The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."
The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).
Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.
The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official Warped Tour app.
Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.
Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)
MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance
TBD STAGE: Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight
TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco
TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst
ERNIE BALL STAGE: iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.
KEVIN SAYS STAGE: Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara
ACOUSTIC BASEMENT: A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri
By all accounts (from people who actually attended or performed), last month’s huge Bunbury Music Festival was one of the best-run fests of its kind this area has ever seen. Organizer Bill Donabedian no doubt scored some tips from the operators of the big annual Blues celebration, the volunteer-driven Cincy Blues Fest, which has been doing the “well-run music festival” thing at Sawyer Point Park along the riverfront for many years now.
This weekend, the Cincy Blues Fest — one of the finest Blues events in the Midwest — returns to Sawyer Point to celebrate its 20th anniversary. That's a remarkable two decades of providing Greater Cincinnati live music lovers with some of the finest Blues being made locally, regionally and nationally, a rare and impressive achievement for any music festival.
This year’s main stage national headliners are especially strong — Webb Wilder on Friday and Duke Robillard on Saturday — but the Cincy Blues Fest always has a ton of interesting and engaging artists performing throughout the fest’s multiple stages.
Aside from the lineup featuring a few higher quality headliners than the past couple of years (like Robillard, Wilder, Trampled Under Foot, Super Chikan, Sista Monica, etc.), this year’s 20th anniversary celebration isn’t really being overblown, likely because the Cincy Blues Society and the army of volunteers that work the fest always do such an amazing job running the event; it’s already quite special, no matter what birthday the fest is celebrating.
One of my favorite elements of the Blues Fest is its undying support for our local players and singers. This year, Cincy Blues Challenge winners Chris Yakopcic and the Noah Wotherspoon Band have main-stage slots (they’ll also go to Memphis this winter to compete for Cincinnati in the International Blues Challenge). Yakopcic performs at 5:45 p.m. Friday, while Wotherspoon and Co. play at the same time Saturday (following a band of students associated with the Blues in the Schools program, for which the fest raises money).
The three side stages — always creatively
programmed — have a heavy local presence. Friday, visit the “Blues: The
Next Generation” stage for sets by younger area acts like the Wade
Baker Trio, Brian Keith Wallen Band, Scotty Bratcher and (again!) Noah
Wotherspoon and his band. The “Next Gen” stage starts at 5:15 p.m.
Friday "The Next Generation of Blues" stage lineup
5:15 p.m. Wade Baker Trio
6:20 p.m. Jellico Motel
7:05 p.m. Brian Keith Wallen Band
8:10 p.m. Carson Diersing Band
9:25 p.m. Scotty Bratcher
10:40 p.m. Noah Wotherspoon Band
As the name suggests, the St. Vincent DePaul Local Stage is chock full of local talent. Friday, the stage features Bad Men on a Mission, Them Bones, the Doug Hart Band, Leroy Ellington’s Blues Band and Blue Sacrifice.Saturday, catch the Blue Birds Big Band, the Gradual Taylor Band, the Leo Clarke Band, The Juice, Chuck Brisbin & the Tuna Project and Balderdash.
And perhaps the fest’s most notable and
renowned side stage, the unique Boogie Woogie Piano Hall of Fame Stage,
on Saturday will feature appearances by Jimmy Rogers, Todd Hepburn, Liz
Pennock & Dr. Blues and Ricky Nye, plus players from across the
planet. The Boogie Woogie stage closes out with a “grand finale jam”
just before midnight.
