Erika Kate MacDonald spent nearly a year in politically troubled Indonesia as a foreign exchange student when she was 17 and 18. Sharing her first impression of the mountainous island country, she moves like a dancer, accentuating points with her hands.
Several folks commented afterward that Alison Bishop's show was “cute.” Bishop, the self-described “cougar” who wrote and performed the show’s nine original songs, was accompanied by a very fine upright bass player, Adam Sanreget, who helped move the sim
This one-hour show is a true example of the need to show — not tell. There is virtually no action to move this story of a dying prince as he struggles with the love of the gorgeous foreign princess Bhanumati (Katie Eichler).
A very sizable crowd saw this FringeNext production, a play about domestic war in America and how it affects the morality of a typical cross-section of citizens.
The Art Academy Auditorium is not a particularly friendly space for theater, especially if the show requires audio-visual tech. New York City artist Carly Ann Filbin’s Validate Me suffered from disjointed audio tracks and distracting out-of-sync s
Produced by Cincinnati’s Tangled Leaves Theatre Collective, the production of {?} takes place at another first-time Fringe space, Nast Community Church on Race Street east of Washington Park.
Brooklyn-based AztecEconomy’s productionprovides an intense, funny, scary, dark experience for a littleover an hour regarding the effects of a cave collapse on five coal miners.
Judging from the enthusiasm generated by the actors, and by several audience members who were really getting into the spirit of audience integration, A Killing Game is gonna have a killer run at the Fringe.