Choreographer Rosie Herrera wants you to imagine that, after a night of gleefully overindulging in absinthe cocktails, filmmaker Federico Fellini stumbles down an alley in old Havana. A door cracks open and music washes over him like a sticky sunrise in September. He steps inside into a primordial soup of neon and sound and tropical heat. A wild undercurrent pulses through the room, whispering that anything (and everything) might happen.