• Instrumental Avant Metal veterans Earth bring their adventurous, spontaneous Dronecore to downtown tonight for a hypnosis session at the Ballroom at the Taft Theatre. Showtime is 8:30 pm. Stebmo, Earth collaborator and progressive Jazz pianist/multi-instrumentalist/composer Steve Moore, and psychedelic, noisy Doom duo Eagle Twin open the show. Tickets are $15.Guitarist Dylan Carlson gave birth to Earth in Olympia, Wash., circa 1990, and remains the only original member in a band that has seen numerous lineup and stylistic shifts. The group put a pair of albums out on Sub Pop during the "Grunge Revolution" (which they had little in common with), got booted from the label briefly and then welcomed back for three more albums. While Earth's aggressively experimental sound didn't quite fit the Grunge buzz, the group actually used the genre's concept of "slowed down Hard Rock and Metal" and took it to the extreme, decelerating even more and replacing Grunge's Punk and Garage influence with inspiration from avant grade composers and musicians and Carlson's singular vision.Earth didn't survive the ’90s but returned in the early ’00s to start a run that has included several releases for Southern Lord Records, a haven for "Metal" artists on the more experimental side of the music. Earth's latest release is the improvised Angels of Darkness, Demons of Light II, the follow-up to part I (and actually recorded at the same time) which has been praised for its gradual, natural exploration of different tones and approaches. Earth's trippy, glacial sound on Demons of Light II is infused with evocative cello and smoky atmospherics and often sounds like a new slant on modern Jazz, something Mingus might have come up with had he been into Black Sabbath. Here's Demons II track "The Corascene Dog":• Acclaimed by both fellow artists, critics and her dedicated fan base, Iris Dement has been one of the more compelling singers in the Americana movement since she put out her first album in 1992; her mesmerizing voice has a timeless soul that recalls the best early Country female vocalists. Dement's sound has evolved and taken detours over time. After two straight-forward Country/Folk Pop LPs, the 1996 album The Way I Should showcased a Rock vibe and some serious political commentary. She followed that up by collaborating with John Prine on his In Spite of Ourselves album, which scored her a Grammy nomination, but Dement took a break from music after that. In 2004, Dement returned with her first album in eight years, Lifeline, released on her own label after her Warner Brothers contract expired. But Lifeline was primarily a collection of centuries'-old Gospel covers. This year, Dement released Sing the Delta, her first album of new material in 16 years. The songs harken back to that purity of her first couple of albums, but also shows how Dement has matured as a composer and performing. She writes with more confidence and has become an even better lyricist, creating an album that is mournful, poignant and poetic. Dement performs tonight at the 20th Century Theatre in Oakley with The Tillers, one of Cincy's finest Folk acts who are coming off of a successful release party for their recent live album. Showtime is 8 p.m. and tickets are $25-$30. Here's DeMent's "Go On Ahead and Go Home" from Delta. • Milwaukee-based Psych rockers Moss Folk perform a free show tonight at MOTR Pub in Over-the-Rhine with like-minded locals Children of the Emerald Fire. Showtime is 10 p.m. Formed in Michigan in the mid-’00s by founder Andrew James Shelp, Moss Folk entrancingly collages influences into a sound that draws from a wide range of music that could fall into the "Psychedelic" category. You'll hear elements of Kraut Rock, Pink Floyd, World music, Tangerine Dream and Spacemen 3 mingling in Moss Folk's ambient, hypnotic melange and the band has been known to match the lysergic sonics with fitting visuals (from video projections to cameos by various non-musical performing artists). Here's a live clip of Moss Folk: moss folk - red from brownshoesonly on Vimeo.• Tennessee ElectroJam/Livetronica trio Arpetrio performs tonight at The Mad Frog in Corryville. The show starts at 9 p.m. with locals Don't Fear the Satellites. Admission is $5. Bringing their Rock and Jazz chops together with a creative technological prowess, guitarist/keyboardist Alex Mindermann, bassist Trent Little and drummer Wes Taylor have performed with the likes of EOTO, Papadosio and RJD2, as well as at numerous Jam fests across the country. The group's fluid sound and deft use of loops, synths and samplers puts them on par with some of the bigger artists making this kind of warm, spontaneous, beat-heavy Trance/Fusion (Sound Tribe Sector 9, The Werks, Big Gigantic, etc.). Click below to sample the group's 2012 release Triggology, then click here to download your very own copy for free. Triggology by ArpetrioClick here for even more live music events tonight in Greater Cincinnati.
