Posted inArts & Culture In the Spirit of New Year Resolutions, It’s Time for a Reset on Haze in Theater Productions by Jackie Mulay December 20, 2019March 26, 2024
Posted inArts & Culture Cincy Shakespeare Company’s ‘Merry Wives of Windsor’ is Enjoyable, But Unfocused by Jackie Mulay November 20, 2019July 10, 2024
Posted inArts & Culture Cincinnati Shakespeare Company’s ‘Titus Andronicus’ is Riveting But Hollow by Jackie Mulay October 14, 2019January 25, 2025
Posted inArts & Culture Know’s Outer Space-Set ‘Absentee’ is a Hilarious and Surprisingly Poignant Look at Democracy and the Power of Relationships by Jackie Mulay September 16, 2019February 6, 2025
Posted inArts & Culture ‘August: Osage County’ at Cincy Shakes is Raw, Captivating by Jackie Mulay September 9, 2019July 1, 2025
Posted inArts & Culture ‘Scary Stories to Tell in the Dark’ is Nightmare Fuel for a New Generation by Jackie Mulay August 12, 2019April 5, 2025
Posted inArts & Culture Know Theatre’s ‘Girl in the Red Corner’ Rolls Through the Punches by Jackie Mulay July 29, 2019July 5, 2024
Posted inArts & Culture Ensemble’s ‘The Wolves’ is an Exceptional Ode to Female Warriors by Jackie Mulay June 10, 2019March 27, 2025
Posted inArts & Culture FRINGE 2019 REVIEW: ‘Stow Your Baggage’ by Jackie Mulay June 5, 2019March 26, 2024
Posted inArts & Culture FRINGE 2019 REVIEW: ‘Diagnose This! Tales of a Medical Actor’ by Jackie Mulay June 3, 2019June 7, 2024
Posted inArts & Culture FRINGE 2019 CRITIC’S PICK: ‘Let’s Prank Call Each Other’ by Jackie Mulay June 2, 2019November 1, 2024
Posted inArts & Culture FRINGE 2019 REVIEW: ‘The Devil on the Wall or, That Time I Got Kidnapped’ by Jackie Mulay June 2, 2019March 26, 2024