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    Movies

    Public Enemies (Review)

    While rife with period detail and often shot at authentic locations, 'Public Enemies' doesn't possess the visceral jolt of director Michael Mann's best films, all of which pulsate with the technologically informed rhythms of modern life. Yet Mann almost makes us believe that Public Enemy No. 1 John Dillinger (Johnny Depp) will live forever. And, in a sense, he has. Grade: B-.

    Movies

    Whatever Works (Review)

    Larry David, of 'Seinfeld' and 'Curb Your Enthusiasm' fame, is an acquired taste I no doubt won't ever wholly embrace. That being said, I had far less difficulty than you might imagine giving Woody Allen's latest film, 'Whatever Works,' the benefit of the doubt despite the presence of David as Boris Yellnikoff, a pompous boor. Grade: B-.

    Movies

    Cheri (Review)

    Set in the Belle Epoque era of the late 1800s, Michelle Pfeiffer plays Lea, an aging high-society courtesan whose romantic dabblings with a young stud named Cheri (Rupert Friend) lead to a certain ennui of requited lust for the aged Lea, whose life plan was not as thoroughly conceived as she imagined. Pfeiffer momentarily teases the oh-so-droll drama from its dull-witted eroticism from time to time, but the overall effect is that of stale chocolate. Grade: C.

    Movies

    Gangster Hero No. 1

    John Dillinger used his Midwestern sensibility to become a national celebrity in the 1930s

    By the summer of 1934, John Dillinger's fame had caught up with him and his debts were getting close. Even at the tail end of a one-year crime spree totaling at least six states (including Ohio and Indiana), 11 banks and $300,000, he remained a working-class hero. The law saw things differently, promoting him to Public Enemy No. 1.


    Movies

    48 Hours of Mayhem

    The 48 Hour Film Project injects Cincinnati with a weekend of creative juice

    Taken aback by that crazy-looking dude wielding a big knife in your neighbor's backyard last weekend? Don't be: It was probably just one of the 56 area teams that took part in 48 Hour Film Project, a celebration of creative smarts.


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    New Reviews
    Couch Potato

    13 Most Beautiful ... Songs for Andy Warhol's Screen Tests

    (Plexifilm) 2009, Not Rated

    Andy Warhol’s “screen tests” — in which he used a stationary 16mm Bolex camera to shoot silent, black-and-white 100-foot rolls of film studying guests to his Factory between 1964-1966 — are among his most mesmerizing and beautiful (and painterly) work. They have been too rarely seen. Plexifilm has partnered with Pittsburgh’s Andy Warhol Museum for this first-ever official DVD release of 13 of the choicest screen tests, paired with a newly commissioned soundtrack by Dean Wareham and Britta Phillips.

    Couch Potato

    Caprica

    (Universal) 2009, Not Rated

    Maybe it’s because the fad hasn’t worn off, but prequels seem to be far less objectionable than sequels. It makes sense in that with a prequel you have to be somewhat loyal to an end point, whereas a sequel has to make up a bunch of new stuff that might or might not live up to the original. So is the situation the producers of Battlestar Galactica found themselves in when their series recently wrapped up. The notion of Carpica telling the back-story to BSG was formulated in the latter’s second season and came to fruition late last year.

    Couch Potato

    Under Full Sail: Silent Cinema on the High Seas

    (Flicker Alley) 1927-1933, Not Rated

    Flicker Alley, a leading curator, restorer and distributor of lost and forgotten cinema gems, digs up a particularly niche bunch for its latest collection. Under Full Sail: Silent Cinema on the High Seas details early celluloid depictions of the grand vessels that sailed the world’s waterways at the end of the 19th and beginning of the 20th centuries. The five films (one full-length and four shorts, all excellent transfers) are snapshots of a forgotten time when mammoth ships with masts to the heavens took seafarers to adventure.


    Movies And TV From The Alternative Press
    Public Enemies: Johnny Depp's Got a Tommy Gun!
    Public Enemies: For all of Public Enemies' muddled attempts to delve into the history of America's first "war on crime," it works better as a thriller, an action flick, and a character sketch of Dillinger -- and all of those are things which, in its fast-paced, sharply edited second half, Public Enemies becomes.... From The Portland Mercury.
    The Oscar-Winning 'Departures' Is Good, but Not That Good
    Departures: While moving and carefully done, Departures is hardly revelatory -- it sticks to tear-jerking iterations on circle-of-life themes. As the Academy Award winner for Best Foreign Film, the film's greatest profundity reveals more about the questionable decisions being made by the Academy than those of love, death, or life.... From The Portland Mercury.
    'Public Enemies' is Less a Biopic Than a Glossy, Stylish Elegy
    Public Enemies: What keeps Public Enemies from being a masterpiece is a peculiar lack of emotional accessibility to the key characters.... From Independent Weekly (NC).
    Jennifer Lynch Steps Up -- Cruelly -- With 'Surveillance'
    Surveillance: With this Jennifer Lynch starts to be interesting on her own -- even more since her already-wrapped next, Hisss, is an India-shot horror fantasy based on local mythology. Which, at last, is a project one can't even imagine David Lynch doing.... From San Francisco Bay Guardian.
    This Year's Rock Documentaries Are Funny, Moving, Exciting and Tragic
    This year's crop of rock docs bring us talkes about Arthur Russell, the Monks, the '80s New Haven punk scene, the Hold Steady and Scott Walker.... From New Haven Advocate.
     
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