0 Comments · Monday, October 22, 2012
The Sea and Cake has never been too dedicated to any one
concept. Fundamentally, the Chicago four-piece could cozily fit into
your average Indie Rock festival, but the group’s not
really interested in sticking to an aesthetic palatable for just that
by Mike Breen
Local trio and Brian Olive feature heavily on forthcoming 'Alive at the Deep Blues Fest'
Area Pscyh/Pop/Rock trio Buffalo Killers and vintage Rock/Soul/Pop master Brian Olive will be featured heavily on a new live album that includes tracks culled from performances at the 2012 Deep Blues Festival in Minnesota. The three-day, sold-out fest featured 26 bands, seven of which (including Olive and Buffalo Killers) record for the Alive NaturalSound imprint, which is releasing the live set. Alive at the Deep Blues Fest is due Nov. 27 on CD, digitally and on "BBQ-sauce red colored vinyl" (the fest was presented by the owner of a BBQ joint near the Twin Cities). Brian Olive has the songs "Traveling" and "Bonelle" on the release; Buffalo Killers open the album with "River Water" and an epic version of "It's a Shame," which is available for free download. Give it a listen below and hit the download button for your very own copy. Buffalo Killers headline the Ballroom at the Taft Theatre on Nov. 16 with Hollis Brown opening. Tickets are just $8 in advance. Click here for tickets and more details.
Sept. 15 • Ballroom at the Taft Theatre
0 Comments · Monday, September 10, 2012
In 1998, Brooklynite Martin Perna assembled a group of
musicians to play at a Harlem poetry gathering, christening the band
Antibalas, the Spanish word for bulletproof.
by Reyan Ali
Japanese Punk/Pop icons perform tonight at the Ballroom at the Taft
Irony is not a concept usually shared by international cultures. Case in point: cats. The
Western (internet) world shows its adoration for felines by churning
out pointless LOLcat YouTube video after LOLcat YouTube video, gilding
this love with a patina of wink-wink jokeyness, as if to say, "Sure, we
obsess over and anthropomorphize these cute beasts that don't do very
much, but since we're making a gag out of it, it's OK to openly enjoy
it. This is how we've earned our pass."Japan's Shonen Knife, on
the other hand, has willingly dedicated an entire song to the same
animals while keeping a straight face — a move that would definitely
earn mockery if they were an American band.
The 31-year-old Pop-Punk trio's "I Am a Cat" off 1993's Let's Knife
is an autumnal, simple tune where the narrator steps into an astral
"timeless zone" and finds a cat's whiskers and ears. After attaching
them to herself, she observes, "In a moment, I become a sweet little
cat/And I dance on a flying saucer." It's silly and a bit dumb,
of course, but the total absence of irony —especially since this comes
from an underground Rock outfit — is a true gift. Shonen Knife has long
championed frivolous music about frivolous subjects, and the trio’s
childlike earnestness yields great charm.With that being said,
it's somewhat surprising that Kurt Cobain of all folks supported Shonen;
but, hey, even the guy who wrote "Rape Me" needed some relief from pain
and aggression, too (see: heroin addiction). Shonen Knife's tour behind its new album, Pop Tune, comes to the Ballroom space inside the Taft Theatre downtown tonight. Showtime is 8:30 p.m.; doors open at 7:30 p.m. Opening the show is red-headed sibling rockers White Mystery (from Chicago) and Cincinnati greats The Harlequins. Tickets are $13.Here's the video for the title track off of Shonen Knife's new LP.
Night Beats blaze their own trail by following a few already blazed
0 Comments · Wednesday, August 8, 2012
Carving your own upward path in the
perpetually congested music biz is an intimidating enough prospect on
its own. Yet Danny Lee — the driving force behind Seatlle Psych Rock trio Night Beats — has
opted to one-up this great dare: He wants not just to create his band’s
own fanbase but also his own scene. Kinda. Maybe.
Aug. 4 • Ballrooom at the Taft Theatre
0 Comments · Tuesday, July 31, 2012
Perhaps it’s too prosaic to continue to believe that Stuart Baker
created the persona of Unknown Hinson for a North Carolina
public access show 20 years ago and thus began his Whackabilly
onslaught of stages and studios. It may be convenient to
imagine that Hinson blacks out his front teeth, glues on some cheesy
sideburns and assaults his audiences with
a raucous musical hybrid of Country and Rock.
by Deirdre Kaye
Up-and-coming Pop/Reggae singer/songwriter plays Ballroom at the Taft
South Carolina’s Trevor Hall doesn’t make the kind of music you might expect to come from a native of the American south. Instead, Hall’s music has a Reggae streak, similar to the kind of tunes he may have heard growing up in the beach community of Hilton Head or later at the arts school he attended in California.If you like Jack Johnson and Colbie Caillat and enjoy grooving to Bob Marley on occasion, Hall’s releases would fit nicely in your CD (or iTunes) collection. His newest album, Everything Everytime Everywhere, highlights everything that’s great about Hall’s music, with 12 tracks of summery, beach-y Pop with undertones of contemporary and classic Reggae.Unlike Caillat and Johnson, Hall focuses on more than just sappy love songs. The love Hall is most willing to write and sing about is love for yourself and the world around you. Hall, who travels to India almost yearly to spend time in an ashram that houses underprivileged children, lives up to Marley’s “One Love” message better that most of his musical contemporaries. Everything even features snippets of sounds from an Indian street corner and a song introduction by one of the young girls from the ashram.Hall has performed with Matisyahu, Jimmy Cliff and The Wailers, and is currently headlining his own tour. He plays on the Taft Theatre's Ballroom stage tonight with Justin Young and Pete Dressman. Tickets are $17.
