by Mike Breen
15 days ago
Outdoor Downtown/OTR hotspots present themed music nights several days a week
We told you a few weeks back about the lineup for the MidPoint Indie Summer concert series on Fountain Square, featuring numerous (primarily local) Indie and Rock acts every Friday this summer from 7-11 p.m. Click here for the full rundown. But there are many other popular themed nights returning this summer to both Fountain Square and Washington Park, which re-opened after a major makeover in time to introduce live music nights last summer for the first time. (Both spots are managed by the Cincinnati Center City Development Corporation (3CDC). Fountain Square's PNC Summer Music Series will have live music five days a week, while Washington Park will host three themed music nights this summer. All events are free and a great way to enjoy our city's central districts. The concerts begin at the end of May/start of June and run through the end of August/start of September. Be sure to check the official websites of both venues for any updates, additions or cancellations. Fountain Square • Every Tuesday from 7-9 p.m., the Square presents "American Roots" night. This year, the lineup is the strongest its been, showcasing the best of Greater Cincinnati's rich Roots/Americana scene (as well as a few regional faves). May 27 8 p.m.: Magnolia Mountain 7 p.m. Terminal Union June 4 8 p.m.: Kentucky Struts 7 p.m.: The Turkeys June 11 8 p.m.: The Tillers 7 p.m.: Tom Evanchuck June 18 8 p.m.: Dallas Moore Band 7 p.m.: Jamison Road June 25 8 p.m.: Kentucky Timbre 7 p.m.: Tex Schramm July 2 8 p.m.: Shiny and the Spoon 7 p.m.: Ten String Symphony July 9 8 p.m.: Glossary 7 p.m.: Frontier Folk Nebraska July 16 8 p.m.: Pure Grain 7 p.m.: Straw Boss July 23 8 p.m.: Jeremy Pinnell & the 55s 7 p.m.: Arlo McKinley July 30 8 p.m.: Great Peacock 7 p.m.: The Seedy Seeds August 6 8 p.m.: Bulletville 7 p.m.: Ricky Nye & Chris Douglas August 13 8 p.m.: Mason James 7 p.m.: Honey and Houston August 20 8 p.m.: Bobby Mackey 7 p.m.: Blair Carman August 27 8 p.m.: Robert Ellis 7 p.m.: Fifth on the Floor • Reggae Wednesdays return to the Square this summer, with wider-net bookings that include numerous regional and touring Reggae acts. Music runs every night from 6-10 p.m. and acts are teamed up with a DJ or DJ squad for each event. May 29 The Ohms Summer Splash Happy Hour with DJ Frankie D June 5 The Zionites Summer Splash Happy Hour with Queen City Imperial Sound System June 12 Cliftones Summer Splash Happy Hour with DJ Frankie D June 19 Seefari Summer Splash Happy Hour with I Vibez June 26 The Drastics Summer Splash Happy Hour with DJ Frankie D July 3 Jah Messengers Summer Splash Happy Hour with Queen City Imperial Sound System July 10 Dougie Simpson and Faith Summer Splash Happy Hour with DJ Frankie D July 17 Billbuckers Summer Splash Happy Hour with I Vibez July 24 Ark Band Summer Splash Happy Hour with DJ Frankie D July 31 Bajah + the Dry Eye Crew Summer Splash Happy Hour with Queen City Imperial Sound System August 7 Ras Dodirie Summer Splash Happy Hour with DJ Frankie D August 14 Ras Gato Summer Splash Happy Hour with I Vibez August 21 Nature Summer Splash Happy Hour with DJ Frankie D August 28 One World Tribe Summer Splash Happy Hour with Queen City Imperial Sound System • Salsa dancers and music lovers will be happy to know that Salsa on the Square is returning this summer on Thursdays, running 7-10 p.m. As always, dance instructors will be on hand to give you pointers (if you need 'em). Music is provided primarily by some of Greater Cincinnati's finest Salsa/Latin music groups. May 30: Son Del Caribe June 6: Kandela June 13: Zumba June 20: Tropicoso June 27: Grupo Tumbao July 4: Clave’ Son July 11: Kandela July 18: Tropiscoso uly 25: Grupo Tumbao August 1: Zumba August 8: Azucar Tumbao August 15: Clave’ Son August 22: Brian Andres & the Afro-Cuban Jazz Cartel August 29: Son Del Caribe • Before MidPoint Indie Summer on Fridays, local club/bar conglomerate 4EG (which operates several nightclubs in the area) will present 4EG Happy Hour from 5-7 p.m. Local DJs will spin every Friday (except for Aug. 2, when local cover band Snidely Whiplash performs). May 31: DJ Ice Cold Tony June 7: DJ Jake the Ripper June 14: DJ E-trayn June 21: DJ Identity June 28: DJ Jesse the Ripper July 5: DJ D-Lo July 12: Fuseamania July 19: DJ Tina T July 26: DJ Will Kill August 2: Snidely Whiplash August 9: DJ Scene August 16: DJ Simo August 23: DJ Spryte August 30: TBA • One of the most popular nights on the Square during the summer is Saturdays' "Beats" night, booked by local promoter Self Diploma. The concerts run 7-10 p.m. and again feature an impressive mix of local and touring Hip Hop, Electronic and DJ acts. Among the national act highlights this year are Mod Sun, Hoodie Allen, Watch the Duck and DJ Jazzy Jeff. June 1 10 p.m.: Chuck Inglish 9 p.m.: Puck 8 p.m.: Olu 7 p.m.: The Natives June 8 10 p.m.: DJ D-LO 9 p.m.: Cal Scruby 