Untitled (Review)
A peek at the sincerity beneath absurdity in Manhattan's art world
By Cole Smithey
Adam Goldberg embodies Adrian Jacobs, a pretentious avant-garde composer and leader of an experimental musical trio called New Sound Ensemble, in Jonathan Parker's send up of Manhattan's art world. In showing the sincerity beneath the absurdity of the experimental art world, Parker gives a window of empathy for the brittle characters on display. Grade: B.
Bad Lieutenant: Port of Call New Orleans (Review)
Nicolas Cage deliriously over the top as drug-addled homicide detective
By Jason Gargano
German wild-man Werner Herzog blissfully resurrects old-school Nicolas Cage in this hilarious, noir-infested tale about a drug-addled homicide detective whose disintegration (both moral and physical) coincides with that of his hurricane-ravaged hometown. Cage hasn't been this deliriously over the top since 'Wild at Heart.' Grade: A-.
Dear John (Review)
Romantic melodrama piles on the schmaltz
By tt stern-enzi
Lasse Hallstrom's adaptation of the Nicholas Sparks novel 'Dear John' places his usual relationship melodrama against the topical backdrop of wartime service. Sparks' stories are known for sentimental and soap-lite scripting, but Hallstrom's marks the first time that, as a critic, I came to understand the pejorative meaning of "chick flick." Grade: D-.










