Music: Hot Club of Cowtown

When Hot Club of Cowtown coalesced as a trio in 1996, fiddler/vocalist Elana James and guitarist/vocalist/avid 78 collector Whit Smith had already worked together in two other big Swing bands doing '20s/'30s Hot Jazz, Western Swing and Tin Pan Alley clas

Share on Nextdoor

When Hot Club of Cowtown coalesced as a trio in 1996, fiddler/vocalist Elana James and guitarist/vocalist/avid 78 collector Whit Smith had already worked together in two other big Swing bands doing ’20s/’30s Hot Jazz, Western Swing and Tin Pan Alley classics. With the leaner, stripped back structure of HCOC, James and Smith continued to rely on obscure covers for their debut album, 1998’s Swingin’ Stampede, but for the following year’s Tall Tales, the trio (rounded out by bassist Billy Horton) began sprinkling authentic-sounding originals into the mix, songs that sounded so true to the period it was hard to tell the vintage songs from the contemporary ones without checking the writing credits.

Last year, the trio released Wishful Thinking, their first full album of new recordings since 2003’s Continental Stomp. While the HCOC formula was on full display on Wishful Thinking, the trio didn’t hesitate to experiment and update within that context; their covers included Hoagy Carmichael’s “Georgia,” Tom Waits’ “The Long Way Home” and James’ dark spin on Irving Berlin’s “Someone to Watch Over Me.”

They play the Southgate House Monday. Get show details and Sound Advice here.

Scroll to read more News Feature articles

Newsletters

Join CityBeat Newsletters

Subscribe now to get the latest news delivered right to your inbox.