8 p.m.: SD Choice 7 p.m.: DJ Vizion June 15 10 p.m.: Hoodie Allen 9 p.m.:D-Why 8 p.m.: Sam Lachow 7 p.m.: Ian J June 22 10 p.m.: Mod Sun 9 p.m.: Trademark Aaron 8 p.m.: Junya Be 7 p.m.: Jean P June 29 10 p.m.: Drummer vs Emulator 9 p.m.: Firecat 451 8 p.m.: Black Signal 7 p.m.: Catch Phrase July 6 10 p.m.: Mutrix 9 p.m.: Milk N Cookies 8 p.m.: DJ X Nightmare 7 p.m.: No Limits July 13 10 p.m.: T Mills 9 p.m.: Huey Mack 8 p.m.: Santino Corleon 7:30 p.m.: Round 2 Crew 7 p.m.: Nick Youngerman July 20 10 p.m.: Collin Mcloughin 9 p.m.: Napalm 8 p.m.: X5ight 7 p.m.: DJ Sab July 27 10 p.m.: Watch the Duck 9 p.m.: Gold Shoes 8 p.m.: Vincent Vega 7:30 p.m.: DJ Rhetorik 7 p.m.: Emari J August 3 10 p.m.: Somo 9 p.m.: Arin Ray 8 p.m.: Eben Frankewitz 7 p.m.: Alabama Capital August 10 9:30 p.m.: Stafford Brothers 8:30 p.m.: Davey C 7:45 p.m.: J Hollow 7 p.m.: 4 Grand August 17 9:30 p.m.: Candyland 8:30 p.m.: DJ Prism 7:45 p.m.: B-Funk of Dave Rave 7 p.m.: Neon Medusa August 24 9-11 p.m.: DJ Jazzy Jeff 8 p.m.: Joseph Nevels 7 p.m.: Erica P Washington Park After a successful inaugural summer of events last year, Washington Park brings back three music nights, Wednesday, Thursday and Friday, plus several other entertainment offerings, including "Dancing Under the Stars," an every-Tuesday dance night, with lessons that focus on different types of dancing each week. (Click below for the concert lineups.)
by Mike Breen
22 days ago
The Breeders, The Head and The Heart, Cody Chesnutt and more part of initial lineup
This afternoon, the Facebook page of crucial, longtime MidPoint Music Festival supporters, Dewey's Pizza, announced the first handful of artists book to play this fall's MidPoint Music Festival. And, after early-bird discount tickets quickly sold out several weeks ago, the rest of the tickets are on sale now at mpmf.cincyticket.com. The first batch of MPMF.13 performers is very representative of the bookings for MidPoint the past few years. You've got a Modern Rock legend, a few established acts, several current "buzz bands" and a few acts that, if past years' MPMFs are any indication, will be "buzz-worthy" by the time the festival rolls around, Sept. 26-28.Here are the first 17 acts booked for MPMF.13, the 12th installment of the ever-growing music fest that utilizes various venues in Over-the-Rhine/Downtown. Below the list, you can check out a song by each artist on our first MPMF.13 playlist.The Breeders (Dayton, Ohio)One of the seminal bands of the "Alternative Revolution" in the ’90s, The Breeders are currently promoting the 20th anniversary, expanded reissue of their classic Last Splash album. Though the Dayton-based Deal sisters (Kelley of R. Ring and Kim of Pixies) have kept musically active since Last Splash, with outside projects and The Breeders, the world tour for the reissue is special because it reunites the Deals with the album's lineup — bassist Josephine Wiggs and veteran Dayton drummer Jim MacPherson, who also spent time with Guided By Voices. The Breeders are playing Last Splash in its entirety on the whole tour. The Head and The Heart (Seattle, Wash.) One of the top acts of the "Indie Folk" movement, The Head and the Heart formed in Seattle in 2009. An early, self-made recording the band sold at initial shows ended up becoming so popular, local record stores began stocking it and trying to keep up with the surprising demand. The recording began making the music industry rounds, leading to a bidding war for the band. They ended up signing to hometown label Sub Pop within about a year of forming. The group's self-titled album was released to critical acclaim in 2011. The band's warm, ear-grabbing sound has been used a lot on TV spots; you might recognize their "Lost in My Mind," which was the background music for the trailer for the big hit film, Silver Linings Playbook. Warpaint (Los Angeles) With an airy, mesmerizing take on Psych Pop, L.A. quartet Warpaint caught the attention of mad guitar genius John Frusciante, who offered to mix the band's Exquisite Corpse EP. That release and a successful CMJ festival appearance led to Warpaint's signing to the legendary Rough Trade imprint. The label released the album The Fool in October 2010 and the band went back to their relentless touring schedule, which included dates with the likes of The xx, Yeasayer and The Walkmen. The band is currently prepping a new LP. Foxygen (New York, NY/Olympia, Wash.) Foxygen is the engagingly adventurous duo of Sam France and Jonathan Rado, who formed the group as 15-year-olds in 2005 and self-released a dozen or so albums while learning to play as many instruments as possible. The band's skewered Art Pop (akin to that of MGMT) with retro-underpinnings has been drawing attention since the release of the Foxygen full-length debut for the respected Jagjaguwar Records, the Richard Swift-produced We Are the 21st Century Ambassadors of Peace & Magic, at the start of this year. Cody ChesnuTT (Atlanta, Ga.)Singer/songwriter Cody ChesnuTT first came to a lot of people's attention as the lead vocalist on "The Seed (2.0)," a fairly big single off of The Roots' Phrenology album in 2002. That drove a lot of Roots fans to ChesnuTT's full-length from the same year, The Headphone Masterpiece, though what they heard on that album — an underproduced, ambling collection of demo-sounding tunes that surfed a wide range of genres with ADD-like abandon. A decade later, ChesnuTT has returned with a new focus, showcasing a balanced approach based in vintage Soul (vocally, he's quite similar to Marvin Gaye) and Rock & Roll, on the full-length, Landing on a Hundred. Daughter (London, UK) Originating as the "one-woman-band" recording project of singer/guitarist Elena Tonra, Daughter — now a trio, which Tonra's husband on guitar and drummer Remi Aguilella — mixes an Indie Folk base with subtle electronics, creating an emotive sound that can be whisper-quiet one moment and epically lush another. After a self-titled EP, Mumford & Son's Communion label released The Wild Youth EP. Often compared to Cat Power due to Tonra's vocals, last year, the band signed to the 4AD label, a fitting choice given the legendarily ambient sound that defined the label's artists in its early years. The label released the trio's debut, If You Leave, in March of this year. METZ (Toronto, Canada) Relentless in its sonic attack, Canadian three-piece METZ recalls a lot of the punchier Post Punk bands of the ’80s/’90s, drawing comparisons to Big Black, The Jesus Lizard and any number of acts on the (early) Sub Pop and Dischord labels. After a few years of heavy touring, opening for like-minded bands Death from Above 1979, Mudhoney and NoMeansNo, the band signed with indie label legend Sub Pop, which released METZ's powerhouse self-titled debut last year. Kishi Bashi (Norfolk, Va.) Starting his career as a violinist for artists like Regina Spektor and of Montreal, Seattle-born multi-instrumentalist and singer/songwriter K Ishibashi went solo — under the less-confusing moniker Kishi Bashi — and began touring. Making engaging Indie Pop touched by Classical/Chamber influence, the Joyful Noise imprint released his first full-length album, 151A, last spring. There's a pretty good chance you've hear Kishi Bashi before, even if you didn't know it — his jaunty, Shins-ish single "Bright Whites" was used in a wide-running commercial for Windows 8. Julianne Barwick (Brooklyn, NY) Julianne Barwick makes angelic Ambient music based entirely on loops. The Southern-born experimental artist — signed to Asthmatic Kitty Records — creates her compositions by using a loop station and crafting elegant layers of sonic haze, using mostly piano, her voice, some percussion and guitar. Barwick — who recently announced her signing to Dead Oceans and a new album set for August — is an up-and-comer in the Avant Garde/New Music world, recently scoring an invite recently to Yoko Ono's Meltdown Festival in the U.K.Spectrals (Yorkshire, U.K.) Spectrals was originally the work of one dude, British singer/songwriter Louis Jones (with just a little help from his brother on drums). Spectrals' wandering sound touches on everything from Nuggets-esque Garage to swaying, elegant Pop (threaded with reverbed-out, Surf-ish guitar). Jones signed to the Slumberland label in the States, which released his first album, Bad Penny, in 2011. For Spectrals' latest, the Sob Story album, Jones, for the first time, had some help from other musicians (who aren't related to him).The album is due June 18.Dent May (Oxford, Miss.) Singer/songwriter Dent May makes unabashed Pop music, the kind that forces a smile on your face regardless of your troubles. The Mississippi resident singed with Animal Collective's Paw Tracks label in 2008 and released The Good Feeling Music of Dent May & His Magnificent Ukulele, which drew comparisons to the likes of The Beach Boys, The Turtles and Prefab Sprout. For last year's self-titled album, May put away the uke and decided it was time to dance. The album is a cooly eclectic collection of dynamic electronic Pop, retaining those classic Pop/Rock influences, but adding elements of Disco, Funk, R&B Electro. Grandfather Child (Houston, Texas) Grandfather Child was formed in Houston in 2009 by members of various other local bands. The group hit upon a compelling "formula," creating a kitchen-sink sound that is loaded with influence from R&B, Soul, early Rock & Roll and Gospel music, resulting in a pretty psychedelic vibe. The band is signed to New West Records, which released Grandfather Child's eponymous 9-track album last summer. The Ghost Wolves (Austin, Texas) With a blistering sound created by just two people — guitarist Carley and drummer Jonny Wolf (both sing) — The Ghost Wolves traveled many miles across the country to build a fan base one explosive show at a time. The group's debut was the raw and rugged In Ya Neck! EP, which showcased the Wolves' fuzzy