Cincinnati Ballet’s new Nutcracker offers entertaining blend of family fun and outstanding dancing
1 Comment · Tuesday, December 18, 2012
As a ballet, The Nutcracker stands
alone. On paper, it’s classical and traditional, yet to succeed — not to
mention sell tickets — a production must offer big fun for the whole
by Jac Kern
Cincinnati Ballet today announced its 49th season schedule. Dance fans can expect an array of popular classics and exciting premieres for 2012-2013. The season kicks off Sept. 6 and runs through April 27, 2013.The Kaplan New Works Series (Sept. 6-16, Cincinnati Ballet Center): This annual season opener celebrates new ideas and creative movement showcasing the female choreographer and focusing on local artists. This world premiere features dancers Amy Seiwert and Paige Cunningham, two SCPA alum, Director Heather Britt and choreographer Jessica Lang.Alice in Wonderland (Oct. 26-28, Music Hall): After its world premiere with Washington Ballet, Cincinnati will be the first to jump down the rabbit hole with Alice & Co. Cincinnati Symphony Orchestra will perform Matthew Pierce's original score. Choreographer Septime Webre (Cincinnati Ballet's Peter Pan) and costume designer Liz Vandal (Cirque du Soliel) will create a wild world for Alice to romp through that will ignite the senses of audiences.Frisch's Presents: The Nutcracker (Dec. 14-23, Aronoff Center): Victoria Morgan re-imagined the classic for 2011's world premiere, The New Nutcracker. This whimsical interpretation returns in 2012, complete with dancing cupcakes, flying bumblebees and a Sugar Plum Parade, where audience members will be invited to walk acrid stage and get a closer peek at the sets, costumes and dancers.Romeo & Juliet (Feb. 14-16, Aronoff Center): Just in time for Valentine's Day, Shakespeare's romantic tragedy comes to life in a new way. Victoria Morgan blends classical dance with contemporary movement to capture audiences' favorite moments. Prodigal Son with Extremely Close (March 22-23, Aronoff Center): Neo-classical choreographer George Balanchine comes to Cincinnati with his rendering of the classic parable about sin, redemption and unconditional love. On the same bill, Extremely Close is Alejandro Cerrudo’s thoughtful contemporary work. The performance opens on a stage of falling feathers, reflecting the delicacy and fluidity of movement, and connected throughout, punctuated by a surprising, thought-provoking ending.Ballet Toybox (March 24, Aronoff Center): Designed to introduce children and families to the joy of dance, this performance delivers a mix of classic and modern favorites. Clocking in at less than 60 minutes, this "mini-performance" is an easy and affordable way to enjoy the ballet with the whole family.Frampton & CB Come Alive (April 26-27, Aronoff Center): Legendary guitarist Peter Frampton will create a new work specifically for the performance and play live alongside choreography collaboration from Cincinnati Ballet and Exhale Dance Tribe.New subscriptions and subscription renewals are now
available at the Cincinnati Ballet Center (1555 Central Pkwy.,
Over-the-Rhine) or by calling 513-621-5282. Individual tickets to the
following shows will be available July 22 at cballet.org.
Greater Cincinnati's arts scene is strong, but here are a few ways it can be made even stronger
1 Comment · Wednesday, September 1, 2010
The charge to local arts leaders and CityBeat writers was simple yet also complex and difficult: What is the one thing you would change or add to the local arts scene to make it better? Well, maybe it wasn't worded quite so bluntly, but that was the point. There are plenty of exciting things happening locally in the arts; what should be next?
Cincinnati Ballet taps local talent for its season opener
0 Comments · Wednesday, September 9, 2009
Current times call for convergence: of collaborations, of community, especially local community. For the first time, Cincinnati Ballet's annual repertory showcase 'New Works' focuses on homegrown talent to provide fresh choreography and music. We're encouraged to buy local, so why not tap in-town talent?