Indie Funk Pop greats of Montreal's live show is like Prince and the Spiders from Mars doing Mummenschanz, and it's so entertaining, everyone should see the band live at least once in their lifetime (even if you hate all music, the band's theatrical presentation is something to behold). If you still need to cross "see of Montreal in concert" off of your bucket list, tonight's the night. The band performs at Covington's Madison Theater at 8 p.m. with Yip Deceiver (a side project of oM's Davey Pierce and Nick Dobbratz's) and Brooklyn "Pscychedelic Soul, Island Romance Pop, Space Rock" quartet Chappo. Tickets for the all-ages show are $15. The headliners are touring in support of its latest album, Paralytic Stalks. Here's the official music video for the track, "Spiteful Intervention." • Tonight at the basement Ballroom at the Taft (a great place to see a show, if you haven't yet), Punk-to-Metal veterans Corrosion of Conformity headline a night of sludgy modern Metal madness. The show features opening acts Torche, Black Cobra and progressive Salt Lake City-based Math Metal ensemble Gaza.Click here to read a little more about Torche, then enjoy the Floridian band's video for the track "King Beef" below.• If you're a little short on funds, Fountain Square has a great free show this evening. The 7 p.m. "American Roots" concert features two of the area's finest Americana acts — Magnolia Mountain and Wild Carrot (with its back-up crew, The Roots Band). Click here for even more live music events in Greater Cincinnati today.
by Deirdre Kaye
Posted In: Live Music
at 02:17 PM | Permalink
Oh, Cincinnatians! Wednesday night, when you filed into the Ballroom at the Taft (Theatre), loudly and drunkenly declaring your love for Dawes, I knew I’d never been more proud of you in all my life. (Except you, Guy Who Tried to Vomit Back into His Beer Can like a sorority girl MacGyver. Know your limits, dude.) You filled the basement with your singing and your cheers and, whether you saw it or not, left four California boys looking pretty giddy in your presence. While I still think some of you have some fairly bad taste in music, I now officially consider everyone in the room on Wednesday to be the new loves of my life.That includes Dawes and Sara (and Sean) Watkins, too. They deserved every ounce of love that you gave them. This was not a massive and disconnected arena show; this was just some gig in Will Taft’s basement. But Dawes rocked out in a very big way. For every beer-induced bellow you made, a little more of the musicians' hearts seemed to shine through. There was no phoning it in, no signs of fatigue after a long year of touring (for Dawes) and no amateur hour when Sara Watkins started off the night. The only downfall was knowing that it would end and that, as good as Dawes’ albums are, they would forever pale in comparison to their live show. It was that good. It was the kind of concert where you walk out knowing you will never miss another one of their concerts. The kind of night that leads to going home and staring at their tour schedule and your bank account, trying to decide if you can make it to another show on this round of touring. They’re the kind of band that flings out so much energy in their set that, come 4 a.m., you’re still lying in bed, wide awake and humming “Fire Away.” In other words: Holy Shit. Dawes is amazing.Which is surprising, honestly, since at first glimpse, no one in Dawes looks like a Rock star. Lead singer and guitar player, Taylor Goldsmith, with messy brown hair and just slightly too short pants, looks more like a philosophy professor straight out of the ‘70s. You know — the one who gets all the girls and invites the best students back to his apartment to get high. His brother, Griffin, has a massive mane of blonde curls and a face like every other one of your little brother’s friends. But he attacks the drums, has an awesome voice and great facial expressions. Behind the crazy organ/piano set up is Tay Strathairn, working like a mad scientist and bouncing from one machine to the other. Meanwhile, Dawes' bassist, Wylie Gelber, comes complete with that trademark bass player “chill”-ness. He’s cool. Basically, they’re just your average guys. They’d fit in just as easily in Cincinnati as they do in Los Angeles. On stage, though, they are far from average. They are amazing. They can turn a basement into a ballroom and a gig into a "show."Vintage Rock hasn’t sounded so good since it was just Rock. In total, the guys played over a dozen songs. Included on the set-list were their more popular hits, like “When My Times Comes” and “Time Spent in Los Angeles.” They also played a few new (and oh-so-awesome) songs that may or may not make it onto their new album.I could gush for another 600 words, but instead I’ll end with this: Go see Dawes. Get in your car right now and drive to whatever city they’re playing next. Squeeze in close and wait to be awed. Wait for that moment, a couple songs in, when your cheeks hurt because you can’t stop smiling. Wait until Taylor Goldsmith dedicates “When My Time Comes” to the “first-timers” and then scream along. Go see Dawes and fall in love with good music.