Saturday Boogie Woogie Piano Hall of Fame Stage lineup
4:30 p.m. Jimmy Rogers
5:10 p.m. Todd Hepburn
5:50 p.m. Liz Pennock & Dr. Blues
6:50 p.m. Ricky Nye
7:40 p.m. Mark Braun
8:30 p.m. Rob Rio
9:20 p.m. Cynthia Girtley
10:10 p.m. Bob Seeley
11:00 p.m. Fabrice Eulry
11:50 p.m. Grand Finale Jam
Here are the lineups for the Budweiser Main Stage this weekend:
Friday Budweiser Main Stage lineup
5:45-6:45 p.m. Chris Yakopcic
7:00-8:15 p.m. Super Chikan
8:30-10:00 p.m. Sista Monica
10:15-11:45 p.m. Webb Wilder
Saturday Budweiser Main Stage lineup
5:00-5:30 p.m. Blues in the School (BITS) Band
5:45-6:45 p.m. Noah Wotherspoon Band
7:00-8:15 p.m. Southern Hospitality
8:30-10:00 p.m. Trampled Under Foot
10:15-11:45 p.m. Duke Robillard
Tickets are $20 each day (two-day passes are
available Friday at the gates for $30), or grab yours early through
brownpapertickets.com for a $5 discount. Or you can join the Cincy Blues
Society (cincyblues.org), the creators and managers of Cincy Blues
Fest, to receive an even deeper discount.
Be sure to pick up a copy of this week's CityBeat, which includes a pull-out guide for the Cincy Blues Fest, with artist bios, schedules and more. For further ticket info, updates, details on the new Cincy Blues Fest mobile app and much more, visit cincybluesfest.org.
Is it really that time again? It seems like just yesterday that we were jumping from one packed MPMF venue to another, checking out everyone from local favorites to national and international gems to local favorites turned (inter)national gems.
Yes, bands and artists the world over can now register to take part in the 2010 MidPoint Music Festival, a three-day (Sept. 23-25) downtown Cincinnati party that is rapidly becoming a highlight of the region’s musical landscape.
The 2010 MidPoint Music Festival is just three days away, so if you haven't firmed up your plans yet now's the time. And here's the big ticketing detail you need to be aware of: Three-day "all access" wristband sales end before the festival kicks off Thursday, replaced by one-day wristbands on sale each night at all venues.
Locally based independent label Grasshopper Juice Records has been presenting the Adjust Your Eyes Music & Art Festival, an annual showcase of local visual art and some of the label’s artists (plus other Grasshopper-friendly acts from Cincy and around the region), since 2006. Along with showcasing some of the city’s most creative original music makers, the event has raised thousands of dollars for organizations like American Cancer Society, Susan G. Komen For The Cure and Friends for Chris Walker (in support of the beloved late local bassist).
After a 2011 festival at Newport’s Southgate House (now Thompson House), the AYE fest (presented in conjunction with Far-I-Rome Productions and sponsor Soap Floats Recording) moves to downtown’s Mainstay Rock Bar for this weekend’s two-day blowout, once again spotlighting a diverse cross-section of musical styles and approaches.
The event runs tonight and tomorrow from 7 p.m.-2 a.m. and will feature more than 30 acts on both of the venue’s stages throughout both nights, as well as art installations prepared by BUNK News. Admission each night is $7.
Here's the full schedule for tonight and tomorrow's AYE merriment. Click on each act's name for a link to more info and music samples.
The Mayhem Festival takes over Riverbend July 20 and CityBeat will be featuring bands throughout the week leading up to the festival. Trivium is one of the groups playing this year, represent the new school of Metal at its best. The band, out of Orlando, is signed with Roadrunner Records and its fifth studio album, In Waves, is expected to be released in August.
Hinder is a wildly successful Oklahoma Hard Rock comprised of members Austin Winkler (lead vocalist), Joe “Blower” Garvey (lead guitarist), Mark King (rhythm guitarist), Mike Rodden (bassist) and Cody Hanson (drummer). The band blew up in 2005 with the release of its debut studio album Extreme Behavior, which featured popular hits “Get Stoned” and “Lips of an Angel.”
The band is climbing the charts again with the single “What Ya Gonna Do” off their third studio album, All American Nightmare. CityBeat caught up with the band prior to their performance at RockFest in Cadott, Wisc.They had time to discuss the new album and the festival life. The band will be rocking the entire summer hitting rock festivals all across the country.
CityBeat: You’re out here in the metropolis of Wisconsin. What did you guys do last night?
