T he following are some phrases used to describe The Book of Mormon since the award-winning musical opened on Broadway in 2011: an “entertaining act of musical-comedy subversion,” “bawdy and irreverent,” “slick and smutty,” “incredibly sweet,” “blasphemous, scurrilous and more foul-mouthed than David Mamet on a blue streak,” “a mixture of reverence and ridicule,” “happily […]
