Today is primary election day in Ohio, but there are no ballot items in Cincinnati. Some Hamilton County precincts outside the city have ballot issues, which are listed here. Polls will be open between 6:30 a.m. and 7:30 p.m.
An amendment snuck into the budget bill approved by the Republican-controlled Ohio House would force universities to decide between providing the proper documentation for voting to out-of-state students or getting extra money from out-of-state tuition rates, prompting concerns from Democrats that Republicans are attempting to limit voting opportunities once again. Republicans spent a bulk of the lead-up to the 2012 election approving measures that limit voting, including a later-repealed set of laws that greatly reduced early voting hours.
About 82 percent of all Leadership in Energy and Environmental Design (LEED) certified buildings in Ohio are in Cincinnati, and the reason is likely local tax incentives, which allow Cincinnatians to eliminate property taxes for up to 15 years by retrofitting businesses and homes in an environmentally friendly manner. CityBeat covered Cincinnati’s successes in solar energy here and FirstEnergy’s campaign to weaken Ohio’s energy efficiency standards here.
If legislators fail to take up the Medicaid expansion, the issue could appear on the ballot on November 2014. Supporters of the expansion, including Gov. John Kasich, say the expansion will help insure hundreds of thousands of Ohioans and save the state money in the next decade, but Republican legislators say they’re concerned the federal funds backing the expansion will eventually dry up. CityBeat covered the Ohio House budget bill, which effectively rejected the expansion for the time being, here.
The Ohio Department of Transportation says 2,230 bridges in the state need repairs, but there’s not enough funding to make it happen.
Ohio banks are warning of possible cyberattacks that could happen today. The Ohio Bankers League and the Ohio Credit Union League said the attacks would impact online services but not the security of customers’ bank accounts.
The Cincinnati/Northern Kentucky International Airport has the second highest airfares in the nation, according to statistics released by the U.S. Department of Transportation’s Bureau of Transportation Statistics.
Cincinnati-based Procter & Gamble was ranked No. 7 in a ranking for top 50 most diverse companies by DiverseInc.
Sometimes human brains make people do bad things, such as enjoying high-calorie foods even when the foods aren’t delicious.
An amendment snuck into the budget bill passed by the Republican-controlled Ohio House on April 18 would force public universities to decide between charging lucrative out-of-state tuition rates or providing out-of-state students with documents required for voting in Ohio, raising concerns from Democrats that Republicans are attempting to limit voting opportunities in the state once again.
The measure would force public universities to classify students living on campus as in-state if they receive utility bills or official letters that can be used for identification when voting in Ohio.
Out-of-state tuition rates are typically higher than in-state tuition rates, which means universities would be giving up potentially millions in revenue to provide out-of-state students with the proper documents.
For universities, the measure adds a financial incentive to hold on to the documents. For out-of-state students, that could mean a more difficult time getting the documents to vote in Ohio elections.
Students can vote in Ohio if they have lived in the state for at least 30 days, but voting requires proper identification and proof of residency. Utility bills and official letters qualify, but student identification cards do not.
Republicans have been quick to defend the measure, while Democrats have been quick to oppose it. For both sides, there’s a clear political motivation: In the 2012 elections, 63 percent of Ohio voters aged 18 to 29 supported Democratic President Barack Obama, while only 35 percent supported Republican Mitt Romney, according to exit poll data.
Ohio House Speaker William Batchelder justified the measure to the Toledo Blade: “The real issue for local areas in particular [is], what happens when somebody from New York City registers to vote. How do they vote on a school levy? How do they vote on a sheriff’s race? To me, there is a significant question, particularly the levies, as to what having people who don’t have to pay for them would do in terms of voting on those things.”
The comments prompted a response from Ohio Democrats, particularly attorney general candidate David Pepper, a Greater Cincinnati native.
“It’s startling to see one of Ohio’s leaders voicing such a blatantly unconstitutional justification for this cynical law,” Pepper said in a statement. “The Constitution guarantees an individual’s right to vote, regardless of what views they espouse (‘how ... they vote’), whether they own property, or where they hail from originally. The Speaker’s comments would quickly become Exhibit A in a successful Constitutional challenge of this scheme to keep Ohio’s college students from voting.”
Pepper’s statement went on to cite three U.S. Supreme Court cases to support his argument: Kramer v. Union Free School District No. 15 from 1969, Carrington v. Rash from 1965 and Dunn v. Blumstein from 1972.