Austin: We played a show in Indiana.
CB: So you were on the bus last night?
CB: Is this your first time at RockFest?
Austin: I don’t think so. I think we’ve played this before in 2007.
Blower: I know we’ve played this venue.
Austin: We played with Three Doors Down in ’07.
CB: What can we expect today from the set?
Austin: Rain and Lots of wetness.
Cody: We’re going to get the chicks wet tonight.
Mark: God is doing it for us.
CB: That’s the line of the day. You guys were just at Rock on the Range. What was your craziest Rock on the Range story?
Mike: I think I pissed myself that night.
CB: Any particular reason?
Mark: I don’t remember why because I was blacked out but I definitely woke up with some wet pants.
Cody: Shit I was so hammered that night, I might have pissed your pants.
Austin: I got so high, I didn’t know where the phone was.
CB: Did you guys go to Rocklahoma after that or did you just go on tour?
Austin: Yeah, we did Rocklahoma for the first time. That was pretty awesome. It was about time too because we are from there.
CB: I love the new album. It was one of my favorites that I listened to prep for Rock on the Range. I’ve been listening to it ever since. What’s your favorite tracks to play live on the album?
Mark: “Two Sides of Me” is one of my favorites to play live. It’s a good little rocker.
Austin: “What You Gonna Do” is one of my favorites to play recently.
CB: It’s catchy. I can say it with you.
Mike: Tell that to radio.
CB: It’s all over the radio. I’ve been in traffic coming into this place for a day and I think I heard it three times today. I think they got the memo that you were here. You guys have toured with some huge bands. Are there any other bands that you would like to tour with or play with?
Austin: I want to play with the Rolling Stones.That would be awesome.
CB: You guys did Aerosmith for a few dates right?
Austin: That was badass.
Mike: I’d like to play with The Doors, if that was possible.
CB: I had a question about “Striptease.” Any particular strippers or clubs that inspired that song?
Austin: I think it’s a lot of the bullshit that’s being shoved down people’s throats these days.
Cody: It’s more about a few of the pop artists and you can throw some reality stars in there.
Mike: Yeah, it’s kind of like they belong more in a strip club than they do on the radio or TV. That’s about how much talent they have.
Mark: Dude Ke$ha is talented, alright.
CB: In more ways than one right?
Cody: I doubt that. I did just see a picture of her online yesterday with her holding her tits and a big wad of nut underneath.
Group: Are you kidding me?
CB: Are we sure it was her?
Cody: Yeah, or it was some nasty bitch that looked just like her.
CB: So what has been the highlight of 2011 for you guys so far?
Mike: I don’t think we have any super-big highlights.
Austin: The fact we have our third record out is pretty awesome. Being well-received by our fans, I think that’s pretty badass.
Mike: We might just make a highlight tonight.
CB: I have to tell you. I was here last night and Rob Zombie made a highlight.
Cody: What did he do?
CB: The stage, as you know is two-tiered. He said, “Everybody is too far away. Come up on the stage.” So all the girls came up on the stage with them for four songs. He said, “If you behave. Don’t fuck it up.” Next thing you know I am running onto the stage and at John 5’s feet. So I think that shocked the security and the venue for a minute. So you guys can try it. Nobody got hurt.
Mark: They are a lot braver than us.
Blower: A lot more scary looking too.
CB: Any regrets over the years?
Mike: Yeah, we have lots of those. We have a whole bag of them.
Cody: We have tons of regrets and mistakes we have made over the years. Especially when you first start out being a band. You are green and you let outside people have a little too much control and make some bad decisions for you. If we could go back, we would probably have a lot more money.
CB: Do you guys all still live in Oklahoma.
Austin: I don’t. I live in California.
Cody: But the rest of us do.
CB: How often do you get home?
Cody: We just came from home. We have been home for quite a bit on this cycle. It’s been a little more relaxed. We’re out on this run for like seven weeks. So it’s good to be out.
