My Name Is Asher Lev (Review)
Ensemble Theater production argues art vs. religion
By Tom McElfresh
The intensity that drives 'My Name Is Asher Lev' comes close to swamping the show in its regional premiere at Ensemble Theater of Cincinnati. The core argument — which pits unyielding, enslaving tradition against the enlivening freedom of artistic inquiry — begins to sound like posturing. And the play's vibrant energy, so promising at the outset, slides off into sound and fury.
The Fall of Heaven (Review)
Walter Mosley's onstage debut wrestles with good and evil
By Rick PenderHughie/Krapp's Last Tape (Review)
Joneal Joplin showcases two brief classics at Cincy Shakespeare
By Rick PenderMiss Julie (Review)
Performances simmer with passion but never slip into excess
By Tom McElfresh
The stormy plot is a fevered sex-duel with class warfare overtones between Jean, an ambitious, wily, vulgar but capable servant (Matthew Lewis Johnson), and the spoiled, self-focused daughter (Hayley Clark) of Jean's titled employer. Is it over-simplifying to locate seeds of a wayward mistress in the behavior of a willful wife?



















