Since her 1994 indie debut, The Honesty Room, Dar Williams has attracted a diverse and pathologically loyal fan base with her quirkily hybridized Folk/Pop ministrations. Like an elegant gene splice of Shawn Colvin and Loudon Wainwright III, Williams can easily triangulate the emotional distance between breezy humor, somber reflection and crystalline heartbreak, on subjects as intimate as family and love and as broad as culture and politics, by finding the commonalities between them and translating them through her muse. Equally relevant is the fact that Williams hasn’t shied away from experimenting with her base formula over the past two decades; her desire to extend her reach is a testament to her restless creative spirit and her success in doing just that is a testament to her steadfast audience.
In the Time of Gods is Williams’ ninth studio album and, like the majority of her catalog, it is a work that somehow manages to be both spectacular and subtle. In keeping with her need to experiment, Williams conceived In the Time of Gods as a concept album with each song representing a particular Greek mythological archetype, while also weaving contemporary emotional, social and cultural concerns into the narrative. It’s an unlikely formula, and one that requires an almost impossible songwriting balance, but Williams was clearly up to the task, because In the Time of Gods stands with the best of her albums to date.
Part of its brilliance is that Williams uses the Greek pantheon as a launch point to create her own dieties and address her unique issues, proving that mythology must be both consistent to be permanent and malleable to be relevent. The element that drives all of this home is Williams’ impeccable songwriting skill as she finds the connective tissue between gods and goddesses like Hera (“I Am the One Who Will Remember Everything”), Hermes (“You Will Ride with Me Tonight”), Dionysus (“I Will Free Myself”) and Poseidon (“The Light and the Sea”) and places their gifted and flawed archetypes in real life situations with real life outcomes.
As always, Williams’ musical accompaniment in this endeavor is engaging and beautiful and exactly right, providing the consistency that runs through her estimable canon. With a surgeon’s skill, Dar Williams has grafted the wisdom, wonder and humanity of Greece’s ancient pantheon onto In the Time of Gods’ modern cautionary tales, further evidence of the contention that Williams is among the finest Folk/Pop songwriters of the last half century.