The duo’s no-frills nature is both quaint and oddly affecting, the kind of thing that rarely goes viral these days — which makes their rise even more curious.
Brandy Clark is a rare country music success story, starting her career as a starry-eyed songwriter before transitioning into a gifted performer in her own right.
The South Carolina-based duo delivers rootsy tunes that nod toward specific genre traditions while not hesitating to go down their own idiosyncratic rabbit hole.
The Raisins’ self-titled 1983 debut album might have been the quartet’s only official release, but that 11-song, 43-minute effort was just the most obvious touchstone in a legacy that continues to reverberate in the Queen City.
If Mann’s recorded output has slowed in recent years, she remains a compelling live presence, her lanky frame and literate lyrics as consistent as the changing of seasons.
Word is the live sets will focus on songs from the band’s middle-era albums: 1999’s The Albemarle Sound, 2001’s Argyle Heir and 2003’s self-titled effort, which turned 20 this year.
Fishbone has been an off-and-on entity over the last 20 years, largely held together by lead vocalist Angelo Moore’s unwavering love of the band’s frantic mix of ska, funk and punk.
Think of it as a best of Bob show punctuated by new tunes, another intimate communal experience by a restless artist who continues to challenge both himself and his audience.
Conceived and curated with unsurprising acumen by The National's well-connected members, the first installment of the Homecoming Festival in 2018 was a success on every level.