The brand new Over-the-Rhine music venue The Woodward Theater had a public open house event this past Friday and now it’s time for the venue’s first official show. The Woodward — brought to you by the people who run MOTR Pub, which is just across Main Street from the new club — hosts acclaimed Grand Rapids, Mich., ensemble The Soil & the Sun tonight. The progressive, gorgeously ethereal Indie Chamber Folk group is joined by Wisconsin Country/Folk group Count this Penny for the 8 p.m. show. Showtime is 8 p.m. and admission is just $5.
Here is a clip of The Soil & the Sun performing a session for the Audiotree series.
• Eclectic drummer/composer Dylan Ryan brings his Dylan Ryan/Sand project to Northside’s The Comet tonight. Ryan’s exploratory Jazz Rock trio will be joined by the Dave McDonnell Group of the free, 10 p.m. show. Ryan (now based in L.A.) and McDonnell (now based in Cincinnati) are both members of the “Prog Jazz” ensemble Herculaneum.
Here’s “Tree, Voices, Saturn,” a track from Sand’s second album, Circa, which was released on Cuneiform Records in late September.
• Diverse New Orleans Rock band The Revivalists perform at Oakley’s 20th Century Theater tonight. The show starts at 8 p.m. with special guests Black Cadillacs. Tickets are $17 at the door.
Here’s the official video for “Criminal” from The Revivalists’ City of Sound LP, which was reissued by the band’s new label home, Wind-Up Records, earlier this year.
• One of the cool things about The Woodward Theater is that when shows there end, there will always be something going on across the street at MOTR Pub, which typically presents shows at 10 p.m. (and never charges a cover). Tonight’s a great opportunity to test that out as each venue has a great band performing. SubPop recording artists Jaill play MOTR tonight, after the Soil & the Sun show across the street, with guests Smut.
Formed more than a decade ago in Milwaukee, Wis., Jaill spent their formative years self-recording and releasing a variety of music on their own or for small labels. In 2008, the band put out its debut full-length, There’s No Sky (Oh My My) — which was reissued on Burger Records (the label also released a collection of early recordings called Cranes last year) — and caught the attention of SubPop.
The band signed with SubPop for 2010’s That’s How We Burn and then in 2012 released the magnificent Traps, a great representation of the group’s jangly, highly melodic Indie Pop. Pitchfork gave the album a positive review, comparing the band to Violent Femmes and the dB’s and describing it as “idiosyncratic pop-rock appealing to geeky outsiders and scene lifers.” I’d say it has a far wider appeal than that.