take on stompin' Blues Rock expertly, like a two-piece version of The Cramps. The band is getting set to release its debut full-length, Man, Woman, Beast. Jeecy and The Jungle (Detroit) Known for their reportedly incredible like show, Detroit's Soul rockers Jeecy and the Jungle represent two sides of Detroit's music heritage, blending a modern-day Garage Rock energy with influence from classic Soul artists. Last summer, the band released its impressive five-track EP, Twist and Scream.Caveman (New York, NY) Caveman is an NYC quintet that makes atmospheric Indie Rock with the kind of soft-breeze effervescence found in everything from the best vintage "AM Gold" songs to Fleet Foxes. The band released its debut in 2010, CoCo Beware, built a following and signed to notable label, Fat Possum Records, which re-released the debut and also the recent self-titled full-length, which has been garnering great reviews. Perfume Genius (Seattle, Wash.) Perfume Genius is Mike Hadreas, a Seattle singer/songwriter and visual artist whose 2010 debut caught the attention of the Indie music press corps. Quickly signed to the esteemed Matador Records, Perfume Genius' latest is Put Your Back N 2 It, a gentle, intimate collection of spectral, folksy songs.PHOX (Madison, Wisc.) Slanted, sparse yet broad Indie/Folk/Pop band PHOX started turning heads this year with consistent touring and a knock-out appearance at South By Southwest. The band recently released its latest EP, Confetti, which also has a companion "video EP," featuring short films for every track that the group members made simultaneously with the musical recording.
by Mike Breen
From informative to downright silly, here are some of our fave tweets from MPMF
Twitter was alive with MidPoint Music Festival tweets throughout the three-day music festival in CIncinnati's downtown and Over-the-Rhine. Many festgoers got to read them in real time thanks to Topic Design, which facilitated the Twitter screens at various venues and on its great mobile app site (click here to relive them all). Here are just a few of our favorites. Add yours in the comments. • Can I take ibuprofen with whiskey? #mpmf #MPMF12 #midpoint— @pamsattwa• Driving through Indiana on the way to Cincinnati for #midpointmusicfestival— @thenewelectrics• So excited to take the next two days off from work and head down to
Cincy for #MidPointMusicFestival for 3 days of music. Much needed vacay.— @ThePickleBear• Indie Illustration—LPK's Tommy Sheehan shares his process for designing prints for @MidpointMusic Festival musicians http://ow.ly/e2xR0 — @LPK• Reminder: Tim Mara's yard isn't a toilet. Hot tip: Enquirer bldg downtown I believe has restroom facilities open 24 hrs. #MPMF— @CityBeatMusic• Dr. Ralph Stanley performing "Oh, Death" at The Emery Theatre, A Requiem Project during MidPoint Music Festival: http://fb.me/1dUIu6GC6— @OTRcincy Oh Death - Ralph Stanley at the Emery Theater from Stephen Pruitt on Vimeo.• Riding bikes is so much fun with Cassie & David @ Midpoint Music Festival http://instagr.am/p/QL41T7A_y9/ — @stevekemple• Gratitude to @MidPointMusic for having me. One of the best festivals I've ever played. Thank you. http://instagr.am/p/QJf86WgKML/— @FdotStokes• Look!!!! We found WALDO at Midpoint Music Festival #mpmf pic.twitter.com/TNpsEQFj— @wendynas• My feet are sticking to the floor but I am loving Turbo Fruits. #mpmf #midpoint— @pamsattwa• #midpoint music festival. These people are athletes in entertaiment.— @Psupplements• The Seedy Seeds in my front yard! #mpmf @ MPMF.12 4EG Stage http://instagr.am/p/QLgussko3-/ — @cincyblog• MidPoint Midway! #mpmf #thisisotr http://instagr.am/p/QLwjrRJKOD/— @like_the_song• It sucks that I won't be able to attend this year's MidPoint Music Festival due to job requirements. To all attending, enjoy. #MPMF12— @CyZibrikMPA• How many @MidPointMusic fans does it take 2 screw in light bulb? 121 -
1 to screw, 20 2 watch and 100 2 ruin experience by talking nonstop
#MPMF— @CityBeatMusic• @CityBeatMusic I take it you were at the Antlers' show last night? It
was like everyone was trying to talk OVER the music! #MPMF— @stevekemple• We just destroyed #mpmf12 #MPMF try to top the rest of the weekend.— @OhioKnife• If you missed Lord Huron I feel bad for you. #MPMF12— @mouse_mischief• Just got to Washington Park to catch Unknown Mortal Orchestra. Do I want Tom+Chee or a beer first? - j #MPMF12 #vitaldecisions— @drunkmusicrevws• OTR hopping in the 45202 #MPMF12 pic.twitter.com/Go7fJvxk— @CincyChamber• Falling asleep to the tunes outside from #MPMF12 . I <3 @OTRcincy & @WashingtonPark ! Great night!— @BalancingYogi• "Coincidentally I had a dream about Kurt Cobain." "Name dropping!" - Imperial Teen #mpmf #MPMF12— @pamsattwa• Don't call it a comeback. #thisisotr #mpmf— @OTRcincy• Hundred Waters just won #MPMF , hope you didn't see The Walkmen for the 50th time instead— @eachnotesecure• It was cute to see Dinosaur Jr. picked up by their dad Dinosaur Sr.