CB: Do you guys prefer to play festivals like this and Rock on the Range or your own shows where you have your own, obviously your fan base is here too, but when you have your own shows, you know who is there?
Austin: Either way, we bring the same show. I guess sometimes when we play like Rock on the Range, we only get a certain amount of time. We come in and play 40 or 45 minutes, that kind of sucks. I wish we could play longer. Other than that, we bring the same show no matter what.
Mike: It’s kind of cool too, to have a break from the same tour every night and have a few festivals stuck in there because the lineup is different, there are different bands at all the festivals. So it’s cool to get a change from the everyday show.
CB: Anybody you are looking forward to seeing today?
Blower: I’ve never seen Kid Rock so I am pretty stoked about that.
CB: You guys are touring with the new album. Have you started working on any new music yet?
Austin: Not necessarily recording in the studio but we are always coming up with ideas and stuff on the road. We kind of never really stop writing.
CB: What’s your process? Do you guys do it together or separately?
Austin: Usually me and Cody will sit down with acoustic guitars and write the nutshell of the song and bring it to the rest of the guys and they put their thing on it.
CB: How does the feedback session go?
Mike: Pretty straight forward.
CB: You guys have been together forever so you can take it right?
CB: You guys had a ton of songs to pick from for this album?
Cody: We’re hoping to be able to recycle some of those and use some for the next record. There are some really great songs that didn’t make it. Hopefully we’ll pick some of them out for the next one.
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just four days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.
Our next "sleeper" is Imagine Dragons, performing Saturday at 5:15 p.m. on the Bud Light Stage.
Founded in Las Vegas four years ago by primary songwriter Dan Reynolds, Imagine Dragons went through a variety of permutations before settling on the current line-up (guitarist Wayne Sermon, bassist Ben McKee, drummer Daniel Platzman). Since 2009, Imagine Dragons has turned out a quartet of impressive EPs, including the just-released Continued Silence, featuring the YouTube sensation “It’s Time,” all of which is a preview for the fall release of the band’s debut full-length, Night Visions. A quick spin through Continued Silence — the band’s first work for Interscope since signing last year and, like the new album, produced by renowned British Hop Hop boardsman Alex Da Kid — is like panning in a creek bedded with gold nuggets; glints of Coldplay, Everclear, Train and any number of other chart-topping Pop icons, but with a discernibly beat-driven Indie edge. As epic as Homerian poetry set to a U2 soundtrack and as intimate as a candlelight dinner in the Nevada desert.
That's a fair but lacking description of the festival, but
only because the programming isn't bounded by much other than the
desire to explore. MusicNOW has showcased numerous flavors of World
music, often new avant Chamber/Classical works, a "who's who" of the top
names in "Indie" music (Sufjan Stevens, St. Vincent, The National, Bon
Iver, Andrew Bird, Grizzly Bear), a few legends (Philip Glass, Kronos
Quartet) and newer and/or more obscure artists, meshing together to
offer Cincinnati music fans (and the many who come in from out of town) a
truly unique musical experience. Sold out audiences have seen
one-off performances and collaborations, including commissioned
works and world premieres.
Below is a sampling of some of the artists featured this weekend — though with MusicNOW's encouragement of experimentalism, take it as merely a surface introduction. The artists will more likely go beyond any pigeonhole you can come up with, which is the best thing about MusicNOW.
• Tonight's kick-off is headlined by Anti- recording artists Tinariwen, a Malian ensemble whose creative North African sounds resulted in a Grammy in 2012 for its fifth album, Tassili. Read CityBeat's interview with Tinariwen founder Ibrahim Ag Alhabib (via translated email exchange) here.
Here's the official video for Tassili track "Iswegh Attay" (with translation!):
• Arcade Fire member Richard Reed Parry has been a part of several MusicNOW festivals, composing commissioned works and playing with bands like Little Scream and Bell Orchestre. This year, Reed Parry will perform the songs of his Indie Folk project, Quiet River of Dust. The project made it's live debut at the National-curated All Tomorrow's Parties fest in the U.K. late last year (where Reed Parry performed three very different sets) and a recording is presently in the works. A review from the music blog Let's Get Cynical described it as "a quirky and engaging performance – the first song I hear is about a boy who gets lost at sea and turns into a fish, if you want some sort of indication of what we’re working with. The fact that this is the trio’s first ever show also highlights ATP as the kind of festival where you get to see things you don’t get anywhere else." Kinda like MusicNOW.