In Kramer v. Union Free School District No. 15, the court argued any laws that discriminate against certain types of voters must endure strict judicial scrutiny because “any unjustified discrimination in determining who may participate in political affairs or in the selection of public officials undermines the legitimacy of representative government.” The ruling struck down a New York statute that said those participating in school board elections must be property owners, the spouses of property owners, lessors or a parent or guardian of a child in the school district.
Pepper’s statement claims the ruling invalidates Batchelder’s argument: “The Court rejected the state’s argument (identical to the Speaker’s) that only those two groups had a primary interest in such elections.”
In Carrington v. Rash, the Supreme Court ruled states may not limit voting based on how someone may vote: “‘Fencing out’ from the franchise a sector of the population because of the way they may vote is constitutionally impermissible. ‘[T]he exercise of rights so vital to the maintenance of democratic institutions’ ... cannot constitutionally be obliterated because of a fear of the political views of a particular group of bona fide residents.”
Similarly, Dunn v. Blumstein struck down Tennessee’s one-year residency requirements for voting in a ruling that said residents recently coming from other states can’t be barred from voting: “[T]he fact that newly arrived [Tennesseeans] may have a more national outlook than long-time residents, or even may retain a viewpoint characteristic of the region from which they have come, is a constitutionally impermissible reason for depriving them of their chance to influence the electoral vote of their new home State.”
The Ohio House’s budget bill amendment is only one of many
attempts from Ohio Republicans to limit voting opportunities in the
state since 2011.
In 2011, the Republican-controlled legislature and
Gov. John Kasich approved two laws that reduced early voting hours.
Democrats and third-party groups threatened to bring the legislation to
referendum, but the Republican-controlled legislature and Kasich
repealed most of the measures and restored expanded early voting in Ohio
before the referendum came to a vote. A federal court also
restored early voting for all Ohioans for the three days prior to Election Day, which the previous repeals had only brought back for military voters.
In 2012, Ohio Secretary of State Jon Husted, a Republican, invoked uniform early voting hours, effectively eliminating most weekend voting, and made last-minute changes that placed the burden of proper identification on voters instead of poll workers, which Democrats argued made verifying provisional ballots more difficult.
When asked to justify some of the measures, Doug Preisse, close adviser to Kasich and chairman of the Franklin County Republican Party, wrote in an email to The Columbus Dispatch, “I guess I really actually feel we shouldn’t contort the voting process to accommodate the urban — read African-American — voter-turnout machine.”
The race-based reasoning prompted a harsh response from Democrats, who claimed Republicans were trying to suppress minority voters who tend to vote for Democrats.
Beyond voting rights, the Ohio House budget bill defunds Planned Parenthood and forgoes the Medicaid expansion (“The Chastity Bunch,” issue of April 24).
The budget bill still has to be approved by the Ohio Senate and Kasich to become law.
Editor's Note: Brian Penick of local music promotions company The Counter Rhythm Group is guest blogging for CityBeat monthly to provide a behind-the-scenes look at his journey to release his interactive industry guidebook, Musicians’ Desk Reference. Read Penick's first three blogs here.
I am not sure where I originally heard it, but the statement about how an idea "is the most contagious thing in the world” has really been resonating with me this past month.
It is amazing to take a step back from most things in the world and realize that they all started with an initial concept that grew through some evolutionary process. Probably not the way you would expect me to start a blog entry, but you have to understand this to know where this entire microcosm of Musicians’ Desk Reference has come from to consider where we are hoping to take it.
All of this started with an idea, something that had been bubbling up in my sub-conscience for over a decade, since I first started touring in bands. The business side of the music industry had always fascinated me, if only to simply question “why” and “how” the process worked for artists finding success. I knew that there had to be a great deal of factors behind this and that there isn’t really one true answer, but it was still enough to start me on a quest to find out whatever I could. Quite a task for someone barely old enough to drive, but, still, I knew that it was something worth investigating.
I have no shame in seeking the truth. I would ask anyone that I had met along the way, from bands to promoters and bar staff to industry professionals … if I could steal someone for a 30-second conversation, they would be hit with as many questions as I could get in. This always comes to a peak at any sort of festival/conference event when I am on the hunt for individuals that I know will be in attendance. The fangs come out and the hunt is on. I’ve been able to leverage some tours and significant milestones out for some of my projects, most notably at this year’s South by Southwest conference.
