D Tour is a collective of independent music venues and promoters across the country created to make the booking process more efficient for new and emerging artists.
Poliça’s third album, United Crushers, is another beat-driven, electronically enhanced affair that mixes the shimmering, high-lonesome vocals of Channy Leaneagh with the sleek production work of Ryan Olson.
This year’s CEAs features another solid lineup of some of the area’s best set to perform. The 19th-annual CEAs take place this Sunday at 7 p.m. at Covington’s Madison Theater.
Hailing from the small community of Sulphur Well in south central Kentucky, the four-piece band Otis takes its influences from a wide-range of electric Blues legends.
When Morphine burst into the wider consciousness in 1991, the trio’s two-string bass/saxophone/drums configuration seemed pretty radical. Nearly a quarter century later, it takes a good deal more to drop the jaws of modern music listeners.
With its 2015 debut full-length, My Love is Cool, London’s Wolf Alice accomplished a fairly nifty trick by exhibiting the distinctive traits of any number of
With a voice like a choirboy and a beard like a lumberjack, acoustic-oriented multi-instrumentalist and singer/songwriter William Fitzsimmons is a striking visual and aural presence.
Kat Bjelland’s banshee voice, primal guitar playing and uncommonly intense presence infected anyone who was lucky enough to catch Babes in Toyland’s searing live shows in the early 1990s.
Fishbone’s debut EP only had seven songs, but the kitchen-sink diversity and hyperactive performances made it feel like a dizzying, kooky epic. When I finally saw the band live, I was blown away by the relentless energy — all six members of the group nev
Lily & Madeleine might be considered Indianapolis’ answer to Over the Rhine. Though there is an obvious age and experience difference — Lily & Madeleine were just teenage sisters when their first records, the EP Weight of the Globe and a self-tit