Nobody connected with the Carnegie Arts Center/New Edgecliff Theater co-production of the Agatha Christie thriller The Mousetrap seems to realize that the real play resides in a tidal wash of simmering, threatening subtext under the polite, placid, even boring dialogue.
The Mousetrap (Review)
Without the subtext, Agatha Christie classic fails to entice
0 Comments · Wednesday, August 20, 2008