This soon turned to me attempting to give back to the music community, offering advice to anyone that asked for it. Casual conversations at shows over drinks eventually led to me wonder if I could do something similar for a living. Several months and numerous drafts of a business plan later, I was on my way, always intending on helping the greatest number of artists as I possibly could.
Here we are now, several years into the (initial phase of the) process, and the idea has certainly become infectious. What started as me wishfully thinking in the back of vans and busses that were buzzing across the land has started to take shape in a way that I would have never imagined.
While there are many things that are happening behind closed doors and cannot be disclosed (this document would have more redacted text than not were I to reveal many of the details), I can tell you that this idea has grown into more than a book and more than a batch of information. Our team has now tripled in size and the partnerships with third parties are growing by the month. The end result is going to be something that will even impress me, which is important to note because I am probably the harshest critic of them all.
I have had a vision for this project throughout the course of all of this. While I have been flexible at times, the integrity of Musicians’ Desk Reference is one thing that I am not willing to compromise. I am treating this as if it were a band trying to advance on its own through the music industry, gaining organic support along the way through due diligence and hard work. I am so proud of how far we have come. As we prepare to build the final version with a team of engineers over these next couple weeks, the anticipation builds like a child’s on Christmas morning — except we want to give rather than receive.
It has been slightly unnerving while building Musicians’ Desk Reference, knowing that it will inevitably be released to the world and run through the gauntlet of reviewers and critics, but in the end it should be known that we are here to help. Others may be creating a process, but we are trying to set a standard; a precedent that the industry can work from to give everyone an equal opportunity. Call us crazy, but this is a mantra that we use on a daily basis.
I know this may not all make sense and seem broad from an outside perspective, but, trust us, it will make sense as we delve further into the specifics. More clear details will emerge as our release date at this year’s Midpoint Music Festival (Sept. 26-28) approaches. Just know we are working hard with good intentions.
The First District County Court of Appeals heard arguments over the city’s parking plan and emergency clause powers today, with both sides making similar arguments as before
— except this time the city acknowledged it will probably have to move
forward with layoffs because the city only has a few weeks remaining
before it has to balance the budget for fiscal year 2014, which begins
July 1. The city claims it can use emergency clauses to expedite
legislation, such as the parking plan, by eliminating a 30-day waiting
period and the possibility of a referendum, but opponents argue the
wording in the City Charter doesn’t justify terminating referendum
efforts. If courts side with opponents, the city’s plan to lease its
parking assets to the Port Authority, which CityBeat covered here, will likely appear on the ballot in November, forcing the city to lay off cops, firefighters and other city employees instead of using the parking plan to help balance the budget.
It’s looking more and more likely that Cincinnati Police Chief James Craig will take the top police job in Detroit, despite Cincinnati officials asking Craig to reconsider. Previously, Councilman Charlie Winburn, the lone Republican on City Council, pushed city officials to do more to encourage Craig to stay, but City Manager Milton Dohoney Jr. said Craig’s motivations may be personal because his family resides in Detroit, a city that is in desperate need of a turnaround.
Ohio’s tea party groups are preparing to either split from
the Republican Party or punish Republican leaders for recent actions,
according to The Columbus Dispatch. Tea party groups have been particularly upset with Gov. John Kasich’s endorsement of the Medicaid expansion, which CityBeat covered in further detail here and here,
and Ohio Republicans’ election of Matt Borges, who once lobbied for a
gay rights group, as chairman of the Ohio Republican Party. Since the
2010 elections, tea party groups have kept political footholds in some
areas, but they have consistently lost favor with voters.
In case you missed it, here was CityBeat’s news coverage for the current week’s issue, which went online late because of Internet issues:
A portion of the Ohio House budget bill would make it more difficult for out-of-state students to vote in Ohio by forcing public universities to decide between extra tuition money and providing documents that students need to vote. Republicans say the rule is meant to lower tuition and prevent out-of-state students from voting on local issues they may know little about, but Democrats, backed by university officials, say the rule suppresses college-going voters, who tend to support Democrats over Republicans.
Ohio Senate President Keith Faber said there is no substantial Republican support in the Ohio House, Ohio Senate or governor’s mansion for so-called “right to work” legislation. The lack of support for the anti-union laws, which prevent unions and employers from making collective bargaining agreements that require union membership, may be linked to 2011’s voter rejection of Senate Bill 5, which would have limited public unions’ collective bargaining and political powers. S.B. 5 was one reason unions, including the Republican-leaning Fraternal Order of Police, supported Democrats in 2012.