after @MidPointMusic set last night in a sensible minivan #MPMF— @CityBeatMusic• So inspiring to hear about King Records in the Emery Theatre. Happy Ralph Stanley Day! #MPMF— @jenlkessler• Want to hear more of your new MidPoint discoveries? Check out our guide to #MPMF bands in our collection! http://cinlib.org/QcwHVn — @cincylibrary• Photo: @jjjoeycook in front of Music Hall. Mount Eerie t shirt. #mpmf -i (Taken with Instagram) http://tmblr.co/ZcudByUC2FM- — @PomegranatesArt• Just watched a Cincinnati Police officer buy an Andrew Bird CD...he was so excited!! #MPMF— @cassandra_anne• Emery Theatre smells like your grandparents' house but sounds like Carnegie Hall #mpmf— @mktgwithmeaning• Photos – Kelly Thomas & The Fabulous Pickups, 9/27/12, Midpoint Music Festival, Cincinnati, OH @MidPointMusic #mpmf http://www.cincygroove.com/?p=10090 — @cincygroove• @MidPointMusic Thanks for being sweet. Had a blast and then some playing Arnold's/WNKU stage.— @tomvollman• I think I just had one of the best weekends if my life. I don't want to stop. #MPMF @KansasBibleCo— @goldtoothe• #mpmf the people spoke and the people broke. The live app went down
sometime overnight, the result of much activity. Archive of it to come.— @topicdesign• Who would've thought my barnes & noble is the stopping point for #mpmf bands today. 6 so far!!— @foralgernon• 'Twas the day after #mpmf and all through OTR not a creature was
stirring... No, really, it's so quiet I can hear bugs trilling.— @winemedineme• Post #mpmf come-down always a little weird. Why can't it go on forever?— @Porkopolist• Thank you Cincinnati for giving us a fantastic 11th #MPMF! Let's do it again, say, this time next year?— @MidPointMusic
by Brian Baker
I love the last day of MidPoint and I hate the last day of MidPoint. I love the energy and anticipation of what has always been the best night of the festival and I hate the thought of going home at the end to the reality of another 362 day wait until we can do it all over again. Other than a couple of hiccups, both personal and universal, this may have ultimately been the most perfect MidPoint ever.First up for Day 3 was a stroll to Washington Park for Freelance Whales, the Brooklyn, N.Y., Chamber Pop group that filled the void when a skateboard fractured Sleigh Bells touring schedule. This was my first experience in the park since it’s renovation and it really is spectacular from every conceivable vantage point. The design, the playground, the fountain, the attention to detail; Washington Park is destined to become a downtown jewel and everyone who threw in to execute this vision is to be commended, and perhaps knighted, if we do that.I did want to see Freelance Whales, but I had a side agenda for coming to the show; I figured there might be a chance of spotting my friend (and former CityBeat contributor) Matthew Fenton since this is the kind of show he likes. As I scanned the growing crowd, I spotted and was spotted by none other than former CityBeat editor John Fox, now installed as a big cheese at 3CDC, largely charged with publicizing and programming Washington Park. We talked about the park and the triumphs and travails of attempting to make it as universally inclusionary as possible to all of Cincinnati’s residents. I hadn’t talked to John in a very long time, and it was great to catch up, but it was greater to see him so incredibly excited about the park and its potential. He has always been an incredible friend and booster of the city and he’s in the perfect position to channel that passion. In the spirit of his being “the host” at the park (and my ever deepening poverty), I let him buy me a beer. In all seriousness, I owe John an unpayable debt. He recruited me as a CityBeat freelancer when he was building the paper back in 1994, and his one requirement for a place on the masthead was that I get back to writing features, something I hadn’t done in well over six years at that point. John’s conditional offer of freelance work launched me on a path that continues to this day, and absolutely set the stage for my transition into full time writing when I lost my full-time design gig in the idiot epidemic of 2001. So many great experiences and interviews and interactions and friendships resulted from a lunch meeting 18 years ago when John looked me straight in the eye and said, “You are too good of a writer to be doing nothing but reviews. You need to be writing features and that’s all I want you to do for me.” Without that firm encouragement and faith, the last couple of decades could have been very different indeed. I owe you an ocean of beer, Sir John Fox, and although it may be awhile before I can start making payments, please know that I acknowledge the debt. OK, dry your eyes, pussies … on with the shows.Freelance Whales were an excellent stand-in for the silenced Bells. Their gorgeous Chamber Pop swells and subtlety were made even more majestic and expansive with Music Hall as the backdrop behind the MidPoint stage. As the sun went down and Music Hall lit up in anticipation of the evening’s CSO performance, Freelance Whales’ gorgeous melodicism and quietly powerful presentation was exponentially amplified. Any fan of the Decemberists or Arcade Fire should make room for Freelance Whales in their playlists. From there, it was a brisk walk through the teeming Midway (what a fantastic idea, please let’s do this forever) to Japp’s Annex to witness the