There are core writers.
CB: There are a lot of you.
SC: That again is a special way. There are core writers. There are people that plant the seeds, and there are people that water it and we all watch it grow and we all groom it and help it become what it can be. That is something that can rise to the light of day. So we all write, I am not a percussionist so to say but more of a paganistic, ritualistic. It is more, I won’t say anger as much as it is ritual to put behind it. I want to drive what is being written and I only want to drive what needs to be driven. I don’t necessarily have to put my mark or my scent on every single little thing and be over everything. I just want to drive what needs to be driven and it works best that day. I don’t have to be involved from day one. I have always loved the music we write. There is no reason to mess with the will, the roles.
CB: Any regrets?
SC: No, no regrets. To have regret would mean to have to do it differently and if I did it differently then I wouldn’t be here today. There is no reason to think about regrets. Yesterday is lost potential. It is only a memory for tomorrow. Good or bad, it is what it is. There is no changing it. There is no touching it or molding it. There is no reason to look upon it — it is a memory. It can be a good memory, it can be a bad memory, but you shouldn’t spend too much time. You just learn and you move on. I don’t have any regrets. I wouldn’t change anything. I would do it all over again just the way we did it. You come into a venue like this and you are like, “This is what I am dealing with today.” Tomorrow you will be in a completely different situation, and that is what you are dealing with. That is half of what you learn of the greatness of what you are doing because of art. You can’t always expect to have what you want. The point is, we are in Cincinnati. We are here to play for the people. It doesn’t really matter what color the door of the bathroom is or where the showers are or what the circumstances are. We are just here to play. We’ll get on the bus and do it again.
CB: The band members have a lot of side projects going on. Is that cool with everybody in the band?
SC: Yeah. It probably was weird in the beginning because we are so focused on the Knot but I think it was accepted quickly because everybody in the band is so creative on all different levels. It could even be the level of staying home and doing nothing and allowing everybody to do what they need to do creatively to get it out allows everybody to be better for this. It took a little time to understand that, but why wouldn’t it? We are all working for this. If I explained to everybody what it took to get here, I don’t think they would really understand how much work we really put into making it happen. The work was unbelievable. I could tell stories people wouldn’t understand the things we had to implement to make this work. The side projects are good. I wouldn’t even call them side projects. I take Stone Sour very seriously. It is their own band on its own merit. It has its own fan base and they do very well. I would never call it a side project. It would be kind of insulting to Corey and Jim and the other guys in the band because they have worked so hard to make it what it is which is a band. My stuff is more of a side project because I jam because I have to. Since we have started, I have had three bands. None of which have done shit which I don’t care because I just love to play and haven’t repeated myself. I did a Pop record. I did a kind of Hard Rock record. I did a Psychosis Rap record. Ever since Paul passed, I am just kind of focusing on my art a bit, kind of burnt out on music. Side projects are elements of letting people be themselves where they can’t necessarily bring that entity into this thing called Slipknot. It’s healthy.
Cincinnati has a rich brewing history, plain and simple. And if you haven’t been living in a hole for the past couple of years you know that. So it should be of no surprise that someone would take a piece of that history back home with them.
That’s exactly what 25-year-old Daytonite and founder of The Dayton Beer Company, Peter Hilgeman, did. “I have always been interested in beer, but my interest really peaked when I worked at The Party Source during college,” Hilgeman says.
Hilgeman, a 2009 University of Cincinnati graduate, spent some of his time working across the river at The Party Source in Covington, which for many is considered to be the local mecca for beer and spirits.
“Living in Cincinnati definitely inspired me to brew beer and open up a brewery in my hometown of Dayton,” he says. “Cincinnati and Dayton have amazing brewing traditions and I truly love the history that both cities share with regards to their brewing.
“I really wanted to restore that brewing tradition not only for Dayton, but throughout Southwest Ohio."
Hilgeman also spent five months traveling throughout Europe honing his pallet for exceptional beers from around the world.
With names like Patterson Pale Ale, Inventors IPA and Hawthorn Hill Hefeweizen, Hilgeman wanted to make something that Dayton could call its own and the Queen City could also be proud of.
“My goal for The Dayton Beer Comapy is simple. I want to provide people with great-tasting beer that they really love drinking and to help them learn about the great brewing traditions Dayton and Cincinnati have to offer,” Hilgeman says. “I want to be thoroughly involved in the community and give back whenever and wherever possible."
Hilgeman plans to have his beer available in a few bar locations in Mount Adams. “I hope that the Queen City will be able to have a few Dayton Beer Company beers in the next month or two,” Hilgeman says. “ I also intend to expand throughout Ohio and eventually to other states as well, but with our roots firmly entrenched in Southwest Ohio.”
The Dayton Beer Co. is set to opens its doors at 912 E. Dorothy Lane, Kettering, Thursday, May 17. The tasting room will be open Wednesday-Saturday until 10 p.m. Check out www.thedaytonbeerco.com for more information.
Motley Crue’s infamous bassist Nikki Sixx took up photography in 1989 as a way to help have an outlet to stay clean from his well publicized drug and alcohol abuse. His new book, This Is Gonna Hurt: Music, Photography And Life Through The Distorted Lens Of Nikki Sixx, came out this week as a showcase of his photography and personal stories from the past few years.
Sometimes as nicely as you'd like to put things it is hard to maintain a professional, calm and reserved style when communicating about it. When Reds announcers and many others described Shea stadium as "a dump" when it was limping in the direction of euthanasia, I knew what they meant but didn't agree that it was that terrible.