Despite security concerns in the aftermath of the Boston Marathon, Sunday’s Flying Pig Marathon had a record 34,000 participants.
Ohio gas prices are trending up this week.
Now on Kickstarter: Genetically modified plants that glow.
The Cincinnati Heritage Programs put together by the Cincinnati Museum Center have been going on for over 30 years now, taking locals and visitors to some of the Queen City's most important and/or interesting landmarks. The programs have included historical presentations and bus and walking tours to the various sites.
This year so far, the Cincinnati Heritage Programs have shown and told the stories of radio pioneer Powel Crosley, "Grand Old Theaters" and Cincy local TV legends. This Saturday, the Heritage programmers present "Subway Talk and Walk," a nighttime exploration of Cincinnati's incomplete subway tunnel project.
On May 18, from 9 a.m.-1:30 p.m., the Cincinnati Heritage Programs presents the first ever bus tour of various important (not just to the area, but to the world) musical landmarks.
Dubbed "When the Queen City was King of Recording," the tour focuses primarily on a pair of historic recording studios that churned out records that would change the face of music. The bus will visit the original site of King Records, which released seminal albums from the worlds of Country and R&B, a gateway to the birth of Rock & Roll. The bus will visit the old King location at 1540 Brewster Ave. in Evanston, where city officials, the Cincinnati USA Music Heritage Foundation (CUMHF), the Rock and Roll Hall of Fame and others helped have an historical marker installed in 2008 to commemorate King's contributions.
Here's James Brown's first single, recorded with his Famous Flames and released in 1956 through the King subsidiary, Federal Records:
The tour will also visit the former site of the E.T. Herzog Recording Company, at 811 Race St., downtown. In 2009, the CUMHF and others also lobbied successfully for a marker to placed at the site, which now houses the organization's headquarters. The Foundation has turned the floor the studio once stood into a museum dedicated to the space's history, hosting receptions and recording sessions and showcasing a few artifacts (like the piano Hank Williams played when he was in town to record songs that made him a legend, including "I'm So Lonesome I Could Cry") and lots of old photos of the studio in action. The Music Heritage Foundation is currently hosting the photo exhibit, "Annie's Baby Had a Baby," which was part of the big, citywide Fotofocus photography showcase.
The tour ends with lunch and some live music at the Blue Wisp Jazz Club, a block from the Herzog stop.
The tour costs $60 (or $50 if you're a Museum Center member) and some spots are still open. But you'd better act fast. Deadline to register for the "When the Queen City was King of Recording" is tomorrow, May 7. Make a reservation by calling 513-287-7031. And click here for the Museum Center's rundown of great city tours and more.
One could argue that New Orleans is one of the most fun places on the planet. You cannot beat the food, laidback attitudes and genuine hospitality. Combine all of that with some of the most talented musicians in the world and you have the New Orleans Jazz & Heritage Festival.
The New Orleans Jazz Fest kicked off in full swing last Friday, April 26, with thousands flocking to the New Orleans Fairgrounds to hear their favorite musical acts, see one-of-a-kind pieces from local artists and taste the flavors of New Orleans.
Local musical acts kicked off each morning on the 11 different stages around the fairgrounds, leading up to the first weekend's main acts, which included include John Mayer, Billy Joel and Dave Matthews Band, which closed out each night on the Acura Stage.
One of the most enjoyable parts of Jazz Fest for me each year is seeing “the bands before the main stage bands.” I always walk away with new music to listen to from legends and discover exciting new stage acts. This year I fell in love in the Blues tents with guitar legends like Sonny Landreth, Guitar Slim Jr., Lil Buck Senegal, Deacon John and Little Freddie King.
Dr. John, who is always a Jazz Fest highlight performed on Friday and had an Ohio native backing him. Dr. John recently restructured his band before Jazz Fest and kept only one former member, trombonist Sarah Morrow who grew up near Pickerington, Ohio, just outside of Ohio.
The New Orleans Fairgrounds filled to the brim Saturday with attendees showing up early to get the best seats to hear Bill Joel belt out his hits. Joel closed out his set by playing with New Orleans' own Preservation Hall Jazz Band.