loopy edge of the New World Ancients. The Chicago quartet exudes a definite Pop/New Wave vibe, a quirky clockwork rhythm that suggests Go 2-era XTC and early 10CC with hints of the frenetic artiness of what was known initially as the Mystic Knights of the Oingo Boingo. That 21st century New Wave concept was reinforced on “Shape Shifter,” which careened like vintage XTC and Danny Elfman, while “Hole in the Sky” sounded like a Space Rock anthem collaboration between Andy Partridge and Godley & Creme; they even hauled out the brilliantly weird “We Are the Future,” an old song from Athens, the band that spawned NWA. All four NWA members had all-seeing third eyes painted on their foreheads, which offered just the right amount of creepy fun to the proceedings.Ric Hickey ducked into Japp’s for a tour of the porcelain village, on his way to rendevous with Greg Gaston and Jeff Wilson to check out The Walkmen, and since I was headed that way myself, I followed him out. The four of us drifted down to Neon’s for a beer or two, bullshitted for a spell about music and life (like there’s a difference), watched the Reds tie the game in the eighth (glad we didn’t stick around for the extra innings … cest la vie — still division fucking champs, babe) then headed up to Grammer’s for The Walkmen (Ric rethought his schedule and hung around for the late lineup at Japp’s).Although we were half an hour late for The Walkmen’s start time, it turned out they hadn’t been particularly timely. As we waited at the front gate (based on the asshole-to-elbow crowd that packed Grammer’s tent, I was convinced the line was designed to grease up latecomers so they could slide into the throng more easily), I was overwhelmed by the exquisite aroma drifting over from the food truck next to the entrance. Greg saw my sidelong glance and gave the taco truck and the young lady taking the orders a ringing endorsement.The Walkmen were as fabulous as I suspected they would be. Spiffed out like a GQ Rock fashion layout, The Walkmen displayed a similarly stylish edge in the live presentation of their energetic yet restrained studio work. Still going strong a dozen years after forming from the ashes of Jonathan Fire*Eater and the Recoys, The Walkmen have evolved from atmospherically sparse Pop to more visceral and then Folk-tinged Indie Rock. The Walkmen’s new album, Heaven, is a more lush sonic affair, with songs that deal with the pressures of adulthood and the strength of love. The album’s sonic breadth is hinted at in concert but The Walkmen are more than capable of allowing the songs to do the heavy lifting, presenting them with power rather than mere volume. In an age of disposability, The Walkmen have persevered for 12 years without a lineup change, going their own way in their own time, and seamlessly tempering their youthful enthusiasm with their hard-won maturity. It’s a wirewalk that few bands can pull off but The Walkmen manage to do it with an easy grace and humility; they were clearly affected by the huge turnout for their MidPoint debut.I reluctantly bailed after about 30 minutes due to the start of the 10:00 pm shows I wanted to catch, and my creeping hunger, the launch codes for which had been entered coming into the show. I headed straight for the Taco Azul truck and quickly discovered Greg was right on all counts. The tacos were otherworldly good. All apologies to Mr. Hanton’s for straying from my steady diet of handwiches, but it was inevitable; when I was at Washington Park, I noticed that Island Noodles, which had been a huge hit at Bunbury and my favorite food of the festival, had a booth near the MidPoint stage and I briefly considered working in a walk back to the park to score a noodle bowl. Saturday was destined to be hot dog free.I was just finishing my tacos when I ran into Black Owls' Brandon Losacker and three of the Sohio musketeers, who were all headed to Below Zero for The Ready Stance show, which was my destination as well, so off we went to see the wizards. Brandon graciously handed me a delicious Kentucky Bourbon Ale, the perfect cigarette after my taco interlude.The Ready Stance was already in full swing and what a swing it was. The bar was absolutely sardine packed with fans loaded with love for the Stance and they didn’t disappoint. After a scorching spin through what I’m guessing was a new song (I didn’t recognize it as anything from their debut, the uniformly excellent Damndest), Ric Hickey stood wide-eyed and slackjawed and proclaimed the song’s classic brilliance. He wasn’t wrong. Damndest was a great opening volley, but their next shot could well be the one heard around the world, and this gig was an all too brief example of their talent and passion. A great set from a great band.Near the close of the Stance’s set, I ran out to the Midway to catch the last three songs from Imperial Teen, because they’re one of my favorite Indie Rock bands with a quirk factor that is discernible but not obvious or trendy. I’d been looking forward to their 11:30 pm slot, but Imperial Teen’s set moved from the Hanke to 10:00 pm to accommodate the outdoor music curfew. It was clearly a great finish to what seemed to have beeen a rollicking set; Sean Rhiney declared it to be his favorite band of this year’s MidPoint. And the band was certainly appreciative of the large crowd that turned out for them; frontman Roddy Bottum noted that this was their only Midwest show and that