Onstage: Snow White

Every year Ensemble Theatre of Cincinnati presents a clever take on a fairy tale, musicalized with a moral that’s not too heavy-handed. In fact, the eight different tales ETC has assembled — with

The Halflings
The Halflings

Good and evil play tug-of-war throughout the story of Snow White, Ensemble Theatre’s new holiday fairytale musical. As the leading lady, energetic Sara Kenny brings a lot of spunk but not enough soul to her role. David Kisor and Joe McDonough’s eighth collaboration (since 1997) is a fanciful retelling of the story of a princess whose beauty almost leads to her demise. In this version, however, it’s “Auntie Queen” (Deb G. Girdler), her guardian, who’s out to get her.

I wish the script were clearer about why the queen is jealous of her niece. It’s also unclear why the implacable Mirror (Kate Wilford) provides several means to rub out the guileless, playful Snow White. Girdler, who excels in wickedness, also poses as Snow White’s sweet mother and grandmother, a device that will confuse some children (and maybe adults).

The quick conversion of her incompetent henchmen, Doom and Gloom (Michael G. Bath and Buz Davis), to assist squeaky-clean Sebastian (Michael Carr) is equally implausible. The incognito prince dazzles everyone by spinning around in flashes of light. He’s a good guy who strives to do the right thing, but there’s not a flicker of romance between him and Snow White until the final moment.

Snow White continues at Ensemble Theatre of Cincinnati through Dec. 31. Go here to read Rick Pender's full review.

About The Author

Rick Pender

RICK PENDER has written about theater for CityBeat since its first issues in 1994. Before that he wrote for EveryBody’s News. From 1998 to 2006 he was CityBeat’s arts & entertainment editor. Retired from a long career in public relations, he’s still a local arts fan, providing readers (and public radio listeners)...
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