Sunday morning brought cloudy skies that soon turned into torrential downpours. But that didn't stop Jazz Fest goers from staking out spots for Dave Mathews Band. The skies cleared enough to dry off before the second wave of rain, soaking DMB as they played through the rain for thousands of diehard Jazz Fest fans. The dancing in the mud surely created lifelong memories for some attendees.
If seeing the Dave Matthews Band play an epic set in the rain was not good enough, you could make your way over the Blues tent and see the King play the Blues like it is the end of the world. BB King electrified as he took the stage in the Blues Tent to close out the first weekend of the festival. The legendary Allen Toussaint joined King on stage and, as BB began his set, belted out an a cappella Blues tribute to the King himself. King ended the set with a toast to the audience: "If I can't be with you next week, think about me some time."
Widespread Panic closed out my last day at NOLA Jazz Fest with a rainy two and a half hour set for their loyal legion of fans, all of whom seemed perfectly happy to dance in the mud at the Acura Stage.
Yesterday kicked off the second weekend of the famous festival and will feature performances by New Orleans native Mia Borders and Patti Smith.
I will miss New Orleans' music and food dearly when I go and will start the countdown to Essence Festival in July, when I return to the Big Easy for more music and fun times.
With Cinco de Mayo
falling on a weekend this year, you can bet the margaritas will be a-flowing at
your favorite watering hole. Join us for our fourth annual Cantina Crawl
Saturday for plenty of cerveza and swag at Bakersfield (6 p.m.), Nada (7 p.m.),
El Coyle (8 p.m.), Pirate’s Cove (9 p.m.) and Tostado’s (10 p.m.) WARNING:
Actually trying to drink at each location is probably unwise. Be safe and get
yourself a designated driver! Find a full list of participating cantinas here.
Photography duo The Hilton Brothers, Paul Solberg and Christopher Makos, are in town for the opening of their FotoFocus-sponsored exhibit at Miller Gallery Friday. The show features diptych photos of flowers, horses and the late, great Andy Warhol in drag. Meet the artists at Friday’s reception, 7-9 p.m. and look out for our interview with them in next week’s issue.
They say April showers bring May flowers, so it makes perfect sense that this month’s Essex Studios Art Walk is themed “Bloom.” From 6-11 p.m. Friday and Saturday, more than 120 artists will show off their floral-inspired artwork of various mediums throughout the studios. Go here for full details.
The Cincinnati Symphony Orchestra has dubbed Friday Over-the-Rhine Night with its "Fanfare for Cincinnati" concert in Washington Park. The night kicks off with a bike ride starting at the park at 6 p.m., a comedy show by OTRimprov and plenty of on-site food trucks and vendors. The CSO concert runs 8-10 p.m., followed by more eats and a performance by Young Heirlooms until 11 p.m. Find a full event lineup and ticket info here.
Comic books are
making a comeback! With the popularization of superhero culture and hits like The Walking Dead, the old-school media
is cool once again. Celebrate Free Comic Book Day Saturday at one of many local
comic shops (search here)
and swing by the Main Library downtown as it presents its first ComicCon Sunday.
Local writer/musician Chris Charlton will be on hand at Covedale comic book
shop, Rockin’ Rooster, Saturday and at the library’s panel discussion Sunday
along with many other notable local comic writers, publishers and illustrators.
Check out our interview with Charlton here.
This afternoon, the Facebook page of crucial, longtime MidPoint Music Festival supporters, Dewey's Pizza, announced the first handful of artists book to play this fall's MidPoint Music Festival. And, after early-bird discount tickets quickly sold out several weeks ago, the rest of the tickets are on sale now at mpmf.cincyticket.com.
The first batch of MPMF.13 performers is very representative of the bookings for MidPoint the past few years. You've got a Modern Rock legend, a few established acts, several current "buzz bands" and a few acts that, if past years' MPMFs are any indication, will be "buzz-worthy" by the time the festival rolls around, Sept. 26-28.
Here are the first 17 acts booked for MPMF.13, the 12th installment of the ever-growing music fest that utilizes various venues in Over-the-Rhine/Downtown. Below the list, you can check out a song by each artist on our first MPMF.13 playlist.
The Breeders (Dayton, Ohio)
One of the seminal bands of the "Alternative Revolution" in the ’90s, The Breeders are currently promoting the 20th anniversary, expanded reissue of their classic Last Splash album. Though the Dayton-based Deal sisters (Kelley of R. Ring and Kim of Pixies) have kept musically active since Last Splash, with outside projects and The Breeders, the world tour for the reissue is special because it reunites the Deals with the album's lineup — bassist Josephine Wiggs and veteran Dayton drummer Jim MacPherson, who also spent time with Guided By Voices. The Breeders are playing Last Splash in its entirety on the whole tour.