they were glad that it was happening in Cincinnati. Their new album, Feel the Sound, is fantastic, as is the bulk of their catalog, and I hope they find their way back here very soon.After that, it was a quick hustle over to The Drinkery to witness the Hard Rock fireworks provided by Thunder Bay, Ontario’s Bella Clava. I had written up the CityBeat preview for the band so I was already inclined to check them out, but the Mad Anthony guys had done some gigs with them and were highly recommending the show, so Bella Clava went from “possible” to “definite” in short order. The adrenalized quartet was hotter than fresh lava and proceeded to melt every face in the jammed Drinkery space with the ferocity of a bull on crystal meth. Frontwoman Caitlin Dacey was a mind meld of Ann and Nancy Wilson, switching between guitar and keyboard, guitarist Steve Suttie channeled the likes of Jimmy Page and Richie Blackmore with sweat-drenched conviction and fury, and the rhythm section of bassist Scott Hannigan and drummer Zack Mykula created a thunderous bottom that could have been registering as a seismic event. The band was clearly moved by the MidPoint love they were receiving; at the end of their set, Caitlin noted, “I need to get a picture of you guys; my mom won’t believe it.” Ringo Jones hopped on stage and got a shot of the band with the Drinkery’s Rock drunk crowd behind them. It was a thing of beauty.Then it was back to Below Zero to yet another near capacity audience for yet another Canadian import. Zeus came highly recommended by Losacker and several others, so I decided to check them out. The quartet were as good as advertised, sort of a Hard Rock spin on the Beatles and the Kinks. In the studio, there is a more than noticeable Sgt. Pepper vibe to Zeus’ sound, but in the live context, some of that psychedelic subtlety gets shaved off in favor of a leaner, more visceral Rock experience. It was clear that a fairly large percentage of the audience knew what they were coming to see, because there was a good deal of song recognition and wild response in the crowd.I ducked out after about 30 minutes of Zeus’s sonic lightning bolts to catch the end of the road for local Rock heroes The Dukes Are Dead. Here’s proof that sometimes bad luck can result in good things; London’s Leogun was forced to cancel their MidPoint appearance and so the Dukes’ final show was pushed to the closing slot, allowing them the leeway to play considerably longer than their original 9:45 time would have accommodated. In some ways, it’s been a bad year for straight-up Rock in Cincinnati, with the recent demise of Banderas (MPMF regulars) and now the dissolution of the Dukes. As befitting a band that was playing its last show in the last slot on the last night of MidPoint, the Dukes left nothing in the bag. The band’s frenzied set was a thrashfest of howling vocals and grimy, guttaral riffage that was so explosive it was tempting to think that Luke Frazier and Luke Darling were playing six string grenade launchers, while bassist Randy Proctor worked his bass like a lead guitar and drummer David Reid hammered his kit like he was forging broadswords for Middle Earth giants on an anvil made of asteroids and pain. Formed just three years ago, it looks like the Dukes are going their separate ways to pursue new musical projects, which we can only hope results in a massive stock split as four hugely talented Hard Rock provocateurs subdivide into a handful of new and similarly bent projects. We will certainly welcome the Dukes Are Dead in their new individual configurations, but anyone was there will never forget the way they went out collectively. It could have been a bittersweet moment, and to a certain extent, it was, but it was also the joyous beginning of the rebirthing process, and in that context, the final show of The Dukes Are Dead was an absolute perfect way to draw the curtain on MidPoint 2012.MidPoint 2012 Saturday Night Notes:• Even by my standards, I swilled a lot of beerage at this year’s MidPoint. Mike Breen threatened me with an intervention and a film crew from the so-titled A&E show, but he also offered to buy the beers, so it was all good. Still in all, if you ran into me and expect to see our exchange in these musings and it’s not here, don’t feel left out. There are events that, even just hours old, are vague and unstable memories to me now. It’s a lot to expect for an aging and beer-sodden brain, so bear with me.• Day 3, no Matthew Fenton. It cannot be that we didn’t cross paths even once over the course of the three days here, so I have to believe that he skipped this year’s soiree. He and Kelly were here for Bunbury in July so maybe that was the reason he bailed this year. A MidPoint without Matthew is like a MidPoint without sunshine, and while I get that the vast majority of it happens at night, you know what I mean (or refer to the preceding paragraph for clarification).• Ran into MPMF stalwart/stage manager/former Buckra guitarist Jacob Heintz, his niece and pal Brome (the spelling of which I’m guessing at). It was the first time I’d spotted Jacob all weekend … I was beginning to think maybe I should take a shower, the way I was being avoided. Then I decided that was a rash decision. Or maybe just a rash. Either way, it was great to see Jacob.