In a program statement e.E. Charlton-Trujillo, the director of local poet Rhonda Pettit's 'The Global Lovers,' has written: "I wanted to create a visually compelling, sensory bombastic performance that didn't pull punches." My ever reliable Webster's Dic
During most of the swift, sweet hour that 'Blue Collar Diaries' fills, playwright-performer Michelle Myers Berg beckons to us to step inside her memory and look around. She invites us to study and regard verbal snapshots of a dozen or so people who loome
Artemis Exchange offers a perfectly wonderful evening of a totally different sort here. It's deeply philosophic and not nearly as scatterbrained as it would like you to think. It's more deep-delving than over-reaching. And it's seriously funny — with lau
Playwright Roger Collins takes a hard though hardly realistic look at Iraq war vets who come home to homelessness, social invisibility and civic neglect. At times it's realistically grounded, but more often it's fanciful and elliptical, sometimes even an
Oscar Wilde’s 'An Ideal Husband' is the crowning pleasure of Cincinnati Shakespeare Company’s 2009-10 season. Everything works. What, it ponders, makes for an ideal marriage partner? Is he or she some bepedastaled paragon of relentless virtue? Or is the
As you enter the Columbia Performance Center, you’re handed a program describing 'Reservoir Dogs: The Musical.' What? Actors swarm the stage, warming up, dancing, practicing swordplay, moving set pieces — all of it as boring as watching somebody paint a
Under Professor Sandra Forman's zesty direction, the student actors turn the first hour of this 2002 script by Theresa Rebeck and Alexandra Gersten-Vassilaros into rattling good spit-and-spirit theater. It's just post-9/11, and seven glitterati (some lam