by Mike Breen
8 days ago
If you're craving some solid live music, it's a surprisingly busy Monday night in the area clubs. Besides the always entertaining Insane Clown Posse's return to Bogart's tonight, here are a few other offerings:• Los Angeles-based The Lonely Wild plays a free show tonight at MOTR Pub in Over-the-Rhine. Showtime is 10 p.m. The Indie Folk ensemble formed just three short years ago, quickly becoming a favorite on the L.A. club circuit. The group's momentum has only increased since; the Wild's recently released debut full-length, The Sun As It Comes, has been garnering strong reviews and national radio's embrace of it gets stronger by the day. The band is also known for its entertaining, energized live show, which is helping The Lonely Wild grow its fan base rapidly on its current cross-country headlining tour. Read CityBeat's preview of tonight's show here. Have a listen to The Sun As It Comes in full:And here is The Lonely Wild performing live in L.A. late last year:• It's an "Up-and-coming Indie Folk band" kind of night in Cincy this evening, as The Comet in Northside welcomes Denver crew Paper Bird. Austin, Texas-based Indie folkers Dana Falconberry open at 10 p.m. With an exuberant, modern mesh of Roots and Americana, Paper Bird recently released its fourth LP, Rooms, the follow-up to its 2011 score for a collaboration with the Ballet Nouveau Colorado called Carry On. The seven-piece band's compelling sound has gotten Paper Bird featured on NPR's All Things Considered and in a New York Times piece earlier this year about Denver's blossoming music scene (which includes breakthrough, Grammy-nominated Folk Pop act The Lumineers, a tour mate of Paper Bird's). Here's the music video for "As I Am," the first single off of Paper Bird's Rooms:• Justin Furstenfeld, known for his emotional, honest songwriting in the band Blue October, brings his solo tour — dubbed "Open Book: An Evening with Justin Furstenfeld" — to Oakley's 20th Century Theatre tonight for an 8 p.m. show. Tickets are $25 at the door. Texas Indie Pop singer/songwriter Ashleigh Stone opens.Furstenfeld's bipolar disorder has resulted in some highly open-hearted, sometimes excruciatingly bleak songs, something documented in his book, Crazy Making, detailing the origins of each Blue October song in words and music. The Open Book tour features Furstenfeld performing acoustically and talking about his songs (don't fear a total gloom fest; the singer/songwriter also has a sharp sense of humor). Check out CityBeat's preview of tonight's show here. Here is Furstenfeld performing live at the Open Book tour's stop in Santa Ana, Calif., from early April: Click here for even more live show in Greater Cincinnati tonight.
by Mike Breen
• Influential Maryland-spawned Death Metal/Hardcore/Gindcore group Dying Fetus headlines Newport's Thompson House for a night of hardcore release. Singer/guitarist John Gallagher has kept the Fetus alive for 21 years, maintaining a dedicated following and racking up honors like having his band's 2000 release, Destroy the Opposition, named to Decibel Magazine's list of "Hall of Fame" Metal albums. Read more on the group from this week's CityBeat here. The band is joined by guests/tourmates on the Fetus' "The Blood of Power Tour," Malignancy and Cerebral Bore, plus Beverly Hellfire, Fenrir, End It With a Shotgun and Soul Rot. Tonight's show is at 7 p.m. Tickets are $15. Here's Dying Fetus' "From Womb to Waste" from the group's most recent album, Reign Supreme. • The Madison Theater in Covington is launching its "Madison Theater Band Challenge" tonight. The events will feature a boat-load of local acts — between now and Jan. 4, there are NINE "Round 1" challenges, featuring around nine established and up-and-coming artists from a variety of genres each night. Tonight's first event starts at 6:30 p.m. and features a mix of Rock, Funk and Hardcore, with Banducci and the Wheels, Merry Carls, Pledges, Rebuild The Barrier, Self Ish, The Fallen, The Requiem, Undefined and Victory Over Vanity competing. Visit Madison Theater's site here for a run down of the rest of the challengers. All of the Band Challenge events are open to music lovers of all ages. • For something funky and jolly, Steve Schmidt's annual Organ Trio Christmas Spectacular concludes tonight at The Comet and is always a popular draw. Click here for details.Even more live music options in Greater Cincinnati tonight. (Feel free to leave your own suggestions in the comments)
by Mike Breen
Veteran ace Jazz pianist/organist Steve Schmidt returns to The Comet in Northside to launch his Christmas-themed two-night stand at the venue. Schmidt's annual Christmas Jazz "Spectacular" has become a local holiday tradition. Schmidt whips out his organ (a Hammond B3; get your mind out of the gutter!) for the occasion and, as always, brings along some top-shelf special guests for the shows. Schmidt is joined by Brad Myers on guitar and Mark Wolfley on drums, plus two amazing singers — Eugene Goss (known for his work with Billy Larkin as Triage) and the great Mandy Gaines. The Steve Schmidt Organ Trio Christmas Spectacular runs 8:30 p.m.-12:30 a.m. tonight and tomorrow at The Comet. There is no cover charge.