• Rounding out tonight's opener is Buse and Gase, the Brooklyn duo of Arone Dyer and Aron Sanchez, who make trippy avant grade music on various handmade instruments. The group name actually comes from two of those instruments — the "buke" is described as a "six-string baritone ukulele" and the "gase" is a guitar/bass guitar combo.
Here's Buse and Gase's official clip for the tune "General Dome."
• Saturday's headliner is MusicNOW 2013's most known performer, Glen Hansard. The Irish singer/songwriter began catching attention as a member of the group The Frames, then broke out on his own and won an Academy Award for "Best Original Song" in 2008 for "Falling Slowly" from the film Once, in which he also starred. Hansard's first solo album, Rhythm and Repose, was released last summer on the Anti- label (album bonus track "Come Away to the Water" was, oddly enough, covered by Maroon 5 and Rozzi Crane on the soundtrack to the blockbuster film The Hunger Games).
Here's the video for "High Hope" off of Hansard's solo debut.
• Saturday will also feature the performance of new works composed by Dessner, Reed Parry and Serbian composer Aleksanda Vreblov. The new pieces will be performed by the Brooklyn Youth Chorus, which has collaborated with everyone from the New York Philharmonic and Cincinnati native (and Jazz piano master) Fred Hersch to Lou Reed, Barbara Streisand and Talib Kweli. The organization works often with composers on new pieces.
Here's a clip of Dessner working with the Chorus on the piece "Tell the Way" in 2011.
The Chorus will be joined by young string ensemble The Ariel Quartet, which formed in Israel and moved to the States in 2004. Last year, the group was named "quartet-in-residence" at the University of Cincinnati’s College-Conservatory of Music. The quartet has won numerous international awards for its work and has performed all over the world. Also lending a hand with the new works is Shara Worden of MusicNOW vets My Brightest Diamond.
Below is a clip of the Ariel Quartet performing Mozart.
• Last year, music now featured pioneering composer Philip Glass. This year, Steve Reich plays the role of "legend" on the bill. The Guardian's Andrew Clements once wrote that "There's just a handful of living composers who can legitimately claim to have altered the direction of musical history. Steve Reich is one of them," while many others consider Reich one of the world's greatest living composers. Reich's experiments have been fearless and creatively fruitful and influential, be it his early work with tape loops or his interactive "Clapping Music," a 1972 piece performed entirely with handclaps.
Reich will join Sō Percussion for a performance of that piece and more, including a new commission from Daníel Bjarnason (the annual Esme Kenney Commission, named for a young student from School for Creative and Performing Arts student who was murdered in 2009). The Brooklyn-based modern percussion group (featuring Eric Beach, Josh Quillen, Adam Sliwinski and Jason Treuting) formed about a decade ago around the collective influence of pioneering NeoClassical experimentalists like Reich, John Cage, Kronos Quartet and others. Sō has commissioned works from numerous composers and has also been acclaimed for its own compositions. Outside of the modern Classical world, the ensemble has collaborated with artists like Medeski, Martin and Wood, Matmos and Dan Deacon.
Here's a cool mini-documentary from PitchforkTV about Reich and featuring Sō Percussion.
The three days of music are held at Memorial Hall, next to Music Hall, but this year there will also be an art exhibition at another great, vintage Over-the-Rhine venue, The Emery Theatre. An exhibit of works by Nathlie Provosty and Jessie Henson will be up at the Theatre Friday, 4-7 p.m., Saturday, 12-4 p.m. and Sunday, 1-7 p.m. Bryce Dessner will perform at a "gallery party" on Sunday 4-6 p.m. The Emery happenings are free and open to the public.