Dan Deacon’s dense electronic soundscapes are not subtle. The longtime Baltimore (by way of Long Island, N.Y.) resident’s music teems with buzzing synths and maximalist beats, his processed yet oddly humanizing voice complementing instead of cutting through the mix. Deacon’s breakthrough album, 2007’s Spiderman of the Rings, ushered in a one-man sonic kaleidoscope — it moves […]