by Mike Breen
Boston R&B/Funk/Soul/Rock crew with many local ties returns to Cincy to record new album
Boston’s Barrence Whitfield & the Savages have returned to Cincinnati in a big way this week. The R&B/Soul-rockin’ crew has several local ties, including employing prolific locally-based drummer Andy Jody on the skins. The group also features Peter Greenberg of pioneering Boston band DMZ (as well as The Lyres) and groundbreaking Cincy Garage rockers The Customs (fellow Custom Jim Cole records with the band but doesn’t play live). The Savages recorded two albums in the ’80s; their 1985 Rounder Records release, Dig Yourself, was their last until the group's recent reunion activities. "I met Peter at The Customs reunion in 2008, drummed for them the following year, which led to him contacting me to record Savage Kings upon the reformation of the original Savages," Jody says about his initiation into the band. The Savages are in town to record a new album, returning to Ultrasuede studios, where they recorded Savage Kings. "We decided to record here, partly logistics and partly in tribute to King Records," Jody says, "and it was the same studio where The Customs cut (their trademark tune) 'Long Gone.' "Last night, Whitfield & the Savages debuted some of the new material at Shake It Records. Shake It, the label, released the Savage Kings in the States; The Customs' "Long Gone" single was the first release on the Shake It imprint.The Savages will be warming up for recording this weekend with a two-night stand (Friday and Saturday) at The Comet in Northside. Both shows are free and kick of at 10 p.m. (Friday a DJ warms things up and Saturday Customs-inspired local rockers The Long Gones fittingly open the show). Click here for more info on the band. Below is a live clip filmed in Paris last year. And here's a clip (with performances and interviews) from the band's earlier days when they were featured on the BBC.
0 Comments · Wednesday, September 26, 2012
Hamilton Avenue in Northside is home to a
slew of eclectic storefronts like Melt and Shake It Records, and, since
April, Northsiders have enjoyed The Listing Loon as a place to swing by
and load up on bottles of hand-selected microbrews by a couple of
Cincinnati’s tenured bartenders.
Alone at 3AM hits stride on new album and finds unlikely second home in Colorado
0 Comments · Wednesday, June 27, 2012
Cincinnati’s Alone at 3AM recently released its third album and first for respected Colorado-based indie label, Suburban Home Records.
by Izzi Krombholz
Posted In: Live Music
at 10:24 AM | Permalink
The Comet was packed Tuesday night in anticipation of seeing Nashville band The Black Belles and the Belles didn’t disappoint. These women sure have created an identity for themselves. At any point, you could spot them somewhere in The Comet; they were hard to miss with their long black hair, black clothes, black hats, pale skin and dark makeup. And the shtick of it all doesn’t seem forced for The Black Belles. Members of Jack White’s label, Third Man Records, the Black Belles opened their set with “Leave You With A Letter,” the opener from their debut self-titled album. Although the band is normally a four-piece, they are touring as a three-piece, leaving the organist back home in Nashville. Between bassist Ruby Rogers' deadpan dead-on bass riffs and Shelby Lynne’s solid drumming, there’s room for lead singer/lead guitarist Olivia Jean to do as she pleases. Her voice comes off as somewhat of a growl, so perfect for their dark and witchy lyrics. And there was something about the drummer similar to Meg White, with her black hair flowing as she beat the crap out of her set. The Black Belles seem to be somewhat of a cross between The Cramps and Wanda Jackson, with the occasional Jack White riff thrown in the mix. Olivia Jean announced that they would play “their only Country song” as they launched into “Honky Tonk Horror,” which was not really anything close to a Country song and probably the heaviest Rock song they played. Other numbers included “In a Cage,” “Howl At The Moon,” “What Can I Do?,” “Lies,” “Wishing Well,” and “The Wrong Door.” The only problem with their set was that The Comet didn’t move the tables out of the way so it was an extremely awkward crowd to stand in and actually be able to see the band. This resulted in people standing on chairs to get a better glimpse of the dark beauties. When I asked the band what they’d be doing after the show, they smiled and said they would be using a Ouija Board at the Masonic Temple at which they were staying. If you missed out on seeing the Black Belles, they’ll be back in Cincinnati as one of the headliners for Midpoint Music Festival this September!