• Crossed paths with Paul Roberts and his sister at Japp’s during the New World Ancients. It was the first of many crossings with Paul and his merry band of Rock rangers, including Faint Signal guitarist Randy Campbell, big Jim and the little guy whose name always eludes me (see the opening paragraph for clarification).• I love that local singer/songwriter Ric Hickey is back in town after a stint on the west coast. And more importantly, Ric Hickey loves that Ric Hickey is back in town. Time to strap up and Rock on, my brother. Welcome home.• The Ready Stance gig was a stacked deck of musical luminaria; The Purrs’ Jim Antonio, drummer to the stars Dana Hamblen, Black Owls’ Brian Kitzmiller and Brandon Losacker (who repeatedly supplied me with Kentucky Bourbon Ales, which I may have developed a dependence on), the above noted Ric Hickey and CityBeat head man Dan Bockrath, who repeatedly bought the beer at every possible opportunity. I’m thinking of starting a Kickstarter campaign to fund the construction and upkeep of the Brian Baker Beer Buying Hall of Fame. I smell a plaque with Dan’s name inscribed on it. Or maybe I just missed the urinal. Again.• A couple of Sean Rhiney (musician and co-founder/operator of MidPoint before CityBeat took over) sightings, first at Washington Park as I was departing Freelance Whales, and again at the Imperial Teen show. Sean is a prince among men, and even has a princely look. If royalty ever comes back to America, Sean should be in line for some kind of dukedom or earlship or lordiness. Really.• I happened upon former Host vocalist Chris Charlton, who was handing out free copies of the debut issue of his new comic book, Sleepless. His written all the stories and worked with a variety of artists to bring them to life in Sleepless, which is being published by Assailant Comics; there will definitely be a #2. Chris says he may get back to music at some point, but right now he’s concentrating on the comic. The first story is a zombie love story, but my fave was “Artificial Unintelligence”; pick one up and enjoy at your leisure.• Randy Cheek (member of The Ready Stance and Fairmount Girls and former bassist for Ass Ponys) needs to write a book. After the Stance gig, his stories in the alley next to the dumpsters beside Below Zero were all incredible, ranging from stepping in human waste after a gig (the phrase “slightly melted poopsicle” was used) to seeing a bedbug on an amputee’s stump in his daytime role as an exterminator, all of which was punctuated by a guy pissing on the other side of the dumpster. Randy really needs to write a book. Really.• The old saxophone player who was blowing on 12th Street just down from the Midway segued from the theme song for Sanford and Son to George Michael’s “Careless Whisper,” which, in my state at that moment, was a sure sign that a portal to another dimension had been accessed, or that alien beings had just been contacted, like with that weird note sequence from Close Encounters of the Third Kind. I’m still not sure it didn’t.• I stumbled into Mark Messerly, Eric Appleby and his lovely wife Trish on the way to Bella Clava. I should have asked Eric about Matthew. There were exchanges, a bad vaudevillian punch line (mine, naturally) and gales of laughter (a drunk is never not funny), as well an introduction to some lovely people whose names were obliterated by the first stormtrooping guitar chord that hit me at The Drinkery. I pulled out my pad to write them down on my big notepad titled "Don’t Forget, Dumbass," and they were gone. Regardless, it was nice to meet you. The second introduction usually sticks.• There were so many people at the Bella Clava and The Dukes Are Dead shows that my memories are kind of bubbly around the edges, like a burnt photograph. The Mad Anthony guys were all there, Jeremy Constantinople from Banderas, Paul Roberts and the gang (which sounds like they’re the Cosby Kids or something, but they’re not, I’d bet), and Beth, who I met at the Black Owls show, and a guy named Chad who has a band in Newport and wanted to hire Randy after the last Dukes show (he told me the name of his band, but the opening paragraph should be referenced for clarification) and Dan Bockrath who bought me a Red Stripe because it was the only beer the Drinkery had left, and you were there, and you and you. And it was a beautiful, beautiful night filled with amazing people and fabulous music and love. Or at least really intense like. And it stoned me. Or the opening paragraph did. Either way, blissed out at MidPoint again and again and again.• As always, thanks to the great (and nearly jailed) Dan McCabe for his grace under fire and his dedication to making MidPoint one of the best things that happens in Cincinnati. He is a king in the new royalty, a king I tell you. Thanks also to the tireless volunteers who make this run like a well-oiled machine (I use beer to oil my machine, and it’s a good thing the volunteers don’t take that approach or nothing would get done), the fans who spend their hard earned money on wristbands and venue tickets and food and gallons of goof juice and souvenirs, and of course the bands who come fromaround the corner, across the state, around the country and the globe to entertain us and bring a little musical sunshine into our spongey consciousnesses. Or is it consciousnessi? I don’t have time to look it up. MidPoint 2012 is a lovely memory, and I’m drooling like Pavlov’s dogs for next year’s lineup, whatever it may be. Matthew Fenton, your place is saved. Next year, for sure.