Overall, it was an eventful year for the visual arts in Cincinnati —good shows, a stimulating citywide festival devoted to photography, and newsworthy changes at two of our major museums.
In my September interview with new Cincinnati Art Museum Director Cameron Kitchin, he discussed the role of that institution in collecting and displaying Contemporary art in addition to other issues.
For the third year, Contemporary Arts Center is sponsoring Cincinnati’s participation in Unsilent Night, the Christmas-tradition-meets-performance-art creation of Ohio-born New York-based artist Phil Kline.
Bombs Away!, the delightful Cincinnati comedy troupe that does live riffing to movies that deserve such treatment, is at it again for the Christmas season.
For Eyes on the Street, Cincinnati Art Museum’s contribution to the FotoFocus Biennial, curator Brian Sholis set out to do something more than just display still photographs and short films/videos that
For Eyes on the Street, Cincinnati Art Museum’s contribution to the FotoFocus Biennial, curator Brian Sholis set out to do something more than just display still photographs and short films/videos that he liked.
Pulp's Sheffield, England reunion show is the setting for the new documentary Pulp: A Film About Life, Death and Supermarkets, which plays for one screening only.
Wednesday evening there will be a discussion on “Art and Privacy” at Cincinnati Art Museum as part of programming for the Eyes on the Street photography exhibition.
Two gifted acts in the forefront of creating inventive contemporary genre-defying instrumental music — German keyboardist Nils Frahm and Brooklyn acoustic trio Dawn of Midi — share the bill for a show at Contemporary Arts Center on Monday.