by Mike Breen
If the early onset of mugginess hasn't already, Riverbend presents a great concert tonight to get you ready for the summer, as The Beach Boys bring their 50th anniversary tour — featuring Brian Wilson on stage with fellow Boys Mike Love and Al Jardine for the first time in decades — to Cincinnati. Showtime is 7:30 p.m. and tickets are $21.50-$91.50. The band is rounded out by members Bruce Johnston and early guitarist David Marks, as well as several auxiliary players, many from Wilson's flawless solo band. The Boys have been playing shows that have lasted close to three hours (with an intermission), performing songs from throughout their career, including big early hits like "Little Deuce Coupe" and "409," as well as Pet Sounds cuts like "God Only Knows" and "I Just Wasn't Made for These Times," a couple of deeper album cuts (like "California Saga: California," a Jardine song from 1973's Holland album), songs from their new album, That's Why God Made the Radio, and "Kokomo," one of their worst tunes and also one of their biggest. Here's one of Wilson's mini "teenage symphonies for God," "Heroes and Villains," which has also been performed on the tour. Read our interview with Love and Wilson here. • If you like your music a little darker, all-female "Garage Goth" troupe The Black Belles are playing a free show at The Comet in Northside. The band's self-titled debut full-length came out last year on Jack White's Third Man Records and the group even collaborated with Stephen Colbert on his 7-inch single for Third Man, "Charlene II (I'm Over You)" (the Belles performed the song with Colbert on his show). Local rockers The Lions Rampant are also on the bill for tonight's free, 10 p.m. show. Here's the video for the Belles' second single off their eponymous debut, "Wishing Well."• Also on the "free, high-quality live music" tip — tonight's "American Roots" concert on Fountain Square. The every-Tuesday events spotlight local partakers of the various strains of Americana and Roots music. Tonight, it's a little bit Country, a little bit Rock & Roll, as local Kelly Thomas and the Fabulous Pickups and The Kentucky Struts join forces. They should be comfortable sharing a stage — Thomas and Ky. Struts frontman Todd Lipscomb perform together in the trad Country project, The Tammy WhyNots. The show runs from 7-10 p.m.
by Brian Baker
Portland Indie Folk group plays free show at The Comet
Eight years ago, guitarist/vocalist Justin Ringle relocated from his native Idaho to Portland, Ore., and very quickly shifted his stylistic allegiance from the aggressive Rock he had played at home to the gentler Folk sound that pervades the Northwest scene. Ringle formed Horse Feathers to pursue his newfound acoustic passion and garnered rabid fans and critical acclaim with his first three albums — 2006’s Plug Award-nominated Words Are Dead, 2008’s House With No Name and 2010’s Thistled Spring — with reviewers consistently pointing out the wonderful tension between the dark poignancy of Ringle’s lyrics and the expansive beauty of the music that surrounds them.On the fourth Horse Feathers album, the just-released Cynic’s New Year, Ringle pushes his sound in a few fresh directions, incorporating 11 musicians and new instrumentation to create a dusty Chamber Pop atmosphere reminiscent of Eef Barzelay, Joe Pernice and Gomez (in its unplugged moments). At the same time, Ringle and his rotating crew don’t stray impossibly far from their established sonic profile, somewhere in the ballpark of Eddie Vedder playing an acoustic seance and collaborating with the ghost of Nick Drake. Regardless of Ringle’s choice of musical translation, his lyrics consistently strike a heartfelt chord as bruised confessional odes or reservedly optimistic lullabies that breathe and haunt and shimmer like friendly but far from happy manor ghosts. For the current tour — which hits Northside's The Comet tonight for a free, 10 p.m. show with opener Matt Bauer — Ringle and this iteration of Horse Feathers will be operating as a quintet, so the stripped down personnel will offer streamlined arrangements of the new songs and more fleshed out versions of the older, sparser material. Either way, prepare yourself for an emotional journey.Here's the video for Cynic's track "Where I'll Be." Click here for more live music events tonight in Greater Cincinnati.
by Mike Breen
Baltimore experiemental Post Punk group joined by R. Stevie Moore for free show
Baltimore Noise Punk foursome Dope Body introduced itself to the Indie Rock world with the donkey punch that was last year’s Nupping,
the band’s first full-length. A chaotic barrage of guitar harmonics,
muscular drum/bass pummeling and howling vocals combine in Dope Body’s
assault, resulting in something that sounds like The Jesus Lizard jacked
up on speed (or Gang of Four jacked up on The Jesus Lizard). There
is an artfulness to the noise, but it’s the group’s hectic energy level
— which sometimes makes it seem like they’re going to fall apart at any
second — that first draws the listener in, as if sucked up by the
tornadic swirl, Dorothy-and-Toto-syle.
The herky-jerky rhythms are also alluring, occasionally falling into a
seemingly impossible groove that feels like some sort of alien Funk. You
can dance to Dope Body — you just might look a little convulsive. The band formed in 2008 and released a couple of EPs before Nupping came out on HOSS Records. For the band’s new LP, Natural History, Dope Body moves over to the higher-profile, much-respected indie label Drag City. Keep an eye out for the new release May 22. The band performs a free show at The Comet tonight at 10 p.m., joined by lo-fi, D.I.Y. icon R. Stevie Moore. Here is Dope Body's music video for the track "Enemy Outta Me."