Stage Door

A musical worth seeing, events at Know (one serious, the other entertaining) plus a Super Bowl commercial

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If/Then
If/Then

Tom Kitt and Brian Yorkey met with great success when they created next to normal, winning several Tony Awards and the 2010 Pulitzer Prize for drama. They didn’t strike gold with their next show, If/Then, onstage locally for just a week in a touring production — but I found it to be a very satisfying, if complex work. (Read my Curtain Call interview with Kitt and Yorkey here.) Elizabeth is recently divorced and trying to decide what path to take next. She asks herself musically “What If” she takes this path or that — and this show lets us follow her down two divergent threads, one toward a successful professional career as a city planner in New York, the other in a happy marriage with kids that doesn’t quite turn out as she imagined. Her stories are presented in overlapping narratives, since some moments and events are quite close. It requires paying close attention, but it’s definitely worth the effort. It’s made all the easier by a very strong cast — including Jackie Burns in the leading role, Broadway veteran Anthony Rapp as Lucas, one of her close friends (he originated the role on Broadway Lucas and played videographer Mark in the original cast of Rent back in 1996) and Tamyra Gray as Kate, who pushes Elizabeth in a different direction. The show’s inventive staging, using video and fluidly moving set pieces, is also a fine example of contemporary theater design. Definitely worth seeing. Onstage through Sunday.

In

BlackTop Sky at Know Theatre,

Ida’s view from an asphalt-paved courtyard surrounded by the housing project where she lives isn’t pretty.   The 18-year-old yearns to escape, but her avenues are limited. The safe, predictable route is with Wynn, her boyfriend, a hardworking auto mechanic. Then there’s Klass, an all-but-inarticulate homeless man who settle on two park benches. Ida is caught between these two poles. This is a show about lives that are pretty dead-end. Nevertheless, Christina Anderson’s script has its moments, especially with Kimberly Faith Hickman’s purposeful staging of 34 distinct scenes, several of them entirely wordless. Anderson writes with occasional lyricism and feeling, but desperation underlies these sad stories. That being said, the telling holds out a promise of change. That’s an important if not altogether entertaining message. Onstage through Feb. 20.

Also at Know, the fourth outing of

Serials gets under way on Monday evening at 7:30 p.m. They’ve dubbed this one Thunderdome 2 – Beyond Thunder , meaning that each evening two of the five shows will be voted out by the audience, to be replaced by two new shows at the following session. Serials 4 features some writers and directors who entertained audiences in previous iterations of Serials . But several new talents have entered the fray, and the Know staff tells me, “There are some seriously strong story pitches this round!” They feel that the “gentle competition” of Thunderdome leads to stronger writing and a better audience experience. Writers who take the challenge must leap quickly into their narratives; if they lag behind, they’ll be struck by a thunderclap and end up in the audience at the next round. Subsequent episodes are set for Feb. 22, March 7 and 21 and April 4.

Finally: If you’re tuned in to the Super Bowl on Sunday evening, keep an eye out for a 30-second commercial for Gold Star Chili. It was shot locally, featuring 15 Cincinnati actors at several Gold Star locations. Ensemble Theatre’s Lynn Meyers did the casting for it, so you’ll see some familiar faces often featured on local stages.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories 

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