Dynamic, fast-paced comedy flips tables on character studies
0 Comments · Friday, March 29, 2013
The Book Club Play a comedy about five people with some personal
history who come together for monthly conversations about books, progresses — perhaps more accurately,
regresses — through a series of novels reflecting tastes, aspirations and
differences.
0 Comments · Tuesday, March 26, 2013
Here are the ingredients: a couple of
Broadway and off-Broadway hits, three world premieres, a lavish Jane
Austen show, a classic musical by Kander and Ebb, an innovative drama
with tap dancing and video, plus holiday festivities...
A dream of a comedy at Cincy Shakes
0 Comments · Monday, March 25, 2013
Cincinnati Shakespeare Company’s staging of A Midsummer Night’s Dream
is a hilarious frolic through one of Shakespeare’s most beloved
creations. A quirky, energetic reimagining, this production features all
the familiar faces.
Two-person cast shines with heart and soul
0 Comments · Wednesday, March 20, 2013
In a broiling Texas summertime smack in
the middle of the Great Depression, Susannah Mullally, a song collector
from the Library of Congress, is just about to give up her day’s search
when she hears a rich, expressive voice coming from somewhere down a
prison hallway.
0 Comments · Tuesday, March 19, 2013
Ensemble Theatre Cincinnati’s Black Pearl Sings!
is a play come as a warning shot foretelling the modern-day recording
industry (such as it is) and its sad history of theft by corporate
henchmen. More obviously and tellingly, the play is
also a dance of race relations, race politics and the sometimes
heartbreaking history of relationships between black and white women.
0 Comments · Tuesday, March 12, 2013
Playwright Frank Higgins began his
writing career as a poet, so he pays careful attention to the way he
puts words together. After some time working at poetry, he felt that his
best pieces were stories about people.
1 Comment · Wednesday, March 6, 2013
Theater is a great, creative outlet for
kids. Sonja Hansen’s efforts in Loveland inspired dozens of them and
engaged their families in a wholesome, enjoyable extracurricular
activity. Such undertakings are also learning experiences. Sadly, this
lesson in repression over trivial matters sends a terrible message to
students.
CCM shines with historical tale of corruption, greed
0 Comments · Friday, March 1, 2013
This
CCM production is an engaging if sordid recreation of the creators’
intentions, a bravura performance that serves as a reminder of how
theater can provide sharp social commentary. Bravo to Guarino and her
student cast for this memorable production.
0 Comments · Tuesday, February 26, 2013
This week marks the opening Actors
Theatre of Louisville’s 37th annual Humana Festival of New American
Plays. First up is Meredith McDonough’s The Delling Shore, about
two rival authors and their daughters, a work in which words become
weapons.
by Rick Pender
02.22.2013
91 days ago
at 09:18 AM |
Permalink |
Comments (0)
It might be hard to imagine that a show like Legally Blonde: The Musical
could stir up controversy, which it did last fall at Loveland High
School. But that's not stopping other theaters from putting it onstage,
including Northern Kentucky University, which opened a campus production
on Thursday (and continues through March 3). It's the familiar story of
Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit
of him, only to discover that she's got the smarts to be more than just
a girlfriend. Not profound, but certainly entertaining. Tickets: 859-572-5464
On Wednesday evening, I attended the first performance of Slow Descent from Heaven,
a world premiere play by local writer Catie O'Keefe. Presented by New
Edgecliff Theatre (O'Keefe is their playwright-in-residence), it's an
ambitious work, presented in a converted classroom at the Clifton
Cultural Arts Center (3711 Clifton Ave.) in a production directed by Ed
Cohen. The central character, Molly (Elizabeth A. Harris), is a NASA
scientist whose story is bookended by space shuttle disasters in 1986
and 2003. She's an angry, tense character, and her involvement with men
has affected her career and her attitude. The story has a reverse
chronology, so we peel backward in time to learn more about why she's
the way she is. I'm glad to have seen this, but I think the script needs
more work in delving into Molly's psyche. Right now, her angst is all
on the surface, and her interface with the two men in her life (plus the
funny mother of one of them) is too predictable. Nevertheless, it's
great to see a group like NET encouraging the development of new work.
Tickets: 513-399-6638
Another group producing new work is Thompson House Newport
(the venue formerly known as Southgate House). They are staging a new
Rock musical, Variables, the comic story of five friends
out for a night on the town. Their evening takes a serious turn when
it's interrupted by disturbing news. It's the work of composer Jered S.
Ryan and lyricist Mark D. Motz. Performances are on Feb. 23, 28 and
March 2. I haven't seen it, so I can't offer an assessment, but it's
another example of our fertile local theater scene. Tickets: www.thompsonhousenewport.com
Cincinnati Shakespeare Company's production of Dangerous Liaisons (review here) is a listless interpretation of a show that should
be deliciously (dare I say "dangerously") nasty. There are some fine
actors onstage — notably Giles Davies and Corinne Mohlenhoff, both
longtime favorites at CSC — and moments when the chemistry works, but
not enough of them. Tickets: 513-381-2273, x1.
Several Cincy Shakes actors are doing a fine job on another stage, in Know Theatre's production of When the Rain Stops Falling, a compelling story of multiple, intersecting generations of two families. (review here) It's a fascinating piece of writing by Andrew Bovell, and
a taut, engaging 100-minute production, staged by CSC's Brian Phillips.
If you're looking for the one show to see this weekend, this is the one
I'd point you to. Tickets: 513-300-5669