The cast of “Hamilton” Photo: Joan Marcus

It’s no secret that Lin-Manuel Miranda’s megahit 
Hamilton  is finally touring, making a three-week tour stop here, Feb. 19-March 10 at the Aronoff Center. The score uses Hip Hop, Jazz, Blues, Rap, R&B and Broadway melodies to tells the story of Alexander Hamilton, an immigrant from the West Indies who became a hero during the American Revolution and the shaper of the young nation. Despite the length of the run, tickets are scarce, but there will be daily lotteries for a few seats if you care to try your luck.

The cast of Cincinnati Playhouse in the Park’s production of “In The Heights” Photo: Michael Brosilow

Hamilton wasn’t Miranda’s first hit: That would be In the Heights, the 2008 Tony Award winner about life in New York City’s Hispanic-American community, Washington Heights, a musical stew of Latin energy. The Playhouse in the Park is producing this one, Jan. 19-Feb. 17, a savvy move in close proximity to Hamilton’s upcoming presentation.

As a longtime fan of Cuban Pop singer Gloria Estefan and the infectious Latin rhythms of the Miami Sound Machine, I’m eager to catch a performance of On Your Feet during its tour stop at the Aronoff Center, March 19-24. How she and her husband Emilio became a crossover Pop sensation is an inspiring tale, with lots of memorable music.

“Fences” Photo: Provided by Cincinnati Shakespeare Company

Prefer some drama? Check out a pair of plays by America’s great African-American playwright, August Wilson: Fences at Cincinnati Shakespeare Company (Jan. 25-Feb. 16) and Two Trains Running at the Playhouse in the Park (March 7-30). And don’t miss Ensemble Theatre’s hat trick of award-winning new works, a trio of regional premieres: Lucas Hnath’s A Doll’s House, Part 2 (March 2-30), Dominique Morisseau’s Skeleton Crew (April 13-May 11) and Sarah DeLappe’s The Wolves (June 1-29). All three are among the most produced shows on American stages this season.

RICK PENDER has written about theater for CityBeat since its first issues in 1994. Before that he wrote for EveryBody’s News. From 1998 to 2006 he was CityBeat’s arts & entertainment editor. Retired...

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