Playwright Sarah Underwood has worked with the five women in ETC's intern company and intern/director Liz Maxwell on this series of scenes and monologues about those who have left this world and listen in on the remarks of those who remain.  

Lyle Benjamin, artistic director of Queen City Off Broadway, is restaging this hit production from Chicago, calling it the "perfect show when you drink, look French and despair."  

From Iago to Salieri, theater has given us a roster of villains who, despite their evil, remain oddly compelling. For that reason, This Ain't Real Theatre Company set out to explore the concept of villainy.  

Taken from Richard Hague's collection Alive in Hard Country, this sequence of poems circles around the many sides of addiction, echoed by deep strains of Bluegrass and Gospel.   

This solo performance by Kevin Thornton has strictly autobiographical roots, fusing music, spoken word and standup comedy into personal revelation.   

Writer-performer Jim Loucks adapted recollections of his Southern Christian childhood into a multi-character, 75-minute drama requiring one actor and one bench. Jim, the 10-year-old storyteller, is as much fiction as biography.  

Writer-director Brad Cupples says he and Ornamental Messiah Productions use comedy to "wake people up" about Creationism, which he calls "an abomination to common sense."  

The uniqueness of Eagle to Squirrel Variety Hour resides in its combination of genres, including Electronic music, Hip Hop, Jazz and spoken word.  

Performance Gallery has assembled a script here with multiple characters and layered storylines to follow the reverberations and repercussions of a suicide and how it shreds the veneer of safe and effective communication.