The Head and The Heart (Seattle, Wash.)
One of the top acts of the "Indie Folk" movement, The Head and the Heart formed in Seattle in 2009. An early, self-made recording the band sold at initial shows ended up becoming so popular, local record stores began stocking it and trying to keep up with the surprising demand. The recording began making the music industry rounds, leading to a bidding war for the band. They ended up signing to hometown label Sub Pop within about a year of forming. The group's self-titled album was released to critical acclaim in 2011. The band's warm, ear-grabbing sound has been used a lot on TV spots; you might recognize their "Lost in My Mind," which was the background music for the trailer for the big hit film, Silver Linings Playbook.
Warpaint (Los Angeles)
With an airy, mesmerizing take on Psych Pop, L.A. quartet Warpaint caught the attention of mad guitar genius John Frusciante, who offered to mix the band's Exquisite Corpse EP. That release and a successful CMJ festival appearance led to Warpaint's signing to the legendary Rough Trade imprint. The label released the album The Fool in October 2010 and the band went back to their relentless touring schedule, which included dates with the likes of The xx, Yeasayer and The Walkmen. The band is currently prepping a new LP.
Foxygen (New York, NY/Olympia, Wash.)
Foxygen is the engagingly adventurous duo of Sam France and Jonathan Rado, who formed the group as 15-year-olds in 2005 and self-released a dozen or so albums while learning to play as many instruments as possible. The band's skewered Art Pop (akin to that of MGMT) with retro-underpinnings has been drawing attention since the release of the Foxygen full-length debut for the respected Jagjaguwar Records, the Richard Swift-produced We Are the 21st Century Ambassadors of Peace & Magic, at the start of this year.
Cody ChesnuTT (Atlanta, Ga.)
Singer/songwriter Cody ChesnuTT first came to a lot of people's attention as the lead vocalist on "The Seed (2.0)," a fairly big single off of The Roots' Phrenology album in 2002. That drove a lot of Roots fans to ChesnuTT's full-length from the same year, The Headphone Masterpiece, though what they heard on that album — an underproduced, ambling collection of demo-sounding tunes that surfed a wide range of genres with ADD-like abandon. A decade later, ChesnuTT has returned with a new focus, showcasing a balanced approach based in vintage Soul (vocally, he's quite similar to Marvin Gaye) and Rock & Roll, on the full-length, Landing on a Hundred.
Daughter (London, UK)
Originating as the "one-woman-band" recording project of singer/guitarist Elena Tonra, Daughter — now a trio, which Tonra's husband on guitar and drummer Remi Aguilella — mixes an Indie Folk base with subtle electronics, creating an emotive sound that can be whisper-quiet one moment and epically lush another. After a self-titled EP, Mumford & Son's Communion label released The Wild Youth EP. Often compared to Cat Power due to Tonra's vocals, last year, the band signed to the 4AD label, a fitting choice given the legendarily ambient sound that defined the label's artists in its early years. The label released the trio's debut, If You Leave, in March of this year.
METZ (Toronto, Canada)
Relentless in its sonic attack, Canadian three-piece METZ recalls a lot of the punchier Post Punk bands of the ’80s/’90s, drawing comparisons to Big Black, The Jesus Lizard and any number of acts on the (early) Sub Pop and Dischord labels. After a few years of heavy touring, opening for like-minded bands Death from Above 1979, Mudhoney and NoMeansNo, the band signed with indie label legend Sub Pop, which released METZ's powerhouse self-titled debut last year.
Kishi Bashi (Norfolk, Va.)
Starting his career as a violinist for artists like Regina Spektor and of Montreal, Seattle-born multi-instrumentalist and singer/songwriter K Ishibashi went solo — under the less-confusing moniker Kishi Bashi — and began touring. Making engaging Indie Pop touched by Classical/Chamber influence, the Joyful Noise imprint released his first full-length album, 151A, last spring. There's a pretty good chance you've hear Kishi Bashi before, even if you didn't know it — his jaunty, Shins-ish single "Bright Whites" was used in a wide-running commercial for Windows 8.
Julianne Barwick (Brooklyn, NY)
Julianne Barwick makes angelic Ambient music based entirely on loops. The Southern-born experimental artist — signed to Asthmatic Kitty Records — creates her compositions by using a loop station and crafting elegant layers of sonic haze, using mostly piano, her voice, some percussion and guitar. Barwick — who recently announced her signing to Dead Oceans and a new album set for August — is an up-and-comer in the Avant Garde/New Music world, recently scoring an invite recently to Yoko Ono's Meltdown Festival in the U.K.
Spectrals (Yorkshire, U.K.)
Spectrals was originally the work of one dude, British singer/songwriter Louis Jones (with just a little help from his brother on drums). Spectrals' wandering sound touches on everything from Nuggets-esque Garage to swaying, elegant Pop (threaded with reverbed-out, Surf-ish guitar). Jones signed to the Slumberland label in the States, which released his first album, Bad Penny, in 2011. For Spectrals' latest, the Sob Story album, Jones, for the first time, had some help from other musicians (who aren't related to him).The album is due June 18.
Dent May (Oxford, Miss.)
Singer/songwriter Dent May makes unabashed Pop music, the kind that forces a smile on your face regardless of your troubles. The Mississippi resident singed with Animal Collective's Paw Tracks label in 2008 and released The Good Feeling Music of Dent May & His Magnificent Ukulele, which drew comparisons to the likes of The Beach Boys, The Turtles and Prefab Sprout. For last year's self-titled album, May put away the uke and decided it was time to dance. The album is a cooly eclectic collection of dynamic electronic Pop, retaining those classic Pop/Rock influences, but adding elements of Disco, Funk, R&B Electro.
Grandfather Child (Houston, Texas)
Grandfather Child was formed in Houston in 2009 by members of various other local bands. The group hit upon a compelling "formula," creating a kitchen-sink sound that is loaded with influence from R&B, Soul, early Rock & Roll and Gospel music, resulting in a pretty psychedelic vibe. The band is signed to New West Records, which released Grandfather Child's eponymous 9-track album last summer.
The Ghost Wolves (Austin, Texas)
With a blistering sound created by just two people — guitarist Carley and drummer Jonny Wolf (both sing) — The Ghost Wolves traveled many miles across the country to build a fan base one explosive show at a time. The group's debut was the raw and rugged In Ya Neck! EP, which showcased the Wolves' fuzzy take on stompin' Blues Rock expertly, like a two-piece version of The Cramps. The band is getting set to release its debut full-length, Man, Woman, Beast.
Jeecy and The Jungle (Detroit)
Known for their reportedly incredible like show, Detroit's Soul rockers Jeecy and the Jungle represent two sides of Detroit's music heritage, blending a modern-day Garage Rock energy with influence from classic Soul artists. Last summer, the band released its impressive five-track EP, Twist and Scream.
Caveman (New York, NY)
Caveman is an NYC quintet that makes atmospheric Indie Rock with the kind of soft-breeze effervescence found in everything from the best vintage "AM Gold" songs to Fleet Foxes. The band released its debut in 2010, CoCo Beware, built a following and signed to notable label, Fat Possum Records, which re-released the debut and also the recent self-titled full-length, which has been garnering great reviews.
Perfume Genius (Seattle, Wash.)
Perfume Genius is Mike Hadreas, a Seattle singer/songwriter and visual artist whose 2010 debut caught the attention of the Indie music press corps. Quickly signed to the esteemed Matador Records, Perfume Genius' latest is Put Your Back N 2 It, a gentle, intimate collection of spectral, folksy songs.
PHOX (Madison, Wisc.)
Slanted, sparse yet broad Indie/Folk/Pop band PHOX started turning heads this year with consistent touring and a knock-out appearance at South By Southwest. The band recently released its latest EP, Confetti, which also has a companion "video EP," featuring short films for every track that the group members made simultaneously with the musical recording.
Cincinnati Shakespeare Company opens its
production of the infrequently staged Measure for Measure tonight. Director Brian Isaac Phillips says, “We have discovered a lot of
satire and wit as we explore the biting social criticism in
this play. The behavior of these characters … is like a dark comic
mirror, held up to nature. Shakespeare has written a play that begs us
to examine modern day decadence and hypocrisy.” Phillips has set the
production in the corrupt and hypocritical Prohibition Era, to "give
modern audiences a context for the
actions and the characters' deeply held opinions." It's onstage through
May 26. Tickets: 513-381-2273 x.1.