This show from Brooklyn’s Solitary Project revolves around the effects of solitary confinement on prisoners while questioning its value as a continued practice in prisons.
Becca Bernard, the creative force behind The Fainting Room, is infinitely likeable. There’s a sly innocence about her, which allows her to command a room full of people so nonchalantly while performing in a show about female anatomy.
One of the best things about the Fringe is discovering new artists. Mariah MacCarthy makes her Cincinnati debut with this one-woman show about giving her baby up for adoption. And what a discovery she is.
There’s a moment in this show when Daniel Glenn, as Woody Allen, tries some “new jokes” by using a box-cutter as an imaginary microphone. If only the entire show was as sharp as that prop.
Most people probably walk into Zombie-Logue expecting something different than what Hugo Theatrical West actually presents: a show about a zombie kvetching about zombie life? That sounds funny.
Interventions can take place anywhere. In the case of Hitchhikers May Be Inmates, one starts in a diner with J.D. (Kevin Crowley, also the playwright) waiting patiently for David (Michael Bath) to stop crying.