Although not so many people pay attention to Sir Noel Coward today, he was truly a renaissance man — a playwright, composer, director, actor and singer. During the middle of the 20th century (he died in 1973) he was a “bon vivant,” a public personality whose witty pronouncements entertained people from all walks of life.

One of his most enduring plays is Blithe Spirit, the story of a séance that backfires leaving the leading man haunted by the ghost of his irritating first wife. The show had a well-received Broadway revival in 2009 (Angela Lansbury won her fifth Tony playing the eccentric medium Madame Arcati), and for the next few weeks you can channel this humorous piece with a stop at Cincinnati Shakespeare’s downtown theater.

Director Brian Isaac Phillips calls it “a very, very funny play full of wit and absurdity.” He adds that a frivolous piece like this feels a bit like a summer vacation for members of the acting company, including Corinne Mohlenhoff and Jeremy Dubin, who proved they know what to do with a witty script from Coward, having co-starred in Cincinnati Shakespeare’s production of another of his plays, Private Lives, in 2005.

Read Rick Pender’s review and get showtimes and ticket information here.

RICK PENDER has written about theater for CityBeat since its first issues in 1994. Before that he wrote for EveryBody’s News. From 1998 to 2006 he was CityBeat’s arts & entertainment